Foley Supervisor
Parental Guidance (2012)
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Supervisor / Dialogue Editor
Trade of Innocents (2012)
Directed by: Christopher M. Bessette
Cinematography by: Philip Hurn
Edited by: Diane Brunjes
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Foley Editor
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Foley Editor
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Foley Editor
Eat Pray Love (2010)
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Foley Editor
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Post-production Supervisor, Sound Designer / Supervising Sound Editor
American Identity (2007)
Directed by: Stephen Rollins
Cinematography by: Ly Bolia
Edited by: Jon Vasquez
Supervising Foley Editor
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Sound Editor
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Sound Editor
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Foley Editor
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Foley Supervisor / Sound Editor
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Editor
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Foley Editor
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Foley Supervisor
10th & Wolf (2006)
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Foley Supervisor
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Dialogue Editor
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Supervising Foley Editor: Danetracks
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Supervising Foley Editor
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Foley Editor
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Foley Editor
Paparazzi (2004)
Directed by: Paul Abascal
Cinematography by: Daryn Okada
Edited by: Robin Russell
Dialogue Editor
Anchorman: The Legend of Ron Burgundy (2004)
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Foley Editor
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Editor
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Editor
A Man Apart (2003)
Directed by: F. Gary Gray
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Editor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Foley Editor
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Foley Editor
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Foley Editor
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Sound Editor
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Foley Editor
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Foley Editor
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Foley Supervisor
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Sound Editor
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Foley Supervisor
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Editor
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Supervisor
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Foley Editor
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Foley Editor
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Adr Editor
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Editor
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Sound Editor
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Foley Editor
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Foley Editor
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Sound Editor
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Foley Editor
Clueless (1995)
Directed by: Amy Heckerling
Cinematography by: Bill Pope
Edited by: Debra Chiate
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses, Zeiss Lenses
Foley Editor
The Flintstones (1994)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Sound Editor
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Foley Editor
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Sound Editor
The Favor (1994)
Directed by: Donald Petrie
Cinematography by: Tim Suhrstedt
Edited by: Harry Keramidas
Supervising Foley Editor
Intersection (1994)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Foley Supervisor
The Puppet Masters (1994)
Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Sound Editor
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Supervising Sound Editor
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Supervising Foley Editor
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Sound Editor
American Me (1992)
Directed by: Edward James Olmos
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Supervising Foley Editor
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Foley Editor
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Foley Supervisor
Impulse (1990)
Directed by: Sondra Locke
Cinematography by: Dean Semler
Edited by: John W. Wheeler
Supervising Foley Editor
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Adr Editor
They Live (1988)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Foley Editor
Tequila Sunrise (1988)
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Sound Editor
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Foley Editor
The Good Mother (1988)
Directed by: Leonard Nimoy
Cinematography by: David Watkin
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Foley Supervisor
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Adr Editor
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Sound Editor
Streets of Gold (1986)
Directed by: Joe Roth
Cinematography by: Arthur Albert
Edited by: Richard Chew
Foley Editor
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Foley Supervisor , Sound Effects Editor
Explorers (1985)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Cameras: Panavision Cameras
Supervising Foley Editor
The Color Purple (1985)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Assistant Sound Editor
Gremlins (1984)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
