Compositor: Local Hero - 10 Episodes, 2019
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Visual Effects Supervisor - 6 Episodes, 2015
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Visual Effects Supervisor
'Into the Badlands' Chapter I: The Fort (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Vikash Patel
Visual Effects Supervisor
'Into the Badlands' Chapter II: Fist Like a Bullet (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Visual Effects Supervisor
'Into the Badlands' Chapter III: White Stork Spreads Wings (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Visual Effects Supervisor
'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Visual Effects Supervisor
'Into the Badlands' Chapter V: Snake Creeps Down (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Visual Effects Supervisor
'Into the Badlands' Chapter VI: Hand of Five Poisons (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Compositing Supervisor: Look Effects
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Compositor: Look Fx
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Senior Compositor: Sony Imageworks
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Lead Compositor: EntityFX
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Division Lead Compositor: Pixomondo
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Senior Compositor: Digital Sandbox
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Compositor: Pixomondo
'Hawaii Five-0' Ka Ho' Oponopono (2012)
Directed by: Steve Boyum
Cinematography by: James L. Carter
Edited by: Maja Vrvilo
Compositor: Pixomondo
'Hawaii Five-0' Mai Ka Wa Kahiko (2012)
Directed by: Larry Teng
Cinematography by: James L. Carter
Edited by: Roderick Davis
Compositor: Pixomondo
'Hawaii Five-0' Mea Makamae (2011)
Directed by: Duane Clark
Cinematography by: Alan Caso
Edited by: Maja Vrvilo
Compositor: Whiskytree
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Compositor: Pixomondo
'Hawaii Five-0' Ka Iwi Kapu (2011)
Directed by: Joe Dante
Cinematography by: James L. Carter
Edited by: Maja Vrvilo
Compositor: Pixomondo
'Hawaii Five-0' Ma'eme'e (2011)
Directed by: Steve Boyum
Cinematography by: James L. Carter
Compositor: Pixomondo
'Hawaii Five-0' Kame'e (2011)
Directed by: Jeffrey G. Hunt
Cinematography by: James L. Carter
Edited by: Roderick Davis
Digital Artist: Furious FX
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Compositor: Pixomondo
'Hawaii Five-0' Ha'i'ole (2011)
Directed by: Steve Boyum
Cinematography by: James L. Carter
Edited by: Maja Vrvilo
Compositor: FuriousFX
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Compositor: Pixomondo - 7 Episodes, 2011-2012
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Visual Effects Supervisor
iCrime (2010)
Directed by: Bears Rebecca Fonté
Cinematography by: Matt Egan
Edited by: Jonathan Alvord
Second Vfx Artist: Entity FX
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Compositor: Reel FX Entertainment
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Compositor: FuriousFX
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Compositor: Flat Earth Productions
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Senior Stereoscopic Compositor: FuriousFX
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Compositor: Furious FX
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Compositor: FuriousFX
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Compositor: FuriousFX
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Compositor: FuriousFX
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Compositor: Furious FX
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Compositor: Digital Domain
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Compositor: Digital Domain
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Compositor: The Orphanage
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Compositor: SW Digital
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Compositor: Digital Domain
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Compositor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Compositor
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Digital Compositor: Rhythm & Hues
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Compositor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Compositor
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Roto Painter: Pacific Title
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Compositor / Effects Supervisor: Pacific Title
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Digital Compositor: Pacific Title Digital
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Cineon Compositor: Pacific Title Design
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Compositor
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Compositor
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Compositor
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
3D Animator: Pacific Title & Art Studio
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Paint/roto Artist
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Compositor
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Compositor
Dungeons & Dragons (2000)
Directed by: Courtney Solomon
Cinematography by: Douglas Milsome
Edited by: Caroline Ross
Painter: Pacific Title
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Digital Paint Artist
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Digital Paint Artist
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Gaffer: Dream Quest Images
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Gaffer: DQI
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Gaffer: Motion Control First Unit, DQI
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Gaffer: Motion Control Stage, Dream Quest Images
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Gaffer: Hi-speed Miniatures Unit
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Electric
Skeletons (1997)
Directed by: David DeCoteau
Cinematography by: Thomas L. Callaway
Edited by: Lawrence A. Maddox
Digital Paint Artist: Pacific Title & Art Studio - 2000 Restoration
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Paint/roto Artist
The Exorcist (1973)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Paint Artist: Pacific Title & Art Studio: Re-release
A Clockwork Orange (1971)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Bill Butler