Ian Clarke

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Tenet | ShotOnWhat?

Picture Car Coordinator: International

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Wonder Woman 1984 | ShotOnWhat?

Picture Vehicles Supervisor

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

6 Underground | ShotOnWhat?

Picture Car Supervisor

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Red Sparrow | ShotOnWhat?

Picture Vehicle Coordinator Uk

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Avengers: Infinity War | ShotOnWhat?

Picture Vehicle Coordinator: UK

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Transformers: The Last Knight | ShotOnWhat?

Picture Vehicle Coordinator: United Kingdom

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

All the Money in the World | ShotOnWhat?

Picture Vehicles Supervisor

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Picture Vehicle Supervisor

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Assassin's Creed | ShotOnWhat?

Picture Car Supervisor

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Doctor Strange | ShotOnWhat?

Picture Vehicle Supervisor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Picture Car Coordinator

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Picture Car Coordinator

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Fury | ShotOnWhat?

Picture Car Coordinator

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Monuments Men | ShotOnWhat?

Picture Vehicle Coordinator: UK

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Action Vehicle Workshop Supervisor

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Furious 6 | ShotOnWhat?

Picture Car Coordinator

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Wolf of Wall Street | ShotOnWhat?

Picture Car Coordinator: UK

The Wolf of Wall Street (2013)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

The Bourne Legacy | ShotOnWhat?

Picture Vehicle Workshop Supervisor: Manila

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Cold Light of Day | ShotOnWhat?

Picture Car Coordinator

The Cold Light of Day (2012)

Directed by: Mabrouk El Mechri

Cinematography by: Remi Adefarasin

Edited by: Valerio Bonelli

Cameras: ARRIFLEX 435 Camera

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

Action Vehicle Coordinator

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Inception | ShotOnWhat?

Picture Vehicle Coordinator: London

Inception (2010)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Editing System: Avid Editing System

The Infidel | ShotOnWhat?

Picture Vehicle Technician

The Infidel (2010)

Directed by: Josh Appignanesi

Cinematography by: Natasha Braier

Edited by: Kim Gaster

Knight and Day | ShotOnWhat?

Picture Car Coordinator

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Killers | ShotOnWhat?

Picture Vehicle Technician

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

Get Him to the Greek | ShotOnWhat?

Picture Vehicle Floor Supervisor

Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

Green Zone | ShotOnWhat?

Picture Vehicle Technician

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Inkheart | ShotOnWhat?

Picture Vehicle Technician

Inkheart (2008)

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Body of Lies | ShotOnWhat?

Picture Vehicle Technician

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Wanted | ShotOnWhat?

Picture Vehicle Technician

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Babylon A.D. | ShotOnWhat?

Vehicle Coordinator

Babylon A.D. (2008)

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Benjamin Weill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera

Lenses: Panavision Primo Anamorphic Lenses

Quantum of Solace | ShotOnWhat?

Vehicle Coordinator

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mr. Bean's Holiday | ShotOnWhat?

Picture Vehicle Technician

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

National Treasure: Book of Secrets | ShotOnWhat?

Picture Vehicle Technician

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Bourne Ultimatum | ShotOnWhat?

Action Vehicle Coordinator

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Rush Hour 3 | ShotOnWhat?

Picture Vehicle Technician

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Holiday | ShotOnWhat?

Picture Vehicle Technician

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Breaking and Entering | ShotOnWhat?

Driver: Grip Truck

Breaking and Entering (2006)

Directed by: Anthony Minghella

Cinematography by: Benoît Delhomme

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Ultra Prime Lenses

Children of Men | ShotOnWhat?

Picture Technician: Vehicles

Children of Men (2006)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Land of the Blind | ShotOnWhat?

Vehicle Technician

Land of the Blind (2006)

Directed by: Robert Edwards

Cinematography by: Emmanuel Kadosh

Edited by: Ferne Pearlstein

Match Point | ShotOnWhat?

Vehicle Technician

Match Point (2005)

Directed by: Woody Allen

Cinematography by: Remi Adefarasin

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Hitchhiker's Guide to the Galaxy | ShotOnWhat?

Vehicle Technician

The Hitchhiker's Guide to the Galaxy (2005)

Directed by: Garth Jennings

Cinematography by: Igor Jadue-Lillo

Edited by: Niven Howie

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Munich | ShotOnWhat?

Vehicle Technician

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

Agent Cody Banks 2: Destination London | ShotOnWhat?

Vehicle Technician

Agent Cody Banks 2: Destination London (2004)

Directed by: Kevin Allen

Cinematography by: Denis Crossan

Edited by: Andrew MacRitchie

Cameras: Panavision Cameras

Ladies in Lavender | ShotOnWhat?

Vehicle Technician

Ladies in Lavender (2004)

Directed by: Charles Dance

Cinematography by: Peter Biziou

Edited by: Michael Parker

The Life and Death of Peter Sellers | ShotOnWhat?

Vehicle Technician

The Life and Death of Peter Sellers (2004)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: John Smith

Beyond Borders | ShotOnWhat?

Vehicle Technician

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Vehicle Technician

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Johnny English | ShotOnWhat?

Vehicle Technician

Johnny English (2003)

Directed by: Peter Howitt

Cinematography by: Remi Adefarasin

Edited by: Robin Sales

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Editing System: Lightworks Editing System

Iris | ShotOnWhat?

Vehicle Technician

Iris (2001)

Directed by: Richard Eyre

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Lara Croft: Tomb Raider | ShotOnWhat?

Vehicle Technician

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Formula 51 | ShotOnWhat?

Vehicle Technician

Formula 51 (2001)

Directed by: Ronny Yu

Cinematography by: Hang-Sang Poon

Edited by: David Wu

Cameras: Moviecam Cameras

Spy Game | ShotOnWhat?

Vehicle Technician

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

102 Dalmatians | ShotOnWhat?

Vehicle Technician

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

Gangster No. 1 | ShotOnWhat?

Vehicle Technician

Gangster No. 1 (2000)

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Andrew Hulme

Cameras: Aaton Cameras, Panavision Cameras

Proof of Life | ShotOnWhat?

Vehicle Technician

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Felicia's Journey | ShotOnWhat?

Vehicle Technician

Felicia's Journey (1999)

Directed by: Atom Egoyan

Cinematography by: Paul Sarossy

Edited by: Susan Shipton

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Entrapment | ShotOnWhat?

Vehicle Technician

Entrapment (1999)

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

The Haunting | ShotOnWhat?

Vehicle Technician

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

The Parent Trap | ShotOnWhat?

Vehicle Technician

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

The Saint | ShotOnWhat?

Vehicle Technician

The Saint (1997)

Directed by: Phillip Noyce

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Man Who Knew Too Little | ShotOnWhat?

Vehicle Technician

The Man Who Knew Too Little (1997)

Directed by: Jon Amiel

Cinematography by: Robert M. Stevens

Edited by: Paul Karasick, Pamela Power

Cameras: Panavision Cameras

Four Weddings and a Funeral | ShotOnWhat?

Vehicle Technician

Four Weddings and a Funeral (1994)

Directed by: Mike Newell

Cinematography by: Michael Coulter

Edited by: Jon Gregory

King Ralph | ShotOnWhat?

Vehicle Technician

King Ralph (1991)

Directed by: David S. Ward

Cinematography by: Kenneth MacMillan

Edited by: John Jympson

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