David Stanke

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Shazam! | ShotOnWhat?

First Assistant Sound Editor

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

The Spy Who Dumped Me | ShotOnWhat?

First Assistant Sound Editor

The Spy Who Dumped Me (2018)

Directed by: Susanna Fogel

Cinematography by: Barry Peterson

Edited by: Jonathan Schwartz

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Green Book | ShotOnWhat?

First Assistant Sound Editor

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Papillon | ShotOnWhat?

First Assistant Sound Editor

Papillon (2017)

Directed by: Michael Noer

Cinematography by: Hagen Bogdanski

Edited by: John Axelrad, Lee Haugen

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Ultra Prime Lenses

Why Him? | ShotOnWhat?

First Assistant Sound Editor

Why Him? (2016)

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Ghostbusters | ShotOnWhat?

First Assistant Sound Editor

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Spy | ShotOnWhat?

First Assistant Sound Editor

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

The Single Moms Club | ShotOnWhat?

First Assistant Sound Editor

The Single Moms Club (2014)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Dumb and Dumber To | ShotOnWhat?

First Assistant Sound Editor

Dumb and Dumber To (2014)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Riddick | ShotOnWhat?

First Assistant Sound Editor

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Iron Man Three | ShotOnWhat?

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

First Assistant Sound Editor

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Bad Grandpa | ShotOnWhat?

First Assistant Sound Editor

Bad Grandpa (2013)

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Pacific Rim | ShotOnWhat?

First Assistant Sound Editor

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Madea's Witness Protection | ShotOnWhat?

First Assistant Sound Editor

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

End of Watch | ShotOnWhat?

First Assistant Sound Editor

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Good Deeds | ShotOnWhat?

First Assistant Sound Editor

Good Deeds (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Step Up Revolution | ShotOnWhat?

First Assistant Sound Editor

Step Up Revolution (2012)

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Chronicle | ShotOnWhat?

First Assistant Sound Editor

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Jack Reacher | ShotOnWhat?

First Assistant Sound Editor

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Madea's Big Happy Family | ShotOnWhat?

First Assistant Sound Editor

Madea's Big Happy Family (2011)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Big Mommas: Like Father, Like Son | ShotOnWhat?

First Assistant Sound Editor

Big Mommas: Like Father, Like Son (2011)

Directed by: John Whitesell

Cinematography by: Anthony B. Richmond

Edited by: Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

A Little Bit of Heaven | ShotOnWhat?

Supervising Sound Assistant

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Season of the Witch | ShotOnWhat?

First Assistant Sound Editor

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

The Darkest Hour | ShotOnWhat?

First Assistant Sound Editor

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

For Colored Girls | ShotOnWhat?

First Assistant Sound Editor

For Colored Girls (2010)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Furry Vengeance | ShotOnWhat?

First Assistant Sound Editor

Furry Vengeance (2010)

Directed by: Roger Kumble

Cinematography by: Peter Lyons Collister

Edited by: Lawrence Jordan

Jackass 3D | ShotOnWhat?

First Assistant Sound Editor

Jackass 3D (2010)

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich, Rick Kosick

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Cameras: Phantom HD Camera, Red One Camera, Silicon Imaging SI-2K Camera

All Good Things | ShotOnWhat?

First Assistant Sound

All Good Things (2010)

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

Charlie St. Cloud | ShotOnWhat?

First Assistant Sound Editor

Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Why Did I Get Married Too? | ShotOnWhat?

First Assistant Sound Editor

Why Did I Get Married Too? (2010)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Spy Next Door | ShotOnWhat?

First Assistant Sound Editor

The Spy Next Door (2010)

Directed by: Brian Levant

Cinematography by: Dean Cundey

Edited by: Lawrence Jordan

Gamer | ShotOnWhat?

First Assistant Sound Editor

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Friday the 13th | ShotOnWhat?

First Assistant Sound Editor

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Crank: High Voltage | ShotOnWhat?

First Assistant Sound Editor

Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Sorority Row | ShotOnWhat?

First Assistant Sound Editor

Sorority Row (2009)

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Wanted | ShotOnWhat?

Foley Editor

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

City of Ember | ShotOnWhat?

First Assistant Sound Editor

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Defiance | ShotOnWhat?

Assistant Sound Editor

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Meet the Browns | ShotOnWhat?

First Assistant Sound Editor

Meet the Browns (2008)

Directed by: Tyler Perry

Cinematography by: Sandi Sissel

Edited by: Maysie Hoy

The Midnight Meat Train | ShotOnWhat?

Supervising First Assistant Sound Editor

The Midnight Meat Train (2008)

Directed by: Ryûhei Kitamura

Cinematography by: Jonathan Sela

Edited by: Toby Yates

The Express | ShotOnWhat?

First Assistant Sound Editor

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Hellboy II: The Golden Army | ShotOnWhat?

First Assistant Sound Editor

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

While She Was Out | ShotOnWhat?

First Assistant Sound Editor

While She Was Out (2008)

Directed by: Susan Montford

Cinematography by: Steve Gainer

Edited by: William M. Anderson

Are We Done Yet? | ShotOnWhat?

First Assistant Sound Editor

Are We Done Yet? (2007)

Directed by: Steve Carr

Cinematography by: Jack N. Green

Edited by: Craig Herring

Shoot 'Em Up | ShotOnWhat?

First Assistant Sound Editor

Shoot 'Em Up (2007)

Directed by: Michael Davis

Cinematography by: Peter Pau

Edited by: Peter Amundson

In the Valley of Elah | ShotOnWhat?

First Assistant Sound Editor

In the Valley of Elah (2007)

Directed by: Paul Haggis

Cinematography by: Roger Deakins

Edited by: Jo Francis

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Why Did I Get Married? | ShotOnWhat?

First Assistant Sound Editor

Why Did I Get Married? (2007)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

The Texas Chainsaw Massacre: The Beginning | ShotOnWhat?

First Assistant Sound Editor

The Texas Chainsaw Massacre: The Beginning (2006)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

The Benchwarmers | ShotOnWhat?

First Assistant Sound Editor

The Benchwarmers (2006)

Directed by: Dennis Dugan

Cinematography by: Thomas E. Ackerman

Edited by: Peck Prior, Sandy S. Solowitz

Hoot | ShotOnWhat?

Supervising First Assistant Sound Editor

Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

World Trade Center | ShotOnWhat?

Assistant Sound Editor

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Are We There Yet? | ShotOnWhat?

Supervising Assistant Sound Editor

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Must Love Dogs | ShotOnWhat?

First Assistant Sound Editor

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

The Chronicles of Riddick | ShotOnWhat?

Assistant Sound Editor

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Willard | ShotOnWhat?

Digital Assistant Sound Editor

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Dumb and Dumberer: When Harry Met Lloyd | ShotOnWhat?

First Assistant Sound Editor

Dumb and Dumberer: When Harry Met Lloyd (2003)

Directed by: Troy Miller

Cinematography by: Anthony B. Richmond

Edited by: Lawrence Jordan

A Guy Thing | ShotOnWhat?

Assistant Sound Editor

A Guy Thing (2003)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Road to Perdition | ShotOnWhat?

Assistant Sound Editor

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Scooby-Doo | ShotOnWhat?

Assistant Sound Editor

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Eye See You | ShotOnWhat?

Digital Assistant

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

High Crimes | ShotOnWhat?

Digital Assistant

High Crimes (2002)

Directed by: Carl Franklin

Cinematography by: Theo van de Sande

Edited by: Carole Kravetz Aykanian

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Rollerball | ShotOnWhat?

Assistant Sound Editor

Rollerball (2002)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

About Schmidt | ShotOnWhat?

Sound Assistant

About Schmidt (2002)

Directed by: Alexander Payne

Cinematography by: James Glennon

Edited by: Kevin Tent

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Shrek | ShotOnWhat?

Assistant Sound Editor

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Blow | ShotOnWhat?

Assistant Sound Editor

Blow (2001)

Directed by: Ted Demme

Cinematography by: Ellen Kuras

Edited by: Kevin Tent

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Vanilla Sky | ShotOnWhat?

Assistant Sound Editor

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Evolution | ShotOnWhat?

Assistant Sound Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

I Am Sam | ShotOnWhat?

Assistant Sound Editor

I Am Sam (2001)

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

The Affair of the Necklace | ShotOnWhat?

Assistant Sound Editor

The Affair of the Necklace (2001)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: David Moritz

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

The One | ShotOnWhat?

Assistant Sound Editor

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Vertical Limit | ShotOnWhat?

Digital Sound Assistant

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Mission to Mars | ShotOnWhat?

Assistant Sound Effects Editor

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Almost Famous | ShotOnWhat?

Digital Assistant

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Thirteen Days | ShotOnWhat?

Digital Assistant Foley Mixer

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Inspector Gadget | ShotOnWhat?

Assistant Sound Editor

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Instinct | ShotOnWhat?

Assistant Sound Editor

Instinct (1999)

Directed by: Jon Turteltaub

Cinematography by: Philippe Rousselot

Edited by: Richard Francis-Bruce

Mighty Joe Young | ShotOnWhat?

Assistant Sound Editor

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

The Prince of Egypt | ShotOnWhat?

Assistant Sound Editor

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Mulan | ShotOnWhat?

Assistant Sound Editor

Mulan (1998)

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

Playing by Heart | ShotOnWhat?

Digital Assistant

Playing by Heart (1998)

Directed by: Willard Carroll

Cinematography by: Vilmos Zsigmond

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

RocketMan | ShotOnWhat?

Assistant Sound Editor

RocketMan (1997)

Directed by: Stuart Gillard

Cinematography by: Steven Poster

Edited by: William D. Gordean

Air Force One | ShotOnWhat?

Assistant Sound Editor

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Home Alone 3 | ShotOnWhat?

Assistant Sound Editor

Home Alone 3 (1997)

Directed by: Raja Gosnell

Cinematography by: Julio Macat

Edited by: Malcolm Campbell, Bruce Green, David Rennie

Cameras: Panavision Panaflex Gold Camera

Gone Fishin' | ShotOnWhat?

Assistant Sound Editor

Gone Fishin' (1997)

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

Flubber | ShotOnWhat?

Assistant Sound Editor

Flubber (1997)

Directed by: Les Mayfield

Cinematography by: Dean Cundey

Edited by: Harvey Rosenstock, Michael A. Stevenson

Cameras: Panavision Cameras

The Associate | ShotOnWhat?

Additional Audio

The Associate (1996)

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

Outbreak | ShotOnWhat?

Assistant Sound Editor

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Nixon | ShotOnWhat?

Assistant Sound Editor

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Speechless | ShotOnWhat?

Additional Sound

Speechless (1994)

Directed by: Ron Underwood

Cinematography by: Donald Peterman

Edited by: Richard Francis-Bruce

Das Boot | ShotOnWhat?

Assistant Sound Editor - Director's Cut

Das Boot (1981)

Directed by: Wolfgang Petersen

Cinematography by: Jost Vacano

Edited by: Hannes Nikel

Cameras: ARRI Cameras

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