Visual Effects: Scanline VFX
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Compositing Supervisor: Scanline VFX
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Visual Effects Artist
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Compositor: Scanline VFX
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Compositor: Scanline VFX
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Compositor: Scanline VFX
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Visual Effects
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Visual Effects
'Hemlock Grove' Unicorn (2014)
Directed by: David Petrarca
Cinematography by: Fernando Argüelles
Edited by: Roslyn Kalloo
Visual Effects
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects - 1 Episode, 2014
Hemlock Grove (2013)
Directed by: David Straiton, Deran Sarafian, Russell Lee Fine, T.J. Scott, David Semel, Peter Cornwell, Eli Roth, Billy Gierhart, Sanaa Hamri, Vincenzo Natali, David Petrarca, Floria Sigismondi, Spencer Susser, Jon Amiel, Coky Giedroyc, Marc Jobst, Jim O'Hanlon, Carl Tibbetts
Edited by: Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras: ARRI ALEXA Camera, Canon EOS-C300 Camera
Visual Effects
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Digital Effects Supervisor: Digiscope
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Digital Effects Supervisor
Hall Pass (2011)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Visual Effects
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Effects Artist
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Visual Effects
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Visual Effects: Scanline VFX - 1 Episode, 2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Visual Effects
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Digital Effects Supervisor: Digiscope
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Visual Effects
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Visual Effects
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Digital Effects Supervisor
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Visual Effects
Blood Done Sign My Name (2010)
Directed by: Jeb Stuart
Cinematography by: Steve Mason
Edited by: Toby Yates
Compositing Supervisor: Digiscope
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Visual Effects: Digiscope
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Digital Effects Supervisor: Digiscope
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Digital Effects Supervisor: Digiscope
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Digital Effects Supervisor: Digiscope
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Visual Effects
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Compositing Supervisor: Digiscope
The Forbidden Kingdom (2008)
Directed by: Rob Minkoff
Cinematography by: Peter Pau
Edited by: Eric Strand
Cameras: Panavision Genesis Camera
Compositing Supervisor: Digiscope
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Digital Compositor: Digiscope
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Compositing Artist: Digiscope
An American Crime (2007)
Directed by: Tommy O'Haver
Cinematography by: Byron Shah
Edited by: Melissa Kent
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Compositing Supervisor: Digiscope
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Digital Effects Supervisor: Digiscope
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Effects Supervisor: Digiscope / Lead Compositor: Digiscope
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Digital Compositor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Digital Artist
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Digital Compositor: Digiscope
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Compositing Supervisor: Digiscope
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Compositor: Digiscope
The Three Burials of Melquiades Estrada (2005)
Directed by: Tommy Lee Jones
Cinematography by: Chris Menges
Edited by: Roberto Silvi
Compositing Supervisor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Digital Compositor , Visual Effects
Something the Lord Made (2004)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
Digital Compositor
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Digital Effects Artist
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Effects Artist
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Effects Artist
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Graphic Artist
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Digital Effects Artist
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Main Title Designer
All About the Benjamins (2002)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Digital Compositor
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Digital Compositor: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Effects Artist
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor: Digital Domain
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Title Designer: Main Titles
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: Digiscope
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Digital Artist
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Digital Artist: Digiscope
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Digital Artist
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Digital Compositor
Urban Legend (1998)
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Digital Artist: Digiscope
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Key Compositor: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Compositor: Digital Domain
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Compositor: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
