Local Chief Lighting Technician: UC Berkeley , Local Chief Lighting Technician: UCBerkeley
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Practical Lighting Supervisor: San Francisco
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Rigging Grip: San Francisco
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Lamp Operator
'13 Reasons Why' If You're Breathing, You're a Liar (2019)
Directed by: Michael Morris
Edited by: Philip Harrison
Lamp Operator
'13 Reasons Why' Let the Dead Bury the Dead (2019)
Directed by: John T. Kretchmer
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lamp Operator
'13 Reasons Why' Nobody's Clean (2019)
Directed by: Bronwen Hughes
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lamp Operator
'13 Reasons Why' Angry, Young and Man (2019)
Directed by: Jessica Yu
Cinematography by: Tommy Lohmann
Edited by: Rich Fox
Lamp Operator
'13 Reasons Why' The Good Person is Indistinguishable from the Bad (2019)
Directed by: Jessica Yu
Cinematography by: Kevin Thompson
Edited by: Rich Fox
Lamp Operator
'13 Reasons Why' You Can Tell the Heart of a Man by How He Grieves (2019)
Directed by: Bronwen Hughes
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lamp Operator
'13 Reasons Why' There Are a Number of Problems with Clay Jensen (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Lamp Operator
'13 Reasons Why' Always Waiting for the Next Bad News (2019)
Directed by: Aurora Guerrero
Cinematography by: Kevin Thompson
Lamp Operator
'13 Reasons Why' In High School, Even on a Good Day, It's Hard to Tell Who's on Your Side (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Lamp Operator
'13 Reasons Why' The World Closing In (2019)
Directed by: Aurora Guerrero
Cinematography by: Kevin Thompson
Lamp Operator
'13 Reasons Why' There Are a Few Things I Haven't Told You (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lamp Operator
'13 Reasons Why' And Then the Hurricane Hit (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Visual Effects Key Grip: ILM/32TEN Studios
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Lamp Operator
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Lamp Operator
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Lamp Operator
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Key Grip: VFX ILM/32 Ten Studios
The Other Side of the Wind (2018)
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Lamp Operator
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Lamp Operator
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Lamp Operator
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Lamp Operator
'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Lamp Operator
'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Lamp Operator / Rigging Electrician / Special Guest Lamp Operator / Balloon Light Technician - 26 Episodes, 2017-2019, Lamp Operator / Special Guest Lamp Operator / Balloon Light Technician - 24 Episodes, 2017-2019
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Special Guest Lamp Operator
'13 Reasons Why' Tape 6, Side B (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Balloon Light Technician
'13 Reasons Why' Tape 6, Side A (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Special Guest Lamp Operator
'13 Reasons Why' Tape 1, Side A (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Company Grip: San Francisco - 1 Episode, 2019
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Best Boy Rigging Electric: Northern California
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Best Boy Electric: San Francisco
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Electrician
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Rigging Electrician
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Best Boy Electric: Kerner Optical
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Best Boy's Best Boy Grip: Marine Unit / Best Boy's Best Boy Rigging Electric
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Best Boy Rigging Electric: San Francisco
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Best Boy Electric: Kerner Optical
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Visual Effects Best Boy: Kerner Optical
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Electrician: Kerner Optical
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Electrician: Kerner Optical
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Rigging Electrician: San Francisco
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Visual Effects Electrician: Kerner Optical
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Visual Effects Best Boy Electric: Kerner Optical
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Electrician: Kerner Optical
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Visual Effects Best Boy Electric: Kerner Optical
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Best Boy Grip
Chawu (2009)
Directed by: Jeong-won Shin
Cinematography by: Barry Stone
Edited by: Jae-geun Choi
Visual Effects Key Grip: Kerner Optical
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Visual Effects Key Grip: Kerner Optical
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Visual Effects Electrician: Kerner Optical
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Best Boy Electric: Kerner Optical
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Visual Effects Best Boy Electric: Kerner Optical
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Additional Electrician
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Visual Effects Best Boy: Kerner Optical
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Rigging Electrician: San Francisco
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Visual Effects Grip/electrician: Kerner Optical
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Visual Effects Best Boy Electric: Kerner Optical
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Visual Effects Grip/electrician: Kerner Optical
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects Grip/electrician: Kerner Optical
National Treasure: Book of Secrets (2007)
Directed by: Jon Turteltaub
Visual Effects Grip/electrician: Kerner Optical
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Grip: San Francisco
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Generator Operator: San Francisco Unit
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Stage Technician: Kerner Optical
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Balloon Light Technician , Lighting Balloon Technician
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Grip
Valley of the Heart's Delight (2006)
Directed by: Tim Boxell
Cinematography by: Hiro Narita
Edited by: Jay Boekelheide
Cameras: Sony HDW-F900 Camera
Models And Miniatures: ILM
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Balloon Light Technician, Lighting Balloon Technician / Rigging Grip
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Grip
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Electrician
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Electrician
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
