Visual Effects Supervisor: Pacific Title
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Visual Effects Supervisor: Pacific Title & Art Studio
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Visual Effects Supervisor: Pacific Title
Grand Canyon Adventure: River at Risk (2008)
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Visual Effects Supervisor: Pacific Title
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Visual Effects Supervisor: Pacific Title And Art SDtudio
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Pacific Title
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects Supervisor: Pacific Title And Art Studio
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Visual Effects Supervisor: Pacific Title And Art Studio
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Visual Effects Supervisor: Pacific Title
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Visual Effects Supervisor: Pacific Title
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Visual Effects Supervisor
The Strangers (2008)
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Visual Effects Supervisor
Yonkers Joe (2008)
Directed by: Robert Celestino
Cinematography by: Michael Fimognari
Visual Effects Supervisor: Pacific Title
Gran Torino (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Editing System: Avid Editing System
Visual Effects Supervisor: Pacific Title & Art Studio
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Pacific Title
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Visual Effects Supervisor: Pacific Title
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Visual Effects Supervisor: Pacific Title And Art Studio
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Visual Effects Supervisor: Pacific Title And Art Studio
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Pacific Title
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Visual Effects Supervisor: Pacific Title
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Pacific Title
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Visual Effects Supervisor: Pacific Title
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Visual Effects Supervisor: Pacific Title
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Visual Effects Supervisor: Pacific Title
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Visual Effects Supervisor: Pacific Title And Art Studio
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Visual Effects Supervisor: Pacific Title And Art Studio
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Visual Effects Supervisor: Pacific Title
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Visual Effects Supervisor: Pacific Title
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Visual Effects Supervisor: Pacific Title
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Pacific Title
ATL (2006)
Directed by: Chris Robinson
Cinematography by: Karsten Gopinath
Edited by: David Blackburn
Visual Effects Supervisor: Pacific Title & Art Studio
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Visual Effects Supervisor: Pacific Title
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Visual Effects Supervisor: Pacific Title
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Visual Effects Supervisor: Pacific Title
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Digital Effects Supervisor: Pacific Title & Art Studio
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Visual Effects Supervisor: Pacific Title
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Visual Effects Supervisor: Pacific Title
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Visual Effects Supervisor: Pacific Title Digital
Torque (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Visual Effects Supervisor - Director's Cut
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Pacific Title
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Visual Effects Supervisor: Pacific Title & Arts Studio
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Visual Effects Supervisor
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Visual Effects Supervisor: Pacific Title
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Visual Effects Supervisor: Pacific Title
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Visual Effects Supervisor: Pacific Title Digital
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Visual Effects Supervisor: Pacific Title
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Visual Effects Supervisor: Pacific Title
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Pacific Title
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Supervisor: Pacific Title
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Digital Visual Effects Supervisor: Pacific Title
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Visual Effects Supervisor: Pacific Title
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Visual Effects Supervisor: Pacific Title & Arts Studio
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Pacific Title
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Compositing Supervisor: Pacific Title Digital
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Digital Supervisor: Pacific Title & Art Studio
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Supervisor: Pacific Title
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Visual Effects Supervisor: Pacific Title
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Digital Supervisor: Pacific Title & Art Studio
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Visual Effects Supervisor: Pacific Title Digital
The Pledge (2001)
Directed by: Sean Penn
Cinematography by: Chris Menges
Edited by: Jay Cassidy
Visual Effects Supervisor: Pacific Title
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Visual Effects Supervisor: Pacific Title
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Visual Effects Supervisor: Pacific Title & Art Studio
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Pacific Title
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Visual Effects Supervisor
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Visual Effects Supervisor: Pacific Title & Art Studio
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Digital Effects Supervisor: Pacific Title Digital
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Pacific Title
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Visual Effects Supervisor
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Visual Effects Supervisor: Pacific Title & Art Studio
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Visual Effects Supervisor: Pacific Title/Mirage
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Pacific Title Digital
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Pacific Title Digital
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Optical Cameraman: Illusion Arts
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Matte Photography: Los Angeles
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Optical Cameraman: Illusion Arts
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Optical Printer Operator
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Optical Cameraman: DQI
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Assistant Camera
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Optical Cameraman
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Visual Effects Supervisor: Pacific Title & Art Studio - 2000 Restoration
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Visual Effects Supervisor: Pacific Title & Art Studio: Re-release
A Clockwork Orange (1971)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Bill Butler
Visual Effects Supervisor - 1998 Restoration
Touch of Evil (1958)
Directed by: Orson Welles
Cinematography by: Russell Metty
Cameras: Mitchell BNC Camera, Mitchell NC Camera
Visual Effects Supervisor - 1998 Restoration
The Wizard of Oz (1939)
Cinematography by: Harold Rosson
Edited by: Blanche Sewell
