Sound Editor
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Re-recording Mixer / Sound Designer
The Last Black Man in San Francisco (2019)
Directed by: Joe Talbot
Cinematography by: Adam Newport-Berra
Edited by: David Marks
Cameras: ARRI ALEXA Mini Camera
Additional Original Music By
The Lost City of Z (2016)
Directed by: James Gray
Cinematography by: Darius Khondji
Additional Re-Recording Mixer
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Re-recording Mixer / Sound Designer
Love Is Strange (2014)
Directed by: Ira Sachs
Cinematography by: Christos Voudouris
Sound Designer And Re-Recording Mixer , Supervising Sound Editor
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Sound Effects Editor
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Sound Effects Editor
Texas Killing Fields (2011)
Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo
Cameras: Panavision Genesis Camera
Re-Recording Sound Mixer
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Re-recording Mixer
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Re-recording Mixer / Sound Designer
Ballast (2008)
Directed by: Lance Hammer
Cinematography by: Lol Crawley
Edited by: Lance Hammer
Re-Recording Mixer
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Sound Re-recording Mixer
Sleep Dealer (2008)
Directed by: Alex Rivera
Cinematography by: Lisa Rinzler
Sound Effects Editor
The Simpsons Movie (2007)
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Rerecording Mixer
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Re-Recording Mixer
Bonneville (2006)
Directed by: Christopher N. Rowley
Cinematography by: Jeffrey L. Kimball
Re-recording Mixer
Marie Antoinette (2006)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Re-Recording Mixer / Sound Designer
Sea of Dreams (2006)
Directed by: José Pepe Bojórquez
Cinematography by: Chris Chomyn
Edited by: Tia Nolan
Additional Sound Mixer
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Re-recording Mixer
Lost in Translation (2003)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Cameras: Aaton 35-III Camera, Moviecam Compact Camera
Lenses: Angenieux Lenses, Zeiss Super Speed Lenses
Re-recording Mixer
My Boss's Daughter (2003)
Directed by: David Zucker
Cinematography by: Martin McGrath
Mix Technician
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer: Effects, Temp Mix
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Assistant Re-recording Mixer / Re-recording Mixer: Italian, Slovak And Hungarian Versions , Mix Technician
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Mix Technician
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Re-recording Mixer
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Mix Technician
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Re-recording Mixer
CQ (2001)
Directed by: Roman Coppola
Cinematography by: Robert D. Yeoman
Edited by: Leslie Jones
Mix Technician
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Mix Technician
Bandits (2001)
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Mix Technician
Monsters, Inc. (2001)
Mix Technician: Skywalker Sound
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Mix Technician
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Mix Technician
Into the Arms of Strangers: Stories of the Kindertransport (2000)
Directed by: Mark Jonathan Harris
Cinematography by: Don Lenzer
Edited by: Kate Amend
Mix Technician
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Mix Technician
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Mix Technician
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mix Technician: Premix
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Mix Technician
Quills (2000)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Peter Boyle
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mix Technician, Re-recording Mixer: Effects, Temp Mix
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Assistant Re-Recording Mixer , Mix Technician
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Rerecording Mixer: Effects, Temp Mix
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Assistant Re-recording Mixer / Re-recording Mixer: Effects, Temp Mix , Mix Technician
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Mix Technician
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mix Technician
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Mix Technician
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Re-recording Mixer: Effects, Temp Mix
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Assistant Re-Recording Mixer , Mix Technician
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Re-recording Mixer , Mix Technician: Skywalker Sound
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Mix Technician
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Mix Technician
Stepmom (1998)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Assistant Re-recording Mixer , Mix Technician
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Mix Technician
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Assistant Re-recording Mixer , Sound Mix Technician
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Re-recording Mixer , Mix Technician
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mix Technician
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Mix Technician
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Mix Technician
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Assistant Re-recording Mixer
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Assistant Re-recording Mixer , Mix Technician
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Daily Synchronization / Dubbing Sound / Walla Recordist
Wounded (1997)
Directed by: Richard Martin
Cinematography by: Gregory Middleton
Edited by: Kerry Uchida
Mix Technician
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mix Technician
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Mix Technician
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Assistant Re-recording Mixer , Mix Technician
Mimic (1997)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Mix Technician: 5.1 EX & ES Remixes
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Sound Remastering: The Complete Novel, American Zoetrope And ZAP
The Outsiders (1983)
Directed by: Francis Ford Coppola
Cinematography by: Stephen H. Burum
Sound Remastering
The Escape Artist (1982)
Directed by: Caleb Deschanel
Cinematography by: Stephen H. Burum
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
