Digital Compositor
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Digital Artist: DNEG
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Effects Artist: At DNEG
Bohemian Rhapsody (2018)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Digital Effects Artist: At DNEGTV
'Altered Carbon' Out of the Past (2018)
Directed by: Miguel Sapochnik
Cinematography by: Martin Ahlgren
Edited by: Barry Alexander Brown
Digital Artist: DNEG
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Digital Effects Artist: At DNEGTV - 1 Episode, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lead Digital Effects Artist: At DNEG
Red Sparrow (2018)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Best Boy Construction Grip
'Girls' Hostage Situation (2017)
Directed by: Lena Dunham
Cinematography by: Tim Ives
Edited by: Myron Kerstein
Digital Effects Artist: At DNEG
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Digital Effects Artist: At DNEG
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Best Boy Construction Grip
'Girls' Painful Evacuation (2017)
Directed by: Jesse Peretz
Cinematography by: Tim Ives
Edited by: Kate Hickey
Digital Effects Artist: At DNEG
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Effects Artist: At DNEG
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Effects Artist: At DNEG
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Digital Effects Artist: At DNEG
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Effects Artist: Double Negative
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Effects Artist: At Dneg
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Digital Effects Artist: Double Negative
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
2d Sequence Supervisor: Double Negative London
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Digital Effects Artist: At Dneg
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Sequence Lead/compositor: Dneg
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Compositor: Double Negative
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Best Boy Construction Grip - 2 Episodes, 2017
Girls (2012)
Directed by: Lena Dunham, Jesse Peretz, Richard Shepard, Jamie Babbit, Jody Lee Lipes, Tricia Brock, Jenni Konner, Claudia Weill, Alex Karpovsky, Nisha Ganatra
Edited by: Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras: ARRI ALEXA Camera
Compositor / Visual Effects: Double Negative
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Compositor: Double Negative
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Compositor: Double Negative
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
2d Artist: Double Negative
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Best Boy Construction Grip
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Compositing Sequence Supervisor: Double Negative
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Digital Effects Artist: Double Negative
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Compositor: Double Negative
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Compositor: Peerless Camera Co
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Key Construction Grip
The Private Lives of Pippa Lee (2009)
Directed by: Rebecca Miller
Cinematography by: Declan Quinn
Edited by: Sabine Hoffman
Compositor: Cinesite
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Lead Digital Artist: Men From Mars
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Digital Compositor: Cinesite
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Digital Effects Artist
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Digital Effects Artist
Closure (2007)
Directed by: Dan Reed
Cinematography by: Chris Seager
Edited by: Ewa J. Lind
Digital Effects Artist: Men From Mars
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Digital Effects Artist
Fade to Black (2006)
Directed by: Oliver Parker
Cinematography by: John de Borman
Edited by: Guy Bensley
Digital Compositor
Archangel (2005)
Directed by: Jon Jones
Cinematography by: Chris Seager
Edited by: Sue Wyatt
Cameras: ARRI Cameras
Dolly Grip
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Visual Effects Artist: Men-From-Mars
Proof (2005)
Directed by: John Madden
Cinematography by: Alwin H. Küchler
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Digital Compositor
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Digital Compositor
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Digital Compositor
Gladiatress (2004)
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Digital Compositor
Tooth (2004)
Directed by: Edouard Nammour
Cinematography by: Clive Tickner
Edited by: Alan Strachan
Digital Artist , Digital Compositor: Men-from-mars
The Importance of Being Earnest (2002)
Directed by: Oliver Parker
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
Digital Effects Artist
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Visual Effects Compositor
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Digital Effects Artist
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
