Sound Effects Editor - 4 Episodes, 2021-2022
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Sound Editor
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Foley Editor
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Foley Editor
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Foley Supervisor, Sound Effects Editor
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Foley Editor
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Foley/adr Mixer
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Sound Editor
We Are Your Friends (2015)
Directed by: Max Joseph
Cinematography by: Brett Pawlak
Cameras: Red Epic Dragon Camera
Sound Editor
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Sound Editor
Tammy (2014)
Directed by: Ben Falcone
Cinematography by: Russ T. Alsobrook
Edited by: Michael L. Sale
Re-recording Mixer
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Sound Editor
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Sound Editor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Sound Effects Editor
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Sound Editor
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Sound Effects Recording
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Foley Editor
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Sound Editor
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Sound Effects Editor / Sound Re-recording Mixer: Pre-dubs
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Re-recording Mixer
'Hawaii Five-0' Oia'i'o (2011)
Directed by: Brad Turner
Cinematography by: Ronald Víctor García
Re-recording Mixer
'Hawaii Five-0' Ua Hiki Mai Kapalena Pau (2011)
Directed by: Steve Boyum
Cinematography by: James L. Carter
Edited by: Maja Vrvilo
Re-recording Mixer
'Hawaii Five-0' Ho'ohuli Na'au (2011)
Directed by: Brad Turner
Cinematography by: Ronald Víctor García
Edited by: Roderick Davis
Re-recording Mixer
'Hawaii Five-0' Ho'opa'i (2011)
Directed by: Duane Clark
Cinematography by: James L. Carter
Re-recording Mixer
'Hawaii Five-0' Ma Ke Kahakai (2011)
Directed by: Larry Teng
Cinematography by: Ronald Víctor García
Edited by: Harry B. Miller III
Re-recording Mixer
'Hawaii Five-0' Ne Me'e Laua Na Paio (2011)
Directed by: Matt Earl Beesley
Cinematography by: James L. Carter
Edited by: Maja Vrvilo
Re-recording Mixer
'Hawaii Five-0' Loa Aloha (2011)
Directed by: Eric Laneuville
Cinematography by: Ronald Víctor García
Edited by: Scott Powell
Re-recording Mixer
'Hawaii Five-0' Powa Maka Moana (2011)
Directed by: Brad Turner
Cinematography by: James L. Carter
Re-recording Mixer
'Hawaii Five-0' Kai e' e (2011)
Directed by: Duane Clark
Cinematography by: Ronald Víctor García
Re-recording Mixer
'Hawaii Five-0' E Malama (2011)
Directed by: Brad Turner
Cinematography by: James L. Carter
Re-recording Mixer
'Hawaii Five-0' He Kane Hewa' Ole (2011)
Directed by: Chris Fisher
Cinematography by: Ronald Víctor García
Edited by: Harry B. Miller III
Re-recording Mixer
'Hawaii Five-0' Ke Kinohi (2011)
Directed by: Brad Turner
Cinematography by: James L. Carter
Edited by: Scott Powell
Re-recording Mixer - 23 Episodes, 2010-2011
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Sound Editor
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Re-recording Mixer
'Hawaii Five-0' Hana 'a'a Makehewa (2010)
Directed by: Chris Fisher
Cinematography by: Ronald Víctor García
Edited by: Maja Vrvilo
Re-recording Mixer
'Hawaii Five-0' Palekaiko (2010)
Directed by: Frederick E.O. Toye
Cinematography by: James L. Carter
Edited by: Harry B. Miller III
Re-recording Mixer
'Hawaii Five-0' Heihei (2010)
Directed by: Elodie Keene
Cinematography by: Ronald Víctor García
Edited by: Maja Vrvilo
Re-recording Mixer
'Hawaii Five-0' Po'ipu (2010)
Directed by: Brad Turner
Cinematography by: James L. Carter
Re-recording Mixer
'Hawaii Five-0' Mana'o (2010)
Directed by: Matt Earl Beesley
Cinematography by: Donald E. Thorin Jr.
Edited by: Scott Powell
Re-recording Mixer
'Hawaii Five-0' Ho'apono (2010)
Directed by: James Whitmore Jr.
Cinematography by: Ronald Víctor García
Edited by: Maja Vrvilo
Re-recording Mixer
'Hawaii Five-0' Lanakila (2010)
Directed by: Alex Zakrzewski
Cinematography by: Donald E. Thorin Jr.
Edited by: Maja Vrvilo
Re-recording Mixer
'Hawaii Five-0' Nalowale (2010)
Directed by: Brad Turner
Cinematography by: Ronald Víctor García
Edited by: Scott Powell
Re-recording Mixer
'Hawaii Five-0' Ko'olauloa (2010)
Directed by: Matt Earl Beesley
Cinematography by: Donald E. Thorin Jr.
Edited by: Peter Basinski
Re-recording Mixer
'Hawaii Five-0' Malama Ka Aina (2010)
Directed by: Paul A. Edwards
Cinematography by: Ronald Víctor García
Edited by: Peter Basinski
Re-recording Mixer
'Hawaii Five-0' Ohana (2010)
Directed by: Brad Turner
Cinematography by: Donald E. Thorin Jr.
Re-recording Mixer
'Psych' An Evening with Mr. Yang (2009)
Directed by: Mel Damski
Cinematography by: Michael McMurray
Edited by: Eric Jenkins
Re-recording Mixer
Nothing But the Truth (2008)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Re-recording Mixer
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Additional Re-recording Mixer
Hollow Man II (2006)
Directed by: Claudio Fäh
Cinematography by: Peter Wunstorf
Edited by: Nathan Easterling
Re-recording Mixer
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Additional Sound Re-recording Mixer
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Additional Sound Re-recording Mixer
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Re-recording Mixer - 1 Episode, 2009
Psych (2006)
Directed by: Mel Damski, Steve Franks, James Roday, Stephen Surjik, John Badham, Matt Shakman, David Crabtree, Jay Chandrasekhar, Andrew Bernstein, Andy Berman, Michael Zinberg, Tim Matheson, John Landis, Brad Turner, Jennifer Lynch, Joanna Kerns, Eric Laneuville, Michael McMurray, Tawnia McKiernan, Reginald Hudlin, Richard Coleman, Michael Engler, John Fortenberry, John T. Kretchmer, Michael Lange, Jeff Melman, James L. Conway, Paul Lazarus, Arlene Sanford, Oz Scott, Lev L. Spiro, Jason Ensler, Steve Miner, Martha Coolidge, Timothy Busfield, Saladin K. Patterson, Fred Mendes, Kirsten Nelson
Additional Sound Re-recording Mixer , Pre-dub Mixer
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Additional Sound Re-recording Mixer
Hustle & Flow (2005)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
The Russian Specialist (2005)
Directed by: Dolph Lundgren
Cinematography by: Ross W. Clarkson
Edited by: Joe Plenys
Cameras: ARRI Cameras
Sound Effects Recording
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Sound Effects Editor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Sound Effects Editor
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Sound Effects Editor
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Supervising Sound Editor - 3 Episodes, 2003
Arrested Development (2003)
Directed by: Troy Miller, Mitchell Hurwitz, Joe Russo, Paul Feig, Anthony Russo, Lee Shallat Chemel, Jay Chandrasekhar, Greg Mottola, John Fortenberry, Peter Lauer, Robert Berlinger, Lev L. Spiro, Jason Bateman, Patty Jenkins, Jeff Melman, John Amodeo, Andrew Fleming, Danny Leiner, Chuck Martin, Arlene Sanford, Rebecca Asher
Cinematography by: Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas
Edited by: Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath
Lenses: Angenieux Optimo Zoom Lenses
Supervising Sound Editor
'Arrested Development' Key Decisions (2003)
Directed by: Anthony Russo
Cinematography by: James Hawkinson
Edited by: Mark Scheib
Supervising Sound Editor
'Arrested Development' Bringing Up Buster (2003)
Directed by: Joe Russo
Cinematography by: James Hawkinson
Edited by: Lee Haxall
Supervising Sound Editor
'Arrested Development' Top Banana (2003)
Directed by: Anthony Russo
Cinematography by: James Hawkinson
Edited by: Steven Sprung
Re-recording Mixer
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Re-recording Mixer
Thirteen Conversations About One Thing (2001)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Stephen Mirrione
Foley Editor
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Sound Editor
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Sound Re-recording Mixer: Effects Pre-dubs
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Re-recording Mixer
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Foley Editor
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Pre-dubbing
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Foley Editor
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Foley Editor
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Re-recording Mixer
Vampires (1998)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Re-recording Mixer
Barney's Great Adventure (1998)
Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey
Sound Effects Editor
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
Excess Baggage (1997)
Directed by: Marco Brambilla
Cinematography by: Jean-Yves Escoffier
Edited by: Stephen E. Rivkin
Re-recording Mixer
The Long Way Home (1997)
Directed by: Mark Jonathan Harris
Cinematography by: Don Lenzer
Edited by: Kate Amend
Sound Effects Recordist
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Re-recording Mixer / Sound Effects Recordist
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Foley Mixer
White Man's Burden (1995)
Directed by: Desmond Nakano
Cinematography by: Willy Kurant
Edited by: Nancy Richardson
Foley Mixer
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Re-recording Mixer
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Re-recording Mixer
Final Mission (1994)
Directed by: Lee Redmond
Cinematography by: Eric J. Goldstein
Edited by: Barry Zetlin
Foley Mixer / Pre-dubbing Mixer
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Fresh (1994)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Dorian Harris
Foley Mixer
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Additional Sound Re-recording Mixer
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Re-recording Mixer
Best of the Best II (1993)
Directed by: Robert Radler
Cinematography by: Fred Tammes
Re-recording Mixer
Lush Life (1993)
Directed by: Michael Elias
Cinematography by: Nancy Schreiber
Edited by: Bill Yahraus
Foley Re-recordist
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Class of 1999 (1990)
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: Scott Conrad
Sound Effects Recordist
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Recordist
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Sound Effects Recording
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Original Music Recordist
Sex, Lies, and Videotape (1989)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Sound Effects Recordist
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Sound Effects Recordist
K-9 (1989)
Directed by: Rod Daniel
Cinematography by: Dean Semler
Edited by: Lois Freeman-Fox
Assistant Sound Editor
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Sound Effects Recording
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Sound Effects Recordist
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Sound Effects Recordist
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Sound Effects Recordist
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
