Ai-Ling Lee

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Barbie | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Barbie (2023)

Directed by: Greta Gerwig

Cinematography by: Rodrigo Prieto

Edited by: Nick Houy

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Lenses, Panavision System 65 Lenses

Babylon | ShotOnWhat?

Supervising Sound Editor/sound Designer/re-recording Mixer: Fox Studio Lot

Babylon (2022)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Jojo Rabbit | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Jojo Rabbit (2019)

Directed by: Taika Waititi

Cinematography by: Mihai Malaimare Jr.

Edited by: Tom Eagles, Yana Gorskaya

Cameras: ARRI ALEXA SXT Plus Camera

Lenses: Hawk V-Lite Lenses, Hawk Vantage One Lenses

First Man | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Battle of the Sexes | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

La La Land | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Deadpool | ShotOnWhat?

Sound Designer

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Godzilla | ShotOnWhat?

Sound Effects Editor

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

300: Rise of an Empire | ShotOnWhat?

Sound Editor

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

X-Men: Days of Future Past | ShotOnWhat?

Sound Effects Editor

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Wild | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Wild (2014)

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

The Maze Runner | ShotOnWhat?

Sound Designer / Supervising Sound Editor

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Sound Designer

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Good Day to Die Hard | ShotOnWhat?

Sound Effects Editor

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Man of Steel | ShotOnWhat?

Sound Effects Designer

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

The Last Stand | ShotOnWhat?

Sound Effects Editor

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Hitchcock | ShotOnWhat?

Additional Sound Mixer / Supervising Sound Editor

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Rock of Ages | ShotOnWhat?

Sound Effects Supervisor

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Sound Designer / Sound Effects Editor

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Sound Effects Editor

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Dialogue Editor: Temp

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Red Riding Hood | ShotOnWhat?

Sound Designer

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

We Bought a Zoo | ShotOnWhat?

Additional Sound Mixer / Supervising Sound Editor

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Tangled | ShotOnWhat?

Sound Designer / Sound Editor

Tangled (2010)

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Cop Out | ShotOnWhat?

Sound Effects Editor

Cop Out (2010)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Date Night | ShotOnWhat?

Sound Effects Editor

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Just Wright | ShotOnWhat?

Sound Designer

Just Wright (2010)

Directed by: Sanaa Hamri

Cinematography by: Terry Stacey

Edited by: Melissa Kent

Due Date | ShotOnWhat?

Foley Editor / Sound Designer / Sound Effects Editor

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: New Moon | ShotOnWhat?

Sound Effects Designer

The Twilight Saga: New Moon (2009)

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Watchmen | ShotOnWhat?

Sound Designer , Sound Effects Editor

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

2012 | ShotOnWhat?

Sound Effects Editor

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Terminator Salvation | ShotOnWhat?

Sound Designer

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Sisterhood of the Traveling Pants 2 | ShotOnWhat?

Sound Effects Editor

The Sisterhood of the Traveling Pants 2 (2008)

Directed by: Sanaa Hamri

Cinematography by: Jim Denault

Edited by: Melissa Kent

Yes Man | ShotOnWhat?

Foley Editor / Sound Designer / Sound Effects Editor

Yes Man (2008)

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

Nights in Rodanthe | ShotOnWhat?

Sound Effects Editor

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

The Seeker: The Dark Is Rising | ShotOnWhat?

Sound Effects Editor

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

In the Land of Women | ShotOnWhat?

Sound Effects Editor

In the Land of Women (2007)

Directed by: Jonathan Kasdan

Cinematography by: Paul Cameron

Edited by: Marty Levenstein, Carol Littleton

Live Free or Die Hard | ShotOnWhat?

Sound Designer / Sound Effects Editor

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Starter for 10 | ShotOnWhat?

Sound Effects Editor

Starter for 10 (2006)

Directed by: Tom Vaughan

Cinematography by: Ashley Rowe

Edited by: Jon Harris, Heather Persons

The Break-Up | ShotOnWhat?

Sound Effects Editor

The Break-Up (2006)

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

Idlewild | ShotOnWhat?

Sound Effects Editor

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

We Are Marshall | ShotOnWhat?

Sound Designer, Sound Effects Editor

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

RV | ShotOnWhat?

Sound Effects Editor

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

The Punisher | ShotOnWhat?

Sound Effects Editor

The Punisher (2004)

Directed by: Jonathan Hensleigh

Cinematography by: Conrad W. Hall

Edited by: Jeff Gullo, Steven Kemper, John Leonetti

Along Came Polly | ShotOnWhat?

Effects Editor

Along Came Polly (2004)

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

After the Sunset | ShotOnWhat?

Sound Effects Editor

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Spider-Man 2 | ShotOnWhat?

Sound Effects Editor

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Christmas with the Kranks | ShotOnWhat?

Sound Effects Editor

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

The Grudge | ShotOnWhat?

Sound Effects Editor

The Grudge (2004)

Directed by: Takashi Shimizu

Cinematography by: Hideo Yamamoto

Edited by: Jeff Betancourt

S.W.A.T. | ShotOnWhat?

Sound Effects Editor

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

Dreamcatcher | ShotOnWhat?

Sound Effects Editor

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Bruce Almighty | ShotOnWhat?

Sound Effects Editor

Bruce Almighty (2003)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

The Rundown | ShotOnWhat?

Sound Effects Editor

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

The Cat in the Hat | ShotOnWhat?

Sound Effects Editor

The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Master of Disguise | ShotOnWhat?

Sound Effects Editor

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

Orange County | ShotOnWhat?

Sound Effects Editor

Orange County (2002)

Directed by: Jake Kasdan

Cinematography by: Greg Gardiner

Edited by: Tara Timpone

The Scorpion King | ShotOnWhat?

Sound Effects Editor

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

The Animal | ShotOnWhat?

Sound Editor

The Animal (2001)

Directed by: Luke Greenfield

Cinematography by: Peter Lyons Collister

Edited by: Jeff Gourson, Peck Prior

Jimmy Neutron: Boy Genius | ShotOnWhat?

Sound Editor

Jimmy Neutron: Boy Genius (2001)

Directed by: John A. Davis

Cinematography by: Steve Kolbe, Chris Sherrod

Edited by: Gregory Perler, Jon Price

Little Nicky | ShotOnWhat?

Sound Effects Editor

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

The Million Dollar Hotel | ShotOnWhat?

Sound Effects Editor

The Million Dollar Hotel (2000)

Directed by: Wim Wenders

Cinematography by: Phedon Papamichael

Edited by: Tatiana S. Riegel

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses

Buena Vista Social Club | ShotOnWhat?

Sound Editor: Los Angeles

Buena Vista Social Club (1999)

Directed by: Wim Wenders

Cinematography by: Jörg Widmer

Edited by: Brian Johnson

Cameras: Sony Betacam (Unknown) Camera

The Waterboy | ShotOnWhat?

Sound Effects Editor

The Waterboy (1998)

Directed by: Frank Coraci

Cinematography by: Steven Bernstein

Edited by: Tom Lewis

Cameras: Panavision Cameras

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