Eric Cook

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The Babysitter | ShotOnWhat?

Special Effects Foreman

The Babysitter (2017)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Martin Bernfeld, Peter Gvozdas

Cameras: Red Weapon Dragon Camera

Lenses: Cooke S4/i Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Fast 8 | ShotOnWhat?

Special Effects Coordinator

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Captain America: Civil War | ShotOnWhat?

Special Effects Foreman

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Furious 7 | ShotOnWhat?

Special Effects Foreman

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Special Effects Foreman / Special Effects Technician

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Iron Man Three | ShotOnWhat?

The Avengers | ShotOnWhat?

Special Effects Foreman

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Big Miracle | ShotOnWhat?

Special Effects Foreman

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Cowboys & Aliens | ShotOnWhat?

Special Effects Foreperson

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Thor | ShotOnWhat?

Special Effects Foreman

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Iron Man 2 | ShotOnWhat?

Special Effects Foreman

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Special Effects Foreman

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Couples Retreat | ShotOnWhat?

Special Effects Foreman / Special Effects Technician

Couples Retreat (2009)

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Special Effects Foreman / Special Effects Technician

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Iron Man | ShotOnWhat?

Special Effects Foreman / Special Effects Technician

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Evan Almighty | ShotOnWhat?

Special Effects Foreman / Special Effects Technician

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Mission: Impossible III | ShotOnWhat?

Special Effects Foreman / Special Effects Technician

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Serenity | ShotOnWhat?

Special Effects Technician

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

War of the Worlds | ShotOnWhat?

Special Effects Technician

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cellular | ShotOnWhat?

Special Effects

Cellular (2004)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cradle 2 the Grave | ShotOnWhat?

Special Effects Tech

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Charlie's Angels: Full Throttle | ShotOnWhat?

Special Effects Foreman

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

The Sum of All Fears | ShotOnWhat?

Special Effects Foreman/vfx Pyro

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

The Time Machine | ShotOnWhat?

Special Effects

The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Fast and the Furious | ShotOnWhat?

Special Effects Technician

The Fast and the Furious (2001)

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Nutty Professor II: The Klumps | ShotOnWhat?

Special Effects Tech

Nutty Professor II: The Klumps (2000)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

Galaxy Quest | ShotOnWhat?

Special Effects Foreman

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Inspector Gadget | ShotOnWhat?

Special Effects Technician: Second Unit

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lethal Weapon 4 | ShotOnWhat?

Special Effects: Second Unit

Lethal Weapon 4 (1998)

Directed by: Richard Donner

Cinematography by: Andrzej Bartkowiak

Edited by: Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Armageddon | ShotOnWhat?

Special Effects Tech

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Starship Troopers | ShotOnWhat?

Special Effects Coordinator: Visual Effects Pyro Unit, Sony Pictures Imageworks Inc., Special Effects/vfx Element Coordinator

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Contact | ShotOnWhat?

Special Effects Coordinator / Special Effects

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Batman & Robin | ShotOnWhat?

Special Effects Technician

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Twister | ShotOnWhat?

Special Effects

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Cable Guy | ShotOnWhat?

Special Effects Tech

The Cable Guy (1996)

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

In the Line of Fire | ShotOnWhat?

Special Effects

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

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