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Score Vocalist

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

The Lion King | ShotOnWhat?

Singer

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

The Nun | ShotOnWhat?

Vocal Contractor

The Nun (2018)

Directed by: Corin Hardy

Cinematography by: Maxime Alexandre

Edited by: Michel Aller, Ken Blackwell

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Bad Times at the El Royale | ShotOnWhat?

Vocal Contractor/choir Director

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

War for the Planet of the Apes | ShotOnWhat?

Vocal Contractor

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Vocal Contractor

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Star Trek Beyond | ShotOnWhat?

Choir Contractor: Vocalist

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Ice Age: Collision Course | ShotOnWhat?

Choir Contractor: Vocalist

Ice Age: Collision Course (2016)

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

"Master of None" Old People | ShotOnWhat?

Singer

'Master of None' Old People (2015)

Television Episode

Directed by: Lynn Shelton

Cinematography by: Mark Schwartzbard

Edited by: Jennifer Lilly

Master of None | ShotOnWhat?

Singer

Master of None (2015)

Television Series

Directed by: Aziz Ansari, Eric Wareheim, James Ponsoldt, Lynn Shelton, Melina Matsoukas, Alan Yang

Cinematography by: Mark Schwartzbard

Edited by: Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Cameras: Panasonic VariCam 35

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Fifty Shades of Grey | ShotOnWhat?

Choir Contractor: Vocalist

Fifty Shades of Grey (2015)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Choir Contractor: Vocalist

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Tomorrowland | ShotOnWhat?

Choir Contractor: Vocalist

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Gone Girl | ShotOnWhat?

Vocal Contractor: Vocalist

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Dawn of the Planet of the Apes | ShotOnWhat?

Choir Contractor: Vocalist

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Think Like a Man Too | ShotOnWhat?

Vocal Contractor: Vocalist

Think Like a Man Too (2014)

Directed by: Tim Story

Cinematography by: Christopher Duskin

Edited by: Peter S. Elliot

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Super Speed Lenses

Star Trek Into Darkness | ShotOnWhat?

Vocal Contractor

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Epic | ShotOnWhat?

Vocal Contractor

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

Oz the Great and Powerful | ShotOnWhat?

Choir Contractor: Vocalist

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

John Carter | ShotOnWhat?

Choir Contractor

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Men in Black 3 | ShotOnWhat?

Choir Contractor / Singer

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Thousand Words | ShotOnWhat?

Vocal Contractor / Vocal Contractor: Vocalist

A Thousand Words (2012)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Choir Contractor

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Tooth Fairy | ShotOnWhat?

Choir Contractor

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Wolfman | ShotOnWhat?

Choir Contractor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek | ShotOnWhat?

Choir Contractor

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Wanted | ShotOnWhat?

Vocal Contractor

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hairspray | ShotOnWhat?

Vocal Contractor

Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Enchanted | ShotOnWhat?

Choir Contractor

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Beowulf | ShotOnWhat?

Vocal Contractor: L.A. Studio Voices

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

License to Wed | ShotOnWhat?

St. Augustine's Choir

License to Wed (2007)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Vocal Contractor

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Spider-Man 3 | ShotOnWhat?

Singer

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Vocal Contractor

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Nacho Libre | ShotOnWhat?

Choir Contractor

Nacho Libre (2006)

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

Charlotte's Web | ShotOnWhat?

Choir Contractor

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Fantastic Four | ShotOnWhat?

Choral Contractor

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

The Prize Winner of Defiance, Ohio | ShotOnWhat?

Vocal Contractor

The Prize Winner of Defiance, Ohio (2005)

Directed by: Jane Anderson

Cinematography by: Jonathan Freeman

Edited by: Robert Dalva

Spider-Man 2 | ShotOnWhat?

Singer

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Core | ShotOnWhat?

Choir Contractor: Vocalist

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Daredevil | ShotOnWhat?

Choir Mistress

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Brother Bear | ShotOnWhat?

Vocal Contractor

Brother Bear (2003)

Directed by: Aaron Blaise, Robert Walker

Edited by: Tim Mertens

Peter Pan | ShotOnWhat?

Singer

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Spider-Man | ShotOnWhat?

Singer

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Men in Black II | ShotOnWhat?

Singer

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ice Age | ShotOnWhat?

Vocal Contractor

Ice Age (2002)

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

The Santa Clause 2 | ShotOnWhat?

Choir Contractor

The Santa Clause 2 (2002)

Directed by: Michael Lembeck

Cinematography by: Adam Greenberg

Edited by: David Finfer

The Affair of the Necklace | ShotOnWhat?

Vocal Contractor

The Affair of the Necklace (2001)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: David Moritz

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

The Family Man | ShotOnWhat?

Vocal Contractor

The Family Man (2000)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

102 Dalmatians | ShotOnWhat?

Choir Contractor

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

Snow Day | ShotOnWhat?

Vocal Contractor

Snow Day (2000)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Finfer

Dinosaur | ShotOnWhat?

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Galaxy Quest | ShotOnWhat?

Vocal Contractor

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Tarzan | ShotOnWhat?

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

Stigmata | ShotOnWhat?

Vocal Contractor

Stigmata (1999)

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

Teaching Mrs. Tingle | ShotOnWhat?

Vocal Contractor

Teaching Mrs. Tingle (1999)

Directed by: Kevin Williamson

Cinematography by: Jerzy Zielinski

Edited by: Debra Neil-Fisher

Mulan | ShotOnWhat?

Vocal Contractor

Mulan (1998)

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

Armageddon | ShotOnWhat?

Choir Contractor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mafia! | ShotOnWhat?

Choir Contractor

Mafia! (1998)

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

Hercules | ShotOnWhat?

Vocal Contractor

Hercules (1997)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Anastasia | ShotOnWhat?

Vocal Contractor

Anastasia (1997)

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Men in Black | ShotOnWhat?

Singer

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Alien: Resurrection | ShotOnWhat?

Vocal Conductor

Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Good Will Hunting | ShotOnWhat?

Vocal Contractor

Good Will Hunting (1997)

Directed by: Gus Van Sant

Cinematography by: Jean-Yves Escoffier

Edited by: Pietro Scalia

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Twister | ShotOnWhat?

Choir Contractor

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Boxing Helena | ShotOnWhat?

Female Vocalist

Boxing Helena (1993)

Directed by: Jennifer Lynch

Cinematography by: Bojan Bazelli, Frank Byers

Edited by: David Finfer

The Princess and the Cobbler | ShotOnWhat?

Princess YumYum (Majestic Films Version) / Additional Voices (Miramax Version)

The Thief and the Cobbler (1993)

Directed by: Richard Williams

Cinematography by: John Leatherbarrow

Edited by: Peter Bond

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