John Finklea

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Society of the Snow | ShotOnWhat?

Music Editor

Society of the Snow (2023)

Directed by: J.A. Bayona

Cinematography by: Pedro Luque

Edited by: Andrés Gil, Jaume Martí

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Ocean's Eight | ShotOnWhat?

Music Editor

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

If Beale Street Could Talk | ShotOnWhat?

Music Editor

If Beale Street Could Talk (2018)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

Vice | ShotOnWhat?

Music Editor

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Battle of the Sexes | ShotOnWhat?

Music Editor

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Moonlight | ShotOnWhat?

Music Consultant

Moonlight (2016)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Supervising Music Editor

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Passengers | ShotOnWhat?

Music Editor

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

The Big Short | ShotOnWhat?

Music Editor

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Supervising Music Editor

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Transcendence | ShotOnWhat?

Music Editor: Temp Music

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Monuments Men | ShotOnWhat?

Music Editor: Temp Score

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Music Editor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Seventh Son | ShotOnWhat?

Music Editor: Temp Score

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Noah | ShotOnWhat?

Music Editor

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Music Editor

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

42 | ShotOnWhat?

Music Editor

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Supervising Music Editor

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Jack Reacher | ShotOnWhat?

Music Editor

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

X: First Class | ShotOnWhat?

Music Editor

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Larry Crowne | ShotOnWhat?

Music Editor

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Kick-Ass | ShotOnWhat?

Temp Music Editor

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

She's Out of My League | ShotOnWhat?

Music Editor

She's Out of My League (2010)

Directed by: Jim Field Smith

Cinematography by: Jim Denault

Edited by: Dan Schalk

The Karate Kid | ShotOnWhat?

Music Editor

The Karate Kid (2010)

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Case 39 | ShotOnWhat?

Score Consultant / Supervising Music Editor

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Horsemen | ShotOnWhat?

Music Editor: Temp

Horsemen (2009)

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

Fighting | ShotOnWhat?

Music Editor

Fighting (2009)

Directed by: Dito Montiel

Cinematography by: Stefan Czapsky

Edited by: Saar Klein, Jake Pushinsky

The Mysteries of Pittsburgh | ShotOnWhat?

Music Editor

The Mysteries of Pittsburgh (2008)

Directed by: Rawson Marshall Thurber

Cinematography by: Michael Barrett

Edited by: Barbara Tulliver

Milk | ShotOnWhat?

Temp Music Editor

Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Stardust | ShotOnWhat?

Temp Music Editor

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

Then She Found Me | ShotOnWhat?

Music Editor

Then She Found Me (2007)

Directed by: Helen Hunt

Cinematography by: Peter Donahue

Edited by: Pam Wise

Mr. Brooks | ShotOnWhat?

Music Editor: Temporary Score

Mr. Brooks (2007)

Directed by: Bruce A. Evans

Cinematography by: John Lindley

Edited by: Miklos Wright

Blades of Glory | ShotOnWhat?

Music Editor: Temp Music

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

The Texas Chainsaw Massacre: The Beginning | ShotOnWhat?

Music Editor: Temp Music

The Texas Chainsaw Massacre: The Beginning (2006)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Black Christmas | ShotOnWhat?

Music Editor

Black Christmas (2006)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Firewall | ShotOnWhat?

Music Editor: Temp Music

Firewall (2006)

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

Step Up | ShotOnWhat?

Music Editor

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Stealth | ShotOnWhat?

Music Editor

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Van Helsing | ShotOnWhat?

Music Editor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Welcome to Mooseport | ShotOnWhat?

Music Editor

Welcome to Mooseport (2004)

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

The Forgotten | ShotOnWhat?

Music Editor: Temp Music

The Forgotten (2004)

Directed by: Joseph Ruben

Cinematography by: Anastas N. Michos

Edited by: Richard Francis-Bruce

National Security | ShotOnWhat?

Music Editor

National Security (2003)

Directed by: Dennis Dugan

Cinematography by: Oliver Wood

Edited by: Debra Neil-Fisher

Bad Company | ShotOnWhat?

Music Editor: Temp Music

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

Maid in Manhattan | ShotOnWhat?

Music Editor

Maid in Manhattan (2002)

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

The Scorpion King | ShotOnWhat?

Music Editor: Temp Music

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

xXx | ShotOnWhat?

Music Editor

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Dark Blue | ShotOnWhat?

Music Editor: Temp Music

Dark Blue (2002)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Patrick Flannery, Paul Seydor

15 Minutes | ShotOnWhat?

Additional Music Editor

15 Minutes (2001)

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

The Mummy Returns | ShotOnWhat?

Music Editor

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

The Mummy | ShotOnWhat?

Temp Music Editor

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

End of Days | ShotOnWhat?

Music Editor: Temp Music

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

54 | ShotOnWhat?

Music Editor

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Deep Rising | ShotOnWhat?

Music Editor: Temp Music

Deep Rising (1998)

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

Sliding Doors | ShotOnWhat?

Music Editor

Sliding Doors (1998)

Directed by: Peter Howitt

Cinematography by: Remi Adefarasin

Edited by: John Smith

A Thousand Acres | ShotOnWhat?

Music Editor

A Thousand Acres (1997)

Directed by: Jocelyn Moorhouse

Cinematography by: Tak Fujimoto

Edited by: Maryann Brandon

The Rock | ShotOnWhat?

Music Editor

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Indian in the Cupboard | ShotOnWhat?

Music Editor

The Indian in the Cupboard (1995)

Directed by: Frank Oz

Cinematography by: Russell Carpenter

Edited by: Ian Crafford

The Hudsucker Proxy | ShotOnWhat?

Assistant Editor

The Hudsucker Proxy (1994)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Police Academy: Mission to Moscow | ShotOnWhat?

Assistant Editor

Police Academy: Mission to Moscow (1994)

Directed by: Alan Metter

Cinematography by: Ian Jones

Edited by: Dennis M. Hill, Suzanne Hines

The Crow | ShotOnWhat?

Second Assistant Editor

The Crow (1994)

Directed by: Alex Proyas

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, M. Scott Smith

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Lenses

Super Mario Bros. | ShotOnWhat?

Assistant Editor

Super Mario Bros. (1993)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Dean Semler

Edited by: Mark Goldblatt

Hidden Fears | ShotOnWhat?

Grip

Hidden Fears (1993)

Directed by: Jean Bodon

Cinematography by: Douglas Kiefer

Edited by: Cielo Arango

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