Frank White

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Divergent | ShotOnWhat?

Welder Foreman

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Into the Storm | ShotOnWhat?

Propmaker/welder

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Ender's Game | ShotOnWhat?

Welder Foreman

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

The Lone Ranger | ShotOnWhat?

Welder Gangboss

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

G.I. Joe: Retaliation | ShotOnWhat?

Welder Foreman

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Battleship | ShotOnWhat?

Welder Gangboss

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X: First Class | ShotOnWhat?

Welding Foreman

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Green Hornet | ShotOnWhat?

Welder Gangboss

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

We Bought a Zoo | ShotOnWhat?

Welder Gangboss

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Unstoppable | ShotOnWhat?

Welding Foreman

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

I Love You, Man | ShotOnWhat?

Welding Foreman

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Land of the Lost | ShotOnWhat?

Welder Gangboss

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Pirates of the Caribbean: At World's End | ShotOnWhat?

Welder Gangboss

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Evan Almighty | ShotOnWhat?

Propmaker Gangboss

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Welding Foreman

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Good German | ShotOnWhat?

Welder Gangboss

The Good German (2006)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Panavision Panaflex Millennium XL2 Camera

Deja Vu | ShotOnWhat?

Welding Foreman

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Welder Gangboss

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Memoirs of a Geisha | ShotOnWhat?

Welding Foreman

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Island | ShotOnWhat?

Welding Foreman

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Rent | ShotOnWhat?

Welding Foreman

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

National Treasure | ShotOnWhat?

Welder

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Van Helsing | ShotOnWhat?

Welding Foreman

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Italian Job | ShotOnWhat?

Special Effects Welder Foreman

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Murder by Numbers | ShotOnWhat?

Propmaker

Murder by Numbers (2002)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Star Trek: Nemesis | ShotOnWhat?

Welder

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Solaris | ShotOnWhat?

Welder

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Pearl Harbor | ShotOnWhat?

Welder

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Ocean's Eleven | ShotOnWhat?

Welder

Ocean's Eleven (2001)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Welder

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Thirteen Days | ShotOnWhat?

Welding Foreman

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Anna and the King | ShotOnWhat?

Propmaker

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Blue Streak | ShotOnWhat?

Welding Foreman

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Stuart Little | ShotOnWhat?

Welding Foreman

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

U.S. Marshals | ShotOnWhat?

Special Effects Welder Foreman

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

Batman & Robin | ShotOnWhat?

Special Effects Welder Foreman

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Turbulence | ShotOnWhat?

Special Effects Technician / Special Effects Welder

Turbulence (1997)

Directed by: Robert Butler

Cinematography by: Lloyd Ahern II

Edited by: John Duffy

Volcano | ShotOnWhat?

Construction Foreman

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

A Time to Kill | ShotOnWhat?

Welding Foreman

A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Nick of Time | ShotOnWhat?

Propmaker

Nick of Time (1995)

Directed by: John Badham

Cinematography by: Roy H. Wagner

Edited by: Frank Morriss, Kevin Stitt

Species | ShotOnWhat?

Welder

Species (1995)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Waterworld | ShotOnWhat?

Special Effects Welder Foreman

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Net | ShotOnWhat?

Propmaker

The Net (1995)

Directed by: Irwin Winkler

Cinematography by: Jack N. Green

Edited by: Richard Halsey

Junior | ShotOnWhat?

Propmaker

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Blue Chips | ShotOnWhat?

Propmaker

Blue Chips (1994)

Directed by: William Friedkin

Cinematography by: Tom Priestley Jr.

Edited by: Robert K. Lambert, David Rosenbloom

Ed Wood | ShotOnWhat?

Propmaker

Ed Wood (1994)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dennis the Menace | ShotOnWhat?

Laborer

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

Demolition Man | ShotOnWhat?

Welder

Demolition Man (1993)

Directed by: Marco Brambilla

Cinematography by: Alex Thomson

Edited by: Stuart Baird

Falling Down | ShotOnWhat?

Propmaker

Falling Down (1993)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Patriot Games | ShotOnWhat?

Welder

Patriot Games (1992)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: William Hoy, Neil Travis

Defending Your Life | ShotOnWhat?

Laborer

Defending Your Life (1991)

Directed by: Albert Brooks

Cinematography by: Allen Daviau

Edited by: David Finfer

Arachnophobia | ShotOnWhat?

Laborer

Arachnophobia (1990)

Directed by: Frank Marshall

Cinematography by: Mikael Salomon

Edited by: Michael Kahn

The 'Burbs | ShotOnWhat?

Laborer

The 'Burbs (1989)

Directed by: Joe Dante

Cinematography by: Robert M. Stevens

Edited by: Marshall Harvey

Indiana Jones and the Last Crusade | ShotOnWhat?

Labor Foreman

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Die Hard | ShotOnWhat?

Laborer

Die Hard (1988)

Directed by: John McTiernan

Cinematography by: Jan de Bont

Edited by: John F. Link, Frank J. Urioste

Cameras: Panavision Panaflex Gold Camera

Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

Who Framed Roger Rabbit | ShotOnWhat?

Labor Foreman

Who Framed Roger Rabbit (1988)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

Child's Play | ShotOnWhat?

Labor Foreman

Child's Play (1988)

Directed by: Tom Holland

Cinematography by: Bill Butler

Edited by: Roy E. Peterson, Edward Warschilka

Red Heat | ShotOnWhat?

Labor

Red Heat (1988)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Throw Momma from the Train | ShotOnWhat?

Labor Foreman

Throw Momma from the Train (1987)

Directed by: Danny DeVito

Cinematography by: Barry Sonnenfeld

Edited by: Michael Jablow

Big Trouble in Little China | ShotOnWhat?

Laborer

Big Trouble in Little China (1986)

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Steve Mirkovich, Mark Warner, Edward A. Warschilka

Cameras: Panavision Cameras

City Heat | ShotOnWhat?

Laborer

City Heat (1984)

Directed by: Richard Benjamin

Cinematography by: Nick McLean

Edited by: Jacqueline Cambas

Swing Shift | ShotOnWhat?

Labor

Swing Shift (1984)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Twilight Zone: The Movie | ShotOnWhat?

Labor Foreman

Twilight Zone: The Movie (1983)

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

Escape from New York | ShotOnWhat?

Laborer

Escape from New York (1981)

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Todd C. Ramsay

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Anamorphic Super High Speed Lenses

One from the Heart | ShotOnWhat?

Labor Foreman

One from the Heart (1981)

Directed by: Francis Ford Coppola

Cinematography by: Ronald Víctor García, Vittorio Storaro

Edited by: Rudi Fehr, Anne Goursaud, Randy Roberts

Cameras: ARRIFLEX 35 BL Camera

Lenses: Cooke Super Cine Varotal 25-250mm f2.8 Lens

Capricorn One | ShotOnWhat?

Labor

Capricorn One (1977)

Directed by: Peter Hyams

Cinematography by: Bill Butler

Edited by: James Mitchell

Cameras: Panavision Cameras

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