Visual Effects Producer: Fuse FX
'Designated Survivor' Brace for Impact (2017)
Directed by: Frederick E.O. Toye
Cinematography by: Michael Storey
Edited by: Pamela Malouf
Visual Effects Producer: Fuse FX
'Designated Survivor' Bombshell (2017)
Directed by: Sharat Raju
Cinematography by: Jeffrey C. Mygatt
Edited by: David Beatty
Visual Effects Producer: Fuse FX
'Designated Survivor' Misalliance (2017)
Directed by: Norberto Barba
Cinematography by: Michael Storey
Edited by: Ned Bastille
Visual Effects Producer: Fuse FX
'Designated Survivor' The Ninth Seat (2017)
Directed by: Frederick E.O. Toye
Cinematography by: Michael Storey
Edited by: David Beatty
Visual Effects Producer: Fuse FX
'Designated Survivor' Lazarus (2017)
Directed by: Chris Grismer
Cinematography by: Jeffrey C. Mygatt
Edited by: Pamela Malouf
Production Staff, Visual Effects Producer: Fuse FX
'Designated Survivor' Party Lines (2017)
Directed by: Mike Listo
Cinematography by: Darran Tiernan
Edited by: Ned Bastille
Visual Effects Producer: Fuse FX
'Designated Survivor' One Hundred Days (2017)
Directed by: Kenneth Fink
Cinematography by: Michael Storey
Edited by: Pamela Malouf
Visual Effects Producer: Fuse FX
'Designated Survivor' Commander-in-Chief (2017)
Directed by: Frederick E.O. Toye
Cinematography by: Darran Tiernan
Edited by: David Beatty
Visual Effects Producer: Fuse FX
'Designated Survivor' Backfire (2017)
Directed by: Tara Nicole Weyr
Cinematography by: Cort Fey
Edited by: Ned Bastille
Visual Effects Producer: Fuse FX
'Designated Survivor' The End of the Beginning (2017)
Directed by: Mike Listo
Cinematography by: Colin Hoult
Edited by: Pamela Malouf
Visual Effects Producer: Fuse FX
'Designated Survivor' Warriors (2017)
Directed by: Stephen Surjik
Cinematography by: Cort Fey
Edited by: David Beatty
Visual Effects Producer: Fuse FX
'Mike & Molly' I See Love (2016)
Directed by: James Burrows
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Curse of the Bambino (2016)
Directed by: Melissa McCarthy
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Baby, Please Don't Go (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' The Wreck of the Vincent Moranto (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Weekend with Birdie (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' The Good Wife (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Super Cop (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Peg O' My Heart Attack (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' One Small Step for Mike (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Cops on the Rocks (2016)
Directed by: Michael McDonald
Cinematography by: Gary Palmer
Edited by: Stephen Prime
Production Staff - 1 Episode, 2017, Visual Effects Producer: Fuse FX - 21 Episodes, 2016-2017
Designated Survivor (2016)
Directed by: Chris Grismer, Frederick E.O. Toye, Timothy Busfield, Peter Leto, Paul A. Edwards, Joe Lazarov, Leslie Libman, Sharat Raju, Mike Listo, Sudz Sutherland, Michael Katleman, Richard J. Lewis, Paul McGuigan, Sergio Mimica-Gezzan, Brad Turner, Norberto Barba, Milan Cheylov, Kenneth Fink, Fred Gerber, Stephen Surjik, Jeannot Szwarc, Ian Toynton, Tara Nicole Weyr, Carol Banker, Jeff T. Thomas, David Warry-Smith, Bosede Williams
Cinematography by: Jeffrey C. Mygatt, Michael Storey, Adam Suschitzky, Cort Fey, Colin Hoult, Darran Tiernan, M. David Mullen, David A. Harp, Michael McMurray
Edited by: Damien Smith, Charissa Sanjarernsuithikul, Ned Bastille, Pamela Malouf, David Beatty, John L. Roberts, Michael Schweitzer, James Coblentz, Monty DeGraff, Jennifer Van Goethem, Roy C. Poole, Bryan Darling
Cameras: ARRI ALEXA LF Camera
Editing System: Avid Editing System
Visual Effects Producer: Fuse FX
'Designated Survivor' The Oath (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Colin Hoult
Visual Effects Producer: Fuse FX
'Designated Survivor' The Blueprint (2016)
Directed by: Richard J. Lewis
Cinematography by: Cort Fey
Edited by: Pamela Malouf
Visual Effects Producer: Fuse FX
'Designated Survivor' The Results (2016)
Directed by: Chris Grismer
Cinematography by: Colin Hoult
Edited by: David Beatty
Visual Effects Producer: Fuse FX
'Designated Survivor' The Traitor (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Cort Fey
Edited by: Ned Bastille
Visual Effects Producer: Fuse FX
'Designated Survivor' The Interrogation (2016)
Directed by: Michael Katleman
Cinematography by: Adam Suschitzky
Edited by: Pamela Malouf
Visual Effects Producer: Fuse FX
'Designated Survivor' The Mission (2016)
Directed by: Paul A. Edwards
Cinematography by: Adam Suschitzky
Edited by: Ned Bastille
Visual Effects Producer: Fuse FX
'Designated Survivor' The Enemy (2016)
Directed by: Paul A. Edwards
Cinematography by: Adam Suschitzky
Edited by: Monty DeGraff
Visual Effects Producer: Fuse FX
'Designated Survivor' The First Day (2016)
Directed by: Brad Turner
Cinematography by: Adam Suschitzky
Edited by: Ned Bastille
Visual Effects Producer: Fuse FX
'Designated Survivor' The Confession (2016)
Directed by: Sergio Mimica-Gezzan
Cinematography by: Adam Suschitzky
Edited by: Pamela Malouf
Visual Effects Producer: Fuse FX
'Designated Survivor' Pilot (2016)
Directed by: Paul McGuigan
Cinematography by: M. David Mullen
Edited by: Monty DeGraff
Visual Effects Producer: Fuse FX
'Mike & Molly' The Bitter Man and the Sea (2015)
Directed by: Victor Gonzalez
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Near Death Do Us Part (2015)
Directed by: Joel Murray
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Mother from Another Mudlick (2015)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' No Kay Morale (2015)
Directed by: Melissa McCarthy
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Mudlick or Bust (2015)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Cocktails and Calamine (2015)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Pie Fight (2015)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Immaculate Deception (2015)
Directed by: Victor Gonzalez
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Checkpoint Joyce (2015)
Directed by: Victor Gonzalez
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Mike Check (2015)
Directed by: Melissa McCarthy
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Sleepy Hollow' Tempus Fugit (2015)
Directed by: Paul A. Edwards
Cinematography by: Tod Campbell
Edited by: Andrew Coutts
Visual Effects Producer: Fuse FX
'Sleepy Hollow' What Lies Beneath (2015)
Directed by: Dwight H. Little
Cinematography by: Tod Campbell
Visual Effects Producer: Fuse FX
'Sleepy Hollow' Spellcaster (2015)
Directed by: Paul A. Edwards
Edited by: Andrew Coutts
Visual Effects Producer: Fuse FX
'Sleepy Hollow' Kali Yuga (2015)
Directed by: Douglas Aarniokoski
Cinematography by: Tod Campbell
Visual Effects Producer: Fuse FX
'Sleepy Hollow' Pittura Infamante (2015)
Directed by: John R. Leonetti
Cinematography by: Glen Keenan
Edited by: Scott Gamzon
Visual Effects Producer: Fuse FX
'Sleepy Hollow' Paradise Lost (2015)
Directed by: Russell Lee Fine
Cinematography by: Tod Campbell
Edited by: Andrew Coutts
Visual Effects Producer
Annabelle (2014)
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
Visual Effects Producer: Fuse FX
'Mike & Molly' Tis the Season to Be Molly (2014)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Gone Cheatin (2014)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' The Book of Molly (2014)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Sex, Lies and Helicopters (2014)
Directed by: Victor Gonzalez
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer
'Mike & Molly' Mike's Manifold Destiny (2014)
Directed by: Stephen Prime
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer
'Mike & Molly' McMillan and Mom (2014)
Directed by: Michael McDonald
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: FuseFX
'Mike & Molly' Mind Over Molly (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: FuseFX
'Mike & Molly' Dips & Salsa (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Weekend at Peggy's (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Mike & Molly's Excellent Adventure (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: FuseFX
'Mike & Molly' What Molly Hath Wrought (2014)
Directed by: Stephen Prime
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Sleepy Hollow' The Akeda (2014)
Directed by: Dwight H. Little
Cinematography by: Glen Keenan
Edited by: John L. Roberts
Visual Effects Producer: Fuse FX
'Justified' A Murder of Crowes (2014)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Visual Effects Producer: Fuse FX
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Producer: Fuse FX - 8 Episodes, 2014-2015
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Visual Effects Producer: Fuse FX
'Mike & Molly' They Shoot Asses, Don't They? (2013)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' Shoeless Molly Flynn (2013)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Fuse FX
'Mike & Molly' The First and Last Ride-Along (2013)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer
'Mike & Molly' Molly Unleashed (2013)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Visual Effects Producer: Furious FX
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Visual Effects Producer: Furious FX
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Visual Effects Producer: Illusion FX
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Associate Producer: Furious FX
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Visual Effects Producer
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Associate Producer
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Conversion Manager: Prime Focus
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Producer: Furious FX
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Visual Effects Producer: Fuse FX / Visual Effects Producer / Visual Effects Producer: FuseFX - 35 Episodes, 2013-2016
Mike & Molly (2010)
Directed by: James Burrows, Phill Lewis, Michael McDonald, David Trainer, Mark Roberts, Victor Gonzalez, Melissa McCarthy, Stephen Prime, Jason Alexander, Joel Murray, Michele Azenzer Bear
Edited by: Stephen Prime
Cameras: Sony CineAlta F23 Camera, Sony HDW-F900 Camera
Visual Effects Producer: Furious FX
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Visual Effects Producer: Furious FX - 4 Episodes, 2010
No Ordinary Family (2010)
Visual Effects Producer: Furious FX
'No Ordinary Family' No Ordinary Quake (2010)
Directed by: Timothy Busfield
Cinematography by: Oliver Bokelberg
Edited by: Anthony Scott
Visual Effects Producer: Furious FX
'No Ordinary Family' No Ordinary Ring (2010)
Directed by: Terry McDonough
Cinematography by: Oliver Bokelberg
Edited by: Anthony Miller
Visual Effects Producer: Furious FX
'No Ordinary Family' No Ordinary Vigilante (2010)
Directed by: Ron Underwood
Cinematography by: Oliver Bokelberg
Edited by: Tirsa Hackshaw
Visual Effects Producer: Furious FX
'No Ordinary Family' No Ordinary Marriage (2010)
Directed by: David Semel
Cinematography by: Oliver Bokelberg
Edited by: Henk Van Eeghen
Visual Effects Producer: Fuse FX - 1 Episode, 2014
Justified (2010)
Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller
Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn
Visual Effects Producer: Furious FX
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Visual Effects Associate Producer: Furious FX
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Visual Effects Producer: Furious FX
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Furious FX
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Furious FX
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer: Furious FX
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Visual Effects Producer: Furious FX
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Visual Effects Producer: Furious FX
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Visual Effects Producer: Furious FX
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Visual Effects Producer: Furious FX
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Visual Effects Producer: Furious FX
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Visual Effects Producer: Furious FX
From Within (2008)
Directed by: Phedon Papamichael
Cinematography by: Rafael E. Sánchez
Edited by: Michael Matzdorff
Visual Effects Producer: Furious FX
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Visual Effects Producer: Furious FX
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Visual Effects Producer: Furious FX
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Visual Effects Producer: Furious FX
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Visual Effects Producer: Furious FX
The Heartbreak Kid (2007)
Cinematography by: Matthew F. Leonetti
Visual Effects Associate Producer: Furious FX
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Visual Effects Producer: FURIOUS FX
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Producer: Furious FX
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Visual Effects Producer: Furious FX
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Producer: Furious FX
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Visual Effects Producer: Furious FX
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Visual Effects Producer: Furious FX
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Visual Effects Producer: Furious FX
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Visual Effects Producer: Cinesite
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Visual Effects Associate Producer: Cinesite
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Visual Effects Producer: Cinesite
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Visual Effects Associate Producer
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Visual Effects Producer: Cinesite
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Visual Effects Coordinator: Cinesite
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Visual Effects Associate Producer: Cinesite
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Visual Effects Associate Producer
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Visual Effects Associate Producer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Associate Producer
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Visual Effects Associate Producer: Cinesite
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Visual Effects Production Coordinator: Cinesite
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Visual Effects Coordinator: Cinesite
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
Digital Effects Production Coordinator: Cinesite
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Visual Effects Coordinator: Cinesite
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Visual Effects Production Coordinator: Cinesite
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Visual Effects Production Coordinator: Cinesite
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Visual Effects Production Coordinator: Cinesite
Screwed (2000)
Cinematography by: Robert Brinkmann
Edited by: Michael Jablow
Visual Effects Production Coordinator: Cinesite
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Visual Effects Production Assistant: Cinesite
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Production Coordinator: Cinesite
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Visual Effects Production Coordinator: Cinesite
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Visual Effects Production Coordinator: Cinesite
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Visual Effects Production Assistant: Cinesite
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Visual Effects Production Assistant: Cinesite
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Production Assistant: Cinesite
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Visual Effects
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Runner
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Runner
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Restoration Coordinator: Cinesite
Airport (1970)
Cinematography by: Ernest Laszlo
Edited by: Stuart Gilmore
Cameras: Todd-AO 65mm Camera
Digital Restoration Coordinator: Cinesite
The Trouble with Harry (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: Alma Macrorie
Cameras: VistaVision Cameras
