Lead Rotoscoper
Youth (2015)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Cameras: Red Epic Dragon Camera
Lenses: Zeiss Ultra Prime Lenses
Lead Rotoscope Artist: Peerless Camera Co
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Lead Rotoscope Artist: Peerless Camera Co
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Lead Rotoscope Artist: Peerless Camera Co. Ltd.
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Senior Roto Artist: Peerless Camera Company
The Devil's Double (2011)
Directed by: Lee Tamahori
Cinematography by: Sam McCurdy
Edited by: Luis Carballar
Cameras: ARRIFLEX 435 Camera, Red One Camera
Lead Rotoscope Artist: Peerless Camera Co. Ltd
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Lead Rotoscope Artist: Peerless Camera Co.
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Lead Rotoscope Artist: Peerless Camera Co. Ltd.
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Lead Rotoscope Artist
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Lead Rotoscope Artist: Peerless Camera Company
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Senior Rotoscope Artist: Peerless Camera Company
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Lead Rotoscope Artist: Peerless Camera Co. Ltd.
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Lead Rotoscope Artist
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Senior Roto Artist: Peerless Camera Company
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Lead Rotoscope Artist
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Lead Rotoscope Artist
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Lead Rotoscope Artist: Peerless Camera Co. Ltd
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lead Rotoscope Artist: Peerless Camera Co. Ltd.
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Senior Roto Artist: Peerless Camera Company
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Lead Rotoscope Artist: Peerless Camera Co. Ltd
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Lead Rotoscope Artist: Peerless Camera Company
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Senior Roto Artist: Peerless Computer Company
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Senior Rotoscope Artist: Peerless
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Senior Rotoscope Artist: Peerless Camera Company
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Lead Rotoscope Artist: Weta Digital
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Lead Roto Artist: Peerless Camera Company
Les rivières pourpres 2 - Les anges de l'apocalypse (2004)
Directed by: Olivier Dahan
Cinematography by: Alex Lamarque
Edited by: Richard Marizy
Lead Rotoscope Artist: Peerless Camera Co. Ltd.
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Lead Rotoscope Artist: Peerless Camera Co. Ltd.
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Lead Rotoscope Artist: Peerless
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Rotoscope Artist
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Rotoscope Artist: Peerless
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Optical Cameraman
Hotel Splendide (2000)
Directed by: Terence Gross
Cinematography by: Gyula Pados
Edited by: Michael Ellis
Optical Cameraman
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Optical Cameraman
Angela's Ashes (1999)
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Optical Cameraman
The War Zone (1999)
Directed by: Tim Roth
Cinematography by: Seamus McGarvey
Edited by: Trevor Waite
Optical Cameraman
The End of the Affair (1999)
Directed by: Neil Jordan
Cinematography by: Roger Pratt
Edited by: Tony Lawson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Effects
Ravenous (1999)
Directed by: Antonia Bird
Cinematography by: Anthony B. Richmond
Edited by: Neil Farrell
Optical Cameraman
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Rostrum Cameraman
Lock, Stock and Two Smoking Barrels (1998)
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Niven Howie
Cameras: ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Editing System: Lightworks Editing System
Optical Cameraman
The Land Girls (1998)
Directed by: David Leland
Cinematography by: Henry Braham
Edited by: Nick Moore
Optical Cameraman
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Optical Cameraman
Velvet Goldmine (1998)
Directed by: Todd Haynes
Cinematography by: Maryse Alberti
Edited by: James Lyons
Cameras: Aaton Cameras, Panavision Panaflex Gold Camera
Optical Cameraman
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Optical Cameraman
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
Digital Compositor / Motion Control Camera Assistant
Fierce Creatures (1997)
Edited by: Robert Gibson
Effects Camera: Peerless Camera Co. Ltd.
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Rostrum/optical Cameraman
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Motion Control Camera Assistant
Mary Reilly (1996)
Directed by: Stephen Frears
Cinematography by: Philippe Rousselot
Edited by: Lesley Walker
Optical Effects: Peerless Camera Co.
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Digital Compositor: Peerless Camera
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Motion Control Camera Assistant
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Rostrum Cameraman
A Good Man in Africa (1994)
Directed by: Bruce Beresford
Cinematography by: Andrzej Bartkowiak
Edited by: Jim Clark
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rostrum Cameraman
The Remains of the Day (1993)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Rostrum Cameraman
Arizona Dream (1993)
Directed by: Emir Kusturica
Cinematography by: Vilko Filac
Cameras: Panavision Cameras
Motion Control Assistant
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Optical Cameraman
In the Name of the Father (1993)
Directed by: Jim Sheridan
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Rostrum/optical Cameraman
1492: Conquest of Paradise (1992)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Rostrum/optical Cameraman
The Fisher King (1991)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Optical Cameraman
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Optical Effects Coordinator: Peerless Camera Co. Ltd.
The Adventures of Baron Munchausen (1988)
Directed by: Terry Gilliam
Cinematography by: Giuseppe Rotunno
Edited by: Peter Hollywood
Rotoscope Artist
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Matte Photography: Optical Film Effects
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Rostrum/matte Cameraman
Clash of the Titans (1981)
Directed by: Desmond Davis
Cinematography by: Ted Moore
Edited by: Timothy Gee
Focus Puller
On Her Majesty's Secret Service (1969)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: John Glen
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Camera Assistant
Battle of Britain (1969)
Directed by: Guy Hamilton
Cinematography by: Freddie Young
Edited by: Bert Bates
Assistant Camera
Chitty Chitty Bang Bang (1968)
Directed by: Ken Hughes
Cinematography by: Christopher Challis
Edited by: John Shirley
Cameras: Super Panavision-70 Camera
Camera Assistant / Visual Effects Floor Camera Department
2001: A Space Odyssey (1968)
Directed by: Stanley Kubrick
Cinematography by: Geoffrey Unsworth
Edited by: Ray Lovejoy
Cameras: Super Panavision-70 Camera
Clapper Loader: Second Unit
You Only Live Twice (1967)
Directed by: Lewis Gilbert
Cinematography by: Freddie Young
Edited by: Thelma Connell
Cameras: Mitchell BNC Camera
