Head Of Visual Effects: Jellyfish Pictures
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Managing Director: Jellyfish Pictures
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Managing Director: Jellyfish Pictures
'Stranger Things' Chapter Nine: The Piggyback (2022)
Cinematography by: Caleb Heymann
Head Of Production: One Of Us
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Head Of Production: One Of Us
'The Crown' Lisbon (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Chris Barwell
Head Of Production: One Of Us
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Head Of Production: One Of Us
'The Crown' Misadventure (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Ben Lester
Head Of Production: One Of Us
'The Crown' A Company of Men (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Celia Haining
Head Of Production: One Of Us
'The Crown' Beryl (2017)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Head Of Production: One Of Us
'The Crown' Marionettes (2017)
Directed by: Philippa Lowthorpe
Cinematography by: Stuart Howell
Edited by: Alex Mackie
Head Of Production: One Of Us
'The Crown' Vergangenheit (2017)
Directed by: Philippa Lowthorpe
Cinematography by: Stuart Howell
Edited by: Úna Ní Dhonghaíle
Head Of Production: One Of Us
'The Crown' Matrimonium (2017)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Tim Porter
Head Of Production: One Of Us
'The Crown' Dear Mrs. Kennedy (2017)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Pia Di Ciaula
Head Of Production: One Of Us
'The Crown' Paterfamilias (2017)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Pia Di Ciaula
Head Of Production: One Of Us
'The Crown' Mystery Man (2017)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Visual Effects Head Of Production: One Of Us
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Head Of Production: One Of Us
'The Crown' Act of God (2016)
Directed by: Julian Jarrold
Cinematography by: Ole Bratt Birkeland
Edited by: Luke Dunkley
Head Of Production: One Of Us
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Managing Director: Jellyfish Pictures / Head Of Visual Effects: Jellyfish Pictures / Managing Director: Jellyfish Pictures - 2 Episodes, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Head Of Production: One Of Us - 20 Episodes, 2016-2017
The Crown (2016)
Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow
Edited by: Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Head Of Production: Prime Focus World
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Head Of Production: One Of Us
'The Crown' Wolferton Splash (2016)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Kristina Hetherington
Head Of Production: One Of Us
'The Crown' Windsor (2016)
Directed by: Philip Martin
Cinematography by: Adriano Goldman
Edited by: Stuart Gazzard
Head Of Production: One Of Us
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Head Of Production: One Of Us
'The Crown' Gloriana (2016)
Directed by: Philip Martin
Cinematography by: Ole Bratt Birkeland
Edited by: Stuart Gazzard
Head Of Production: One Of Us
'The Crown' Assassins (2016)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Head Of Production: One Of Us
'The Crown' Pride & Joy (2016)
Directed by: Philip Martin
Cinematography by: Ole Bratt Birkeland
Edited by: Mark Eckersley
Head Of Production: One Of Us
'The Crown' Scientia Potentia Est (2016)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Úna Ní Dhonghaíle
Head Of Production: One Of Us
'The Crown' Gelignite (2016)
Directed by: Julian Jarrold
Cinematography by: Ole Bratt Birkeland
Edited by: Úna Ní Dhonghaíle
Head Of Production: One Of Us
'The Crown' Smoke and Mirrors (2016)
Directed by: Philip Martin
Cinematography by: Adriano Goldman
Edited by: Kristina Hetherington
Head Of Production: One Of Us
'The Crown' Hyde Park Corner (2016)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Pia Di Ciaula
Head Of Production: Prime Focus World
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Head Of Production: Prime Focus World
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Head Of Production: Prime Focus World
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Head Of Production: Prime Focus
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Head Of Production: Prime Focus World
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Head Of Production: Prime Focus World
Vampire Academy (2014)
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
Head Of Production: Prime Focus Film
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Head Of Production: Prime Focus World
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Head Of Production: Prime Focus World
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Stereo Conversion Head Of Production: Prime Focus Worlf
World War Z (2013)
Directed by: Marc Forster
Head Of Production: Prime Focus Film
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Head Of Production: Prime Focus World, London
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Stereoscopic Producer
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Stereoscopic Producer
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Stereoscopic Producer: Prime Focus Film
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Stereoscopic Producer: Prime Focus Film
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Intermediate Producer
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Digital Intermediate Producer
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Stereoscopic Producer
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Digital Intermediate Producer
Four Lions (2010)
Directed by: Christopher Morris
Cinematography by: Lol Crawley
Edited by: Billy Sneddon
Cameras: Sony HDW-F900 Camera
Digital Intermediate Project Manager
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Digital Intermediate Producer
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Digital Intermediate Producer
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Digital Intermediate Supervisor: MPC
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Digital Lab Producer: MPC
Max Manus: Man of War (2008)
Cinematography by: Geir Hartly Andreassen
Edited by: Anders Refn
Digital Lab Producer: MPC
Eden Lake (2008)
Directed by: James Watkins
Cinematography by: Christopher Ross
Edited by: Jon Harris
Digital Lab Producer: MPC
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Intermediate Supervisor, Digital Lab Producer: MPC
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Digital Lab Producer: The Moving Picture Company
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Digital Lab Producer: MPC
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Digital Lab Producer: MPC
Cassandra's Dream (2007)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Digital Lab Producer: The Moving Picture Company / Visual Effects Producer: The Moving Picture Company
The Walker (2007)
Directed by: Paul Schrader
Cinematography by: Chris Seager
Edited by: Julian Rodd
Cameras: ARRI Cameras
Digital Lab Producer: MPC
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Digital Film Producer: The Moving Picture Company
Far North (2007)
Directed by: Asif Kapadia
Cinematography by: Roman Osin
Edited by: Ewa J. Lind
Visual Effects Producer: MPC
Sixty Six (2006)
Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill
Digital Lab Producer: MPC
The Wind that Shakes the Barley (2006)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Lenses: Zeiss Ultra Prime Lenses
Digital Lab Producer: MPC
Perfect Creature (2006)
Directed by: Glenn Standring
Cinematography by: Leon Narbey
Edited by: Chris Blunden
Digital Lab Producer: MPC
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Digital Lab Producer: MPC
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Producer: MPC
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Digital Lab Producer: MPC
Proof (2005)
Directed by: John Madden
Cinematography by: Alwin H. Küchler
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Producer: The Moving Picture Company
Match Point (2005)
Directed by: Woody Allen
Cinematography by: Remi Adefarasin
Edited by: Alisa Lepselter
Producer: The Moving Picture Company
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Digital Lab Producer
Shaun of the Dead (2004)
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Digital Lab Producer: MPC
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Digital Lab Producer
LD 50 Lethal Dose (2003)
Directed by: Simon De Selva
Cinematography by: Robin Vidgeon
Edited by: Kant Pan
Digital Intermediate Producer
Stander (2003)
Directed by: Bronwen Hughes
Cinematography by: Jess Hall
Edited by: Robert Ivison
Digital Lab Producer
Cantando dietro i paraventi (2003)
Directed by: Ermanno Olmi
Cinematography by: Fabio Olmi
Edited by: Paolo Cottignola
Producer: MPC
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Stereoscopic Producer
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
