Re-recording Mixer
The French Dispatch (2021)
Movie
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Lenses: Cooke S4/i Lenses
Co-supervising Sound Editor / Re-recording Mixer
The Ballad of Buster Scruggs (2018)
Cinematography by: Bruno Delbonnel
Co-supervising Sound Editor / Re-recording Mixer
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Sound Designer / Supervising Sound Editor
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer / Supervising Sound Editor
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Additional Sound Re-recording Mixer / Supervising Sound Editor
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Sound Designer / Supervising Sound Editor
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Re-Recording Mixer / Supervising Sound Editor
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Editor
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Re-recording Mixer / Supervising Sound Editor
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Designer / Supervising Sound Editor
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Sound Designer / Supervising Re-recording Mixer / Supervising Sound Editor
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Re-recording Mixer / Sound Designer
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Re-recording Mixer / Sound Designer
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Effects Editor
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Re-recording Mixer / Sound Designer
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Supervising Sound Editor & Designer
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Sound Designer
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Re-recording Mixer / Sound Designer
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Sound Editor
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Sound Effects Editor
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Re-recording Mixer / Sound Designer
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Sound Designer / Supervising Sound Editor
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Re-recording Mixer / Sound Designer
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Sound Effects Editor
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Sound Effects Editor
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Co-supervising Sound Editor / Sound Designer
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Co-supervising Sound Editor / Sound Designer
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Sound Designer / Sound Effects Editor
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Sound Effects Designer
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Sound Effects Editor
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Additional Sound Re-recording Mixer / Supervising Sound Editor
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Sound Designer / Supervising Sound Editor
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Sound Effects Editor
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Re-recording Mixer
'Family Guy' A Hero Sits Next Door (1999)
Re-recording Mixer - 5 Episodes, 1999
Family Guy (1999)
Directed by: James Purdum, Peter Shin, Dominic Bianchi, Pete Michels, John Holmquist, Greg Colton, Brian Iles, Julius Wu, Jerry Langford, Joseph Lee, Joe Vaux, Mike Kim, Roy Allen Smith, Dan Povenmire, Steve Robertson, Cyndi Tang, Dominic Polcino, Bob Bowen, Michael Dante DiMartino, Zac Moncrief, Bert Ring, Steve Beers, Monte Young, Scott Wood, Sarah Frost, Gavin Dell, Glen Hill, Brian Hogan, Kurt Dumas, Seth Kearsley, Chuck Klein, Neil Affleck, Rob Renzetti, Jack Dyer, Bob Jaques, Jeff Myers, Swinton O. Scott III, Andi Klein, Chris Robertson, Seth MacFarlane
Re-recording Mixer
'Family Guy' The Son Also Draws (1999)
Sound Designer
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Re-recording Mixer
'Family Guy' Brian: Portrait of a Dog (1999)
Sound Editor
How Stella Got Her Groove Back (1998)
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Sound Effects Editor
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Sound Effects Editor
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Sound Effects Editor
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Sound Effects Editor
Last Man Standing (1996)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Sound Effects Editor
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Sound Effects Editor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Sound Effects Editor
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Supervising Sound Editor
It Takes Two (1995)
Directed by: Andy Tennant
Cinematography by: Kenneth Zunder
Edited by: Roger Bondelli
Supervising Sound Editor
Hercules: The Legendary Journeys - Hercules and the Lost Kingdom (1994)
Directed by: Harley Cokeliss
Cinematography by: James Bartle
Edited by: Jon Koslowsky
Re-recording Mixer
Roswell (1994)
Directed by: Jeremy Kagan
Cinematography by: Steven Poster
Cameras: Panavision Cameras
Sound Effects Editor
Blank Check (1994)
Directed by: Rupert Wainwright
Cinematography by: Bill Pope
Cameras: Panavision Cameras
Dialogue Editor
Natural Selection (1994)
Directed by: Jack Sholder
Cinematography by: Bryan England
Edited by: Caroline Biggerstaff
Supervising Sound Editor
Hercules and the Amazon Women (1994)
Directed by: Bill Norton
Cinematography by: James Bartle
Edited by: Steve Polivka
