Visual Effects Supervisor/producer
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Producer: Pixel Magic
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Visual Effects Supervisor
We Are Your Friends (2015)
Directed by: Max Joseph
Cinematography by: Brett Pawlak
Cameras: Red Epic Dragon Camera
Visual Effects Supervisor: 2nd Unit
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor/producer
'Nashville' On the Other Hand (2014)
Directed by: Callie Khouri
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Visual Effects Supervisor/producer
'Nashville' All or Nothing with Me (2014)
Directed by: Michael Waxman
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Visual Effects Supervisor/producer
'Nashville' Your Good Girl's Gonna Go Bad (2014)
Directed by: Mario Van Peebles
Cinematography by: Michael Lohmann
Visual Effects Supervisor/producer
'Nashville' Crazy (2014)
Directed by: Jean de Segonzac
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Visual Effects Supervisor/producer
'Nashville' Your Wild Life's Gonna Get You Down (2014)
Directed by: Julie Hébert
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Visual Effects Supervisor/producer
'Nashville' We've Got Things to Do (2014)
Directed by: Ron Underwood
Cinematography by: Michael Lohmann
Visual Effects: Pixel Magic
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Pixel Magic
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Visual Effects Supervisor: Pixel Magic
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Visual Effects Supervisor/producer
The Butler (2013)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Visual Effects Supervisor: Pixel Magic
The Conjuring (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Supervisor
Insidious: Chapter 2 (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Visual Effects Producer/supervisor
'Nashville' I'm Tired of Pretending (2013)
Directed by: Kevin Dowling
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Visual Effects Producer/supervisor
'Nashville' Hanky Panky Woman (2013)
Directed by: Eric Stoltz
Cinematography by: Michael Lohmann
Visual Effects Supervisor And Producer
'Nashville' It Must Be You (2013)
Directed by: Kate Woods
Cinematography by: Michael Lohmann
Edited by: Lizzy Calhoun
Visual Effects Supervisor/producer
'Nashville' I Fall to Pieces (2013)
Directed by: Michael Waxman
Cinematography by: Michael Lohmann
Edited by: Farrel Levy
Visual Effects Supervisor: Pixel Magic
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Visual Effects Supervisor
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Visual Effects Supervisor: Pixel Magic
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Visual Effects Supervisor: Pixel Magic
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Supervisor/producer / Visual Effects Producer/supervisor / Visual Effects Supervisor And Producer - 10 Episodes, 2013-2014
Nashville (2012)
Directed by: Callie Khouri, Stephen Cragg, Michael Lohmann, Mike Listo, Paul McCrane, Julie Hébert, Michael Waxman, Allan Arkush, Dan Lerner, Mario Van Peebles, Eric Stoltz, Jean de Segonzac, Arlene Sanford, Lily Mariye, Mike Binder, Timothy Busfield, R.J. Cutler, Patrick R. Norris, Sanaa Hamri, Bethany Rooney, Eric Close, Ron Underwood, Jan Eliasberg, Jet Wilkinson, Devon Gummersall, Dawn Wilkinson, Jesse Zwick, Michael Engler, Lesli Linka Glatter, Mimi Leder, David Petrarca, Wendey Stanzler, Kevin Dowling, Paul A. Edwards, Michael Grossman, Jonathan Pontell, Kate Woods, Thomas Carter, Joe DeMaio, David Grossman, Elodie Keene, Joanna Kerns, Nelson McCormick, Steve Robin, John Carrafa, Michael Goi, Maggie Greenwald, Ron Lagomarsino, Ellen S. Pressman
Cinematography by: Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters
Edited by: Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras: ARRI ALEXA Camera
Stereo Fx Supervisor: Pixel Magic
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Stereo Visual Effects Supervisor: Pixel Magic
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Pixel Magic
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Visual Effects Supervisor: Pixel Magic
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Visual Effects Supervisor: Pixel Magic
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Stereo Fx Supervisor: Pixel Magic
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Stereo Fx Supervisor: Pixel Magic
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Pixel Magic
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Visual Effects Supervisor
Vampires Suck (2010)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Visual Effects Supervisor
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Visual Effects: Pixel Magic
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Visual Effects Supervisor
She's Out of My League (2010)
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Visual Effects Supervisor
12 Rounds (2009)
Directed by: Renny Harlin
Cinematography by: David Boyd
Edited by: Brian Berdan
Visual Effects Supervisor
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Visual Effects Supervisor: Pixel Magic
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Visual Effects Supervisor: Pixel Magic
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
Midnight Movie (2008)
Directed by: Jack Messitt
Edited by: Kristoffer Villarino
Visual Effects Supervisor: Pixel Magic
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Visual Effects Supervisor: Pixel Magic
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Visual Effects Supervisor: Pixel Magic
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor
Nights in Rodanthe (2008)
Directed by: George C. Wolfe
Cinematography by: Affonso Beato
Edited by: Brian A. Kates
Visual Effects Supervisor: Pixel Magic
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects Supervisor: Pixel Magic
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Visual Effects Supervisor
The Comebacks (2007)
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell
Visual Effects Supervisor: Pixel Magic
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Visual Effects Supervisor: Pixel Magic
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Visual Effects Supervisor: Pixel Magic
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Visual Effects Supervisor: Pixel Magic
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Visual Effects Supervisor
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Visual Effects Supervisor: Pixel Magic
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Visual Effects Supervisor
Deck the Halls (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Visual Effects Supervisor
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Visual Effects Supervisor: Pixel Magic
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Visual Effects Supervisor: Pixel Magic
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Pixel Magic
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Visual Effects Supervisor: Pixel Magic
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Digital Effects Supervisor: Pixel Magic
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Visual Effects Supervisor: Pixel Magic
Anchorman: The Legend of Ron Burgundy (2004)
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Visual Effects Supervisor: Pixel Magic
Spanglish (2004)
Directed by: James L. Brooks
Cinematography by: John Seale
Visual Effects Supervisor: Pixel Magic
Torque (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Visual Effects Supervisor
Godsend (2004)
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Visual Effects Supervisor: Pixel Magic
Walking Tall (2004)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Visual Effects Supervisor: Pixel Magic
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Visual Effects Supervisor: Pixel Magic
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Visual Effects Supervisor
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Visual Effects Supervisor: Pixel Magic
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Pixel Magic
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Visual Effects Supervisor: Pixel Magic
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Visual Effects Supervisor: Pixel Magic
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Visual Effects Supervisor: Pixel Magic
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Visual Effects Supervisor: Pixel Magic
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Visual Effects Supervisor: Pixel Magic
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Visual Effects Supervisor: Pixel Magic
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Visual Effects Supervisor: Pixel Magic
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Visual Effects Supervisor: Pixel Magic
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Co-visual Effects Supervisor: Pixel Magic
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Visual Effects Supervisor
Agent Cody Banks (2003)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Pixel Magic
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Pixel Magic
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Visual Effects Supervisor
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Pixel Magic
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Visual Effects Supervisor: Pixel Magic
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Digital Effects Supervisor: OCS/Freeze Frame/Pixel Magic
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Visual Effects Supervisor: Pixel Magic
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Visual Effects Supervisor: OCS/Freeze Frame/PixelMagic
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Visual Effects Supervisor: Pixel Magic
3000 Miles to Graceland (2001)
Directed by: Demian Lichtenstein
Cinematography by: David Franco
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Visual Effects Supervisor: Pixel Magic
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Visual Effects Supervisor: Pixel Magic
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Visual Effects Supervisor: Pixel Magic
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Visual Effects Supervisor
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Visual Effects Supervisor: Pixel Magic
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Visual Effects Supervisor: Pixel Magic
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Visual Effects Supervisor: Pixel Magic
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Visual Effects Supervisor: Pixel Magic
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Visual Effects Supervisor: Pixel Magic
Scream 3 (2000)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Visual Effects Supervisor: Pixel Magic
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Effects Supervisor: OCS/Freeze Frame/Pixel Magic
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Visual Effects Supervisor
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Digital Effects Supervisor
Nothing to Lose (1997)
Directed by: Steve Oedekerk
Cinematography by: Donald E. Thorin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Visual Effects Supervisor: OCS
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Visual Effects Supervisor
Riders of the Purple Sage (1996)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: David Holden
Digital Effects Supervisor: OCS/Freeze Frame/Pixel Magic
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Effects Supervisor
The Tuskegee Airmen (1995)
Directed by: Robert Markowitz
Cinematography by: Ron Orieux
Edited by: David Beatty
Digital Supervisor: OCS/Freeze Frame/Pixel Magic
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Digital Effects Artist
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
