Lead Fx Td: ILM
Killers of the Flower Moon (2023)
Movie
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Visual Effects Technical Director
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Technical Director
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Technical Director
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Cg Effects Supervisor: Double Negative
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Cg Effects Supervisor: Double Negative
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Visual Effects Technical Director
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Visual Effects Technical Director
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Effects Artist: Rhythm & Hues Studios
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Effects Lead: Asylum
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Visual Effects Artist
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Visual Effects Artist: Particle Effects
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Lead Visual Effects Artist
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Lead Artist
Gentlemen Broncos (2009)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Yuka Ruell
Visual Effects Artist
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Lead Artist: Water Effects
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Digital Effects Artist: Title Sequence
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Digital Effects Artist
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Effects Artist: Asylum
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Digital Visual Effects Artist
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Lead Effects Animator: Asylum
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Digital Visual Effects Artist
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Visual Effects Artist
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Tds: Asylum
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
3D Visual Effects Artist
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Digital Visual Effects Artist
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Visual Effects Artist
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Visual Effects Artist
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Visual Effects Artist
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Digital Visual Effects Artist
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Lead Visual Effects Artist
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
3D Visual Effects Artist
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Cg Artist: Asylum
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Digital 3D Animator: Asylum
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
3D Visual Effects Animator
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
3D Visual Effects Artist
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Visual Effects Animator: ASYLUM
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
3D Visual Effects Artist
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
CG Artist
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
3D Visual Effects Artist: ASYLUM
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Lead Visual Effects Artist
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Digital Artist: BFTRE
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Digital Artist: BFTRE
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Visual Effects Digital Artist
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton