Digital Compositor: Iloura
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Digital Compositor: Double Negative
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Digital Compositor: Double Negative
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Compositor: Double Negative
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: Industrial Light & Magic
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Digital Compositor: Image Engine
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Compositor: Double Negative
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Image Engine
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Digital Compositor: Prime Focus Film
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Digital Compositor: Image Engine
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Prime Focus Film
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Prime Focus Film
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Digital Compositor: Prime Focus Film
Vampire Academy (2014)
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
Digital Artist: Industrial Light & Magic
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Digital Compositor: Prime Focus Film
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Compositor/cg Lighting/effects Artist/animator: Double Negative
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Digital Compositor: Double Negative
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor: Image Engine
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Stereoscopic Compositor: Rising Sun Pictures
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Compositor: Image Engine
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Digital Compositor: Double Negative
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
2d Artist: Double Negative
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Compositor: Double Negative
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Digital Compositor: Double Negative
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Digital Compositor: Double Negative
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Compositor: Double Negative
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Digital Compositor: Double Negative
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Digital Compositor: Double Negative
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Digital Compositor: LipSync Post
The Broken (2008)
Directed by: Sean Ellis
Cinematography by: Angus Hudson
Edited by: Scott Thomas
Digital Compositor: Double Negative
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Compositor: LipSync Post
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Digital Compositor: LipSync Post
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Digital Compositor: LipSync Post
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Prep Artist: MPC / Roto Artist: MPC
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Digital Compositor: LipSync Post
The Ferryman (2007)
Directed by: Chris Graham
Cinematography by: Aaron Morton
Edited by: Nigel Galt
Digital Compositor: LipSync Post
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Prep Artist: MPC / Roto Artist: MPC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Roto/prep Artist: MPC
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Prep Artist: MPC / Roto Artist: MPC
Sixty Six (2006)
Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill
Prep Artist: MPC / Roto Artist: MPC
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras