Compositing Artist: Digital Domain
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Digital Compositor
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Lead Compositor
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Digital Compositor
'House of Cards' Chapter 66 (2018)
Directed by: Alik Sakharov
Cinematography by: David M. Dunlap
Edited by: Josh Beal
Digital Compositor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Digital Compositor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Digital Compositor
'The Americans' The World Council of Churches (2017)
Directed by: Nicole Kassell
Cinematography by: Dan Stoloff
Edited by: Sheri Bylander
Digital Compositor
'The Americans' Dyatkovo (2017)
Directed by: Steph Green
Cinematography by: J.B. Smith
Edited by: Amanda Pollack
Digital Compositor
'Bloodline' Part 31 (2017)
Directed by: David Manson
Cinematography by: Jaime Reynoso
Edited by: Ravi Subramanian
Digital Compositor - 1 Episode, 2017
Bloodline (2015)
Directed by: Mikael Håfström, Todd A. Kessler, Ed Bianchi, Michael Morris, Jean de Segonzac, Johan Renck, Daniel Zelman, Mario Van Peebles, Daniel Attias, Adam Bernstein, Simon Cellan Jones, Tate Donovan, Carl Franklin, Alex Graves, Dennie Gordon, Stephen Williams, Michael Apted, David Manson
Edited by: Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget
Cameras: Sony PMW-F55 Camera
Digital Compositor
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Digital Compositor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Digital Compositor
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Visual Effects Crew: Scanline VFX
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Digital Compositor: Scanline VFX
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Digital Compositor - 2 Episodes, 2017
The Americans (2013)
Directed by: Chris Long, Daniel Sackheim, Thomas Schlamme, Daniel Attias, Stefan Schwartz, Kevin Dowling, Nicole Kassell, Adam Arkin, Noah Emmerich, Matthew Rhys, John Dahl, Andrew Bernstein, Steph Green, Kevin Bray, Roxann Dawson, Sylvain White, Alex Chapple, Holly Dale, Jean de Segonzac, Bill Johnson, Jim McKay, Gavin O'Connor, Gregory Hoblit, Lodge Kerrigan, Constantine Makris, Alik Sakharov, Charlotte Sieling, Larysa Kondracki, Christopher Misiano, Stephen Williams, Kari Skogland, Gwyneth Horder-Payton
Cinematography by: Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung
Edited by: Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody
Cameras: ARRI ALEXA Camera
Visual Effects Crew: Scanline VFX
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Digital Compositor - 1 Episode, 2018
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Digital Artist: Scanline VFX
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Artist: ILM
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Compositor: Method Studios
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Digital Compositor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Compositor
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Digital Compositor
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Digital Compositor: LOOK! Effects
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Digital Compositor
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Digital Compositor
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Digital Compositor
The Wrestler (2008)
Directed by: Darren Aronofsky
Cinematography by: Maryse Alberti
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera
Digital Compositor
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Digital Compositor
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Digital Intermediate Colorist
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Compositor: LOOK! Effects
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Compositor
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Digital Compositor
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
2D Visual Effects Supervisor / Lead Compositor
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Compositor
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Compositor: LOOK! Effects Inc.
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Director Of Photography: Additional Photography
Love Hollywood Style (2006)
Directed by: Michael Stein
Cameras: ARRI Cameras, Panavision Cameras
Digital Compositor
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Digital Compositor
Little Miss Sunshine (2006)
Cinematography by: Tim Suhrstedt
Edited by: Pamela Martin
Compositor: LOOK! Effects Inc.
Santa's Slay (2005)
Directed by: David Steiman
Cinematography by: Matthew F. Leonetti
Compositor
Criminal Minds (2005)
Directed by: Glenn Kershaw, Félix Enríquez Alcalá, Rob Bailey, Edward Allen Bernero, Matthew Gray Gubler, John Gallagher, Guy Norman Bee, Larry Teng, Joe Mantegna, Alec Smight, Rob Spera, Charles S. Carroll, Douglas Aarniokoski, Charles Haid, Rob Hardy, Tawnia McKiernan, Diana Valentine, Nelson McCormick, Karen Gaviola, Thomas Gibson, Steve Boyum, Gloria Muzio, Anna Foerster, John Terlesky, Michael Lange, Matt Earl Beesley, Bethany Rooney, Laura Belsey, Hanelle M. Culpepper, Gwyneth Horder-Payton, Jesse Warn, Christoph Schrewe, Sharat Raju, Simon Mirren, Richard Shepard, Andy Wolk, Tim Matheson, Adam Davidson, Bobby Roth, Michael W. Watkins, Dermott Downs, Constantine Makris, Marcus Stokes, Leon Ichaso, Aisha Tyler, Lily Mariye, Adam Rodriguez, Kevin Bray, Ernest R. Dickerson, Peter Ellis, Elodie Keene, Chris Long, Paul Shapiro, J. Miller Tobin, Thomas J. Wright, Steve Shill, John F. Showalter, Skipp Sudduth, Jesús Salvador Treviño, Paul Michael Glaser, Anthony Hemingway, Jason Alexander, John Badham, Jon Cassar, Jan Eliasberg, Rosemary Rodriguez, Guy Ferland, Ali Selim, John T. Kretchmer, Robert Lieberman, Alrick Riley, Heather Cappiello, Carlos Bernard, Oz Scott, A.J. Cook
Edited by: Jimmy Hill, Nina M. Gilberti, Hibah Schweitzer, Michael Schweitzer, Farrel Levy, Adam Wolfe, Jimmy Giritlian, Fred Peterson, Joel Rice, Tamara Luciano, Chris Peppe, Peter B. Ellis, Lisa Bromwell, Eli Nilsen, Dana B. Wilson, Randy Jon Morgan
Compositor
Bones (2005)
Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi
Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli
Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera
Compositor: LOOK! FX Inc.
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Digital Compositor
Mysterious Skin (2004)
Directed by: Gregg Araki
Cinematography by: Steve Gainer
Edited by: Gregg Araki
Digital Compositor
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Digital Compositor
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Digital Compositor
The Librarian: Quest for the Spear (2004)
Directed by: Peter Winther
Cinematography by: Alan Caso
Edited by: Ron Rosen
