Prosthetics Technician: Blue Whale Studios Inc
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Makeup Artist
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Prosthetic Makeup Artist: Creature Effects
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Prosthetic Makeup Artist: Creature Effects - 1 Episode, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Animal Prop Fabricator , Specialty Costume Fabricator: Spectral Motion Inc , Suit Construction Art Department: Mike Elizalde's Spectral Motion
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Prosthetics Technician: Fractured FX
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Prosthetics Technician: Tinsley Studio
'American Horror Story' Burn, Witch. Burn! (2013)
Directed by: Jeremy Podeswa
Cinematography by: Michael Goi
Edited by: Adam Penn
Prosthetics Technician: Tinsley Studio
'American Horror Story' Fearful Pranks Ensue (2013)
Directed by: Michael Uppendahl
Cinematography by: Michael Goi
Edited by: Stewart Schill
Foam Technician: Specialty Costumes
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Prosthetics Technician: Spectral Motion
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Foam Technician: Specialty Costumes
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Foam Technician: Specialty Costumes
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Foam Technician: Specialty Costumes / Prosthetics Technician
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Silicone Technician: Special Motion
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Foam Technician: Specialty Costumes
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Prosthetics Technician: Spectral Motion
Big Mommas: Like Father, Like Son (2011)
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Creature Foam Technician: Spectral Motion
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Creature Foam Technician: Spectral Motion
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Prosthetics Technician: Tinsley Studio - 2 Episodes, 2013
American Horror Story (2011)
Directed by: Bradley Buecker, Alfonso Gomez-Rejon, Michael Uppendahl, Loni Peristere, Michael Goi, Gwyneth Horder-Payton, Jennifer Lynch, Ryan Murphy, Michael Lehmann, David Semel, Howard Deutch, Jeremy Podeswa, Michael Rymer, Angela Bassett, Miguel Arteta, Tim Hunter, John Scott, Craig Zisk, Anthony Hemingway, Nelson Cragg, Marita Grabiak, Elodie Keene, Alexis Ostrander, Barbara Brown, Rachel Goldberg, Liza Johnson, Maggie Kiley, Jennifer Arnold, Sheree Folkson, Sarah Paulson
Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba
Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Lenses, Panavision Lenses
Prosthetics Technician: Spectral Motion
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Lead Prosthetic Technician: Spectral Motion
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Special Effects Technician
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Special Effects Technician
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Prosthetics Technician
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Lab Technician: Spectral Motion
Don't Be Afraid of the Dark (2010)
Directed by: Troy Nixey
Cinematography by: Oliver Stapleton
Edited by: Jill Bilcock
Foam Latex Technician: Spectral Motion, Suit Technician
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Foam Latex Technician: Spectral Motion
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Makeup Effects Technician
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Foam Department: Mike Elizalde's Spectral Motion
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Special Makeup Crew: Spectral Motion
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Special Makeup Effects Artist
Drive Thru (2007)
Cinematography by: Vincent E. Toto
Edited by: Daniel R. Padgett
Cameras: Panavision Panaflex Gold II Camera
Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
Editing System: Avid Editing System
Prosthetic Department: Spectral Motion, Inc.
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Prosthetics Technician: Spectral Motion
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Foam Latex Technician: Smith FX
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Prosthetics Technician: Spectral Motion, Inc.
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Prosthetics Technician: Spectral Motion
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Foam Latex Technician: Edge FX
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Foam Latex Technician: Xmen Costume Department
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foam Department Supervisor: Steve Johnson's Edge FX
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foam Department Supervisor: Steve Johnson's Edge FX, Inc.
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Foam Latex Technician
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foam Latex Technician: Cinovation
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Foam Latex Technician: Cinovation Studios
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Foam Latex Technician: Cinovation Studios
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Foam Latex Technician: Cinovation Studios
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Lab Technician
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Prosthetics Department Supervisor: XFX
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Foam Department Supervisor: XFX
Can of Worms (1999)
Directed by: Paul Schneider
Cinematography by: Mark Irwin
Edited by: Andrew Cohen
Prosthetics Technician
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Makeup Effects Artist
Another Day in Paradise (1998)
Directed by: Larry Clark
Cinematography by: Eric Alan Edwards
Edited by: Luis Colina
Prosthetics Technician
Gods and Monsters (1998)
Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz
Cameras: ARRIFLEX Camera
Foam Latex Technician: PTD
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Miniature Painter: Digital Domain , Model Painter , Puppet Finisher: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Painter
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Lab Assistant
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Foam Latex Technician: GM Foam
Turbo: A Power Rangers Movie (1997)
Cinematography by: Ilan Rosenberg
Prosthetic Technician: Sota FX
Breast Men (1997)
Directed by: Lawrence O'Neil
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Lab Assistant
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Lab Assistant
Kalifornia (1993)
Directed by: Dominic Sena
Cinematography by: Bojan Bazelli
Edited by: Martin Hunter
Cameras: ARRI Cameras
Editing System: Lightworks Editing System
