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Jeremy Sawyer

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Compositing Supervisor: MPC London

Dark Shadows  (2012)

| USA, Australia, UK
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon

Digital Compositor: Framestore-CFC

Underdog  (2007)

| USA
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan

Digital Compositor: Framestore CFC

Children of Men  (2006)

| USA, UK, Japan
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki

Digital Paint & Roto Artist

Basic Instinct 2  (2006)

| UK, Germany, Spain, USA
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados

Digital Paint & Roto Artist

V for Vendetta  (2005)

| USA, UK, Germany
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh

Data Operator

Kingdom of Heaven  (2005)

| UK, Germany, Spain, Morocco, USA
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn

Digital Effects Artist

Sahara  (2005)

| UK, Spain, Germany, USA
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey

Data Operator

Layer Cake  (2004)

| UK
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris

Data Operator

Beyond the Sea  (2004)

| UK, Germany, USA
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite

Data Operator

The Libertine  (2004)

| UK, Australia
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock

Data Operations

Thunderbirds  (2004)

| UK, France, USA
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh

Data Operator

Underworld  (2003)

| USA, UK, Germany, Hungary
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter

Data Operator

Shanghai Knights  (2003)

| USA, Hong Kong
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell

Data Operator

Harry Potter and the Chamber of Secrets  (2002)

| UK, USA, Germany
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess

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