Chris Ryan

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Black Panther | ShotOnWhat?

Cg Supervisor: Method Studios

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

The Huntsman: Winter's War | ShotOnWhat?

Cg Supervisor

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Finest Hours | ShotOnWhat?

Cg Supervisor

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Into the Storm | ShotOnWhat?

Cg Supervisor

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Interview | ShotOnWhat?

Lighting Td

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Sin City: A Dame to Kill For | ShotOnWhat?

Cg Supervisor

Sin City: A Dame to Kill For (2014)

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Out of the Furnace | ShotOnWhat?

Cg Supervisor: Prime Focus

Out of the Furnace (2013)

Directed by: Scott Cooper

Cinematography by: Masanobu Takayanagi

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Great Gatsby | ShotOnWhat?

Cg Supervisor: Prime Focus

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Men in Black 3 | ShotOnWhat?

Head Technical Director

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Head Of Pipeline

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X: First Class | ShotOnWhat?

Senior Technical Director

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Final Destination 5 | ShotOnWhat?

Senior Technical Director

Final Destination 5 (2011)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Sucker Punch | ShotOnWhat?

Senior Technical Director

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Transformers: Dark of the Moon | ShotOnWhat?

Senior Technical Director

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Big Year | ShotOnWhat?

Senior Technical Director

The Big Year (2011)

Directed by: David Frankel

Cinematography by: Lawrence Sher

Edited by: Mark Livolsi

TRON | ShotOnWhat?

Senior Technical Director

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Invictus | ShotOnWhat?

Visual Effects Group: CIS Hollywood

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Watchmen | ShotOnWhat?

Cg Supervisor: CIS Hollywood

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Informant! | ShotOnWhat?

Cg Supervisor

The Informant! (2009)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One Camera

The Men Who Stare at Goats | ShotOnWhat?

Cg Artist: CIS Hollywood

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Cg Supervisor: CIS Hollywood

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Meet Dave | ShotOnWhat?

Cg Artist: CIS Hollywood

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Twilight | ShotOnWhat?

Cg Supervisor: CIS Hollywood

Twilight (2008)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Express | ShotOnWhat?

Cg Artist: CIS Hollywood

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Tropic Thunder | ShotOnWhat?

Cg/effects Artist: Hollywood, CIS Visual Effects Group

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Speed Racer | ShotOnWhat?

Cg Artist: CIS Hollywood

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Leatherheads | ShotOnWhat?

Lead Lighting Artist: CIS Hollywood

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Enchanted | ShotOnWhat?

Cg Artist: CIS Hollywood

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Evan Almighty | ShotOnWhat?

Lead Cg Artist: CIS Hollywood

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

The Assassination of Jesse James by the Coward Robert Ford | ShotOnWhat?

Cg Artist: CIS Hollywood

The Assassination of Jesse James by the Coward Robert Ford (2007)

Directed by: Andrew Dominik

Cinematography by: Roger Deakins

Edited by: Curtiss Clayton, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Ocean's Thirteen | ShotOnWhat?

Cg Lighting Artist: CIS Hollywood

Ocean's Thirteen (2007)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ultraviolet | ShotOnWhat?

Cg Artist: CIS Hollywood

Ultraviolet (2006)

Directed by: Kurt Wimmer

Cinematography by: Arthur Wong

Edited by: William Yeh

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Cg Artist: CIS Hollywood

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Eight Below | ShotOnWhat?

Cg Artist: CIS Hollywood

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

We Are Marshall | ShotOnWhat?

Visual Effects

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

The Shaggy Dog | ShotOnWhat?

Lead Computer Graphics Artist: CIS Hollywood

The Shaggy Dog (2006)

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

The Good German | ShotOnWhat?

Digital Artist: CIS Hollywood

The Good German (2006)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Panavision Panaflex Millennium XL2 Camera

Smokin' Aces | ShotOnWhat?

Lead Cg Artist: CIS Hollywood

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Idlewild | ShotOnWhat?

Cg Artist: CIS Hollywood

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

You, Me and Dupree | ShotOnWhat?

Cg Artist: CIS Hollywood

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Constantine | ShotOnWhat?

Cg Artist: CIS Hollywood

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Flightplan | ShotOnWhat?

Cg Artist: CIS Hollywood

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Ice Princess | ShotOnWhat?

Cg Artist: CIS Hollywood

Ice Princess (2005)

Directed by: Tim Fywell

Cinematography by: David Hennings

Edited by: Janice Hampton

Wedding Crashers | ShotOnWhat?

Cg Artist: CIS Hollywood

Wedding Crashers (2005)

Directed by: David Dobkin

Cinematography by: Julio Macat

Edited by: Mark Livolsi

The Chronicles of Riddick | ShotOnWhat?

Cg Artist: CIS Hollywood

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Team America: World Police | ShotOnWhat?

Cg Artist: CIS Hollywood

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Van Helsing | ShotOnWhat?

Lead Cgi Artist: CIS Hollywood

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Ocean's Twelve | ShotOnWhat?

Lead Cg Effects Artist: CIS Hollywood

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

The Matrix Revolutions | ShotOnWhat?

Cg Artist: CIS Hollywood

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Scary Movie 3 | ShotOnWhat?

Cg Artist: CIS Hollywood

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

My Boss's Daughter | ShotOnWhat?

Cg Supervisor: MetroLight Studios

My Boss's Daughter (2003)

Directed by: David Zucker

Cinematography by: Martin McGrath

Edited by: Samuel Craven, Patrick Lussier

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Cg Artist: CIS Hollywood

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Spy Kids 3-D: Game Over | ShotOnWhat?

Cg Artist: CIS Hollywood

Spy Kids 3-D: Game Over (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

2 Fast 2 Furious | ShotOnWhat?

Cg Artist: CIS Hollywood

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Gods and Generals | ShotOnWhat?

Cgi Supervisor: MetroLight Studios

Gods and Generals (2003)

Directed by: Ron Maxwell

Cinematography by: Kees Van Oostrum

Edited by: Corky Ehlers

Cameras: Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Paycheck | ShotOnWhat?

Cg Artist: CIS Hollywood

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

View from the Top | ShotOnWhat?

Cgi Supervisor: MetroLight Studios

View from the Top (2003)

Directed by: Bruno Barreto

Cinematography by: Affonso Beato

Edited by: Christopher Greenbury, Ray Hubley, Charles Ireland

Below | ShotOnWhat?

Cgi Supervisor: MetroLight Studios

Below (2002)

Directed by: David Twohy

Cinematography by: Ian Wilson

Edited by: Martin Hunter

Antitrust | ShotOnWhat?

Production Operations Manager: MetroLight Studios

Antitrust (2001)

Directed by: Peter Howitt

Cinematography by: John Bailey

Edited by: Zach Staenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Jay and Silent Bob Strike Back | ShotOnWhat?

Cg Supervisor: MetroLight Studios

Jay and Silent Bob Strike Back (2001)

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Driven | ShotOnWhat?

Cgi Supervisor: MetroLight Studios

Driven (2001)

Directed by: Renny Harlin

Cinematography by: Mauro Fiore

Edited by: Steve Gilson, Stuart Levy

Red Planet | ShotOnWhat?

Cg Artist: MetroLight Studios

Red Planet (2000)

Directed by: Antony Hoffman

Cinematography by: Peter Suschitzky

Edited by: Robert K. Lambert, Dallas Puett

Jack Frost | ShotOnWhat?

Cg Artist: MetroLight Studios

Jack Frost (1998)

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

For Richer or Poorer | ShotOnWhat?

Cg Artist: MetroLight Studios

For Richer or Poorer (1997)

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

Virtuosity | ShotOnWhat?

Cg Artist: MetroLight Studios

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

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