Visual Effects
Avengers: Endgame (2019)
| USA
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Visual Effects Artist
Avengers: Infinity War (2018)
| USA
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Artist
Solo: A Star Wars Story (2018)
| USA
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Visual Effects Producer
Black Panther (2018)
| USA
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Compositor / Visual Effects
Ready Player One (2018)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Lead Compositor
King Arthur: Legend of the Sword (2017)
| USA, UK
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Lead Compositor
War for the Planet of the Apes (2017)
| USA, Canada, New Zealand
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Lead Compositor
Guardians of the Galaxy Vol. 2 (2017)
| USA
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Artist
The Fate of the Furious (2017)
| China, USA, Japan
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Visual Effects Artist
Assassin's Creed (2016)
| USA, France, UK, Hong Kong, Taiwan, Malta
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Visual Effects Producer: Lead Compositor
Star Trek Beyond (2016)
| USA, China, United Arab Emirates, Canada
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Visual Effects: Fx Td
Rogue One (2016)
| USA
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Visual Effects: Fx Td
Doctor Strange (2016)
| USA
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Visual Effects Supervisor: Fx Td
Fantastic Beasts and Where to Find Them (2016)
| UK, USA
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Visual Effects Lead
X-Men: Apocalypse (2016)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leica Summilux-C Series Lenses
Lead Compositor
Captain America: Civil War (2016)
| USA
Cinematography by: Trent Opaloch
Lead Compositor/paint
Jurassic World (2015)
| USA
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Compositor
The SpongeBob Movie: Sponge Out of Water (2015)
| USA, South Korea, Australia
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Visual Effects Artist
Star Wars: Episode VII - The Force Awakens (2015)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Compositor
Mad Max: Fury Road (2015)
| Australia, USA, South Africa
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Visual Effects Artist
The Martian (2015)
| UK, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Lead Compositor/paint
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Visual Effects Artist
Terminator Genisys (2015)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Lead Compositor/paint
San Andreas (2015)
| USA
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Lead Compositor
Godzilla (2014)
| USA, Japan
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Lead Compositor
Noah (2014)
| USA
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Lead Compositor
Need for Speed (2014)
| USA, India
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Compositor
Exodus: Gods and Kings (2014)
| UK, Spain, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects
X-Men: Days of Future Past (2014)
| USA, UK, Canada
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lead Compositor/Paint Leads
Divergent (2014)
| USA
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lead Compositor
Teenage Mutant Ninja Turtles (2014)
| USA
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Lead Compositor
Guardians of the Galaxy (2014)
| USA
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lead Compositor/Paint Leads
Transcendence (2014)
| UK, China, USA
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Finaling Lead: Stereo D
Captain America: The Winter Soldier (2014)
| USA
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Compositor
Hercules (2014)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Lead Compositor
G.I. Joe: Retaliation (2013)
| USA
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Visual Effects Artist
The Wolverine (2013)
| USA, UK
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Finaling Lead: Stereo D
Iron Man Three (2013)
| USA
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Lead Compositor Paint
Percy Jackson: Sea of Monsters (2013)
| USA
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Visual Effects Artist
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
3d Conversion: Stereo D
Pacific Rim (2013)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Finaling Lead: Stereo D
Star Trek Into Darkness (2013)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Lead Compositor/Paint Leads
47 Ronin (2013)
| USA, UK, Japan, Hungary
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Compositor
Hansel & Gretel: Witch Hunters (2013)
| Germany, USA
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Lead Paint & Compositor
Life of Pi (2012)
| USA, Taiwan, UK, Canada
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Lead Compositor
Abraham Lincoln: Vampire Hunter (2012)
| USA, Russia
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Lead Compositor / Paint Lead
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Visual Effects Artist
Katy Perry: Part of Me (2012)
| USA
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Compositor
Captain America: The First Avenger (2011)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Paint Artist: Stereo D
Thor (2011)
| USA
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
