Foley Mixer
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Foley Mixer
Halloween Kills (2021)
Directed by: David Gordon Green
Cinematography by: Michael Simmonds
Edited by: Timothy Alverson
Foley Mixer
'Vikings' Episode #6.18 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Foley Mixer
'Vikings' Episode #6.19 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Foley Mixer
'Vikings' Episode #6.20 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Episode #6.17 (2019)
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Episode #6.11 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Foley Mixer
'Vikings' Episode #6.12 (2019)
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Episode #6.9 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Foley Mixer
'Vikings' Episode #6.10 (2019)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Episode #6.8 (2019)
Directed by: Katheryn Winnick
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Episode #6.7 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Foley Mixer
'Vikings' Episode #6.6 (2019)
Directed by: David Frazee
Cinematography by: Owen McPolin
Edited by: Dan Briceno
Foley Mixer
'Vikings' Episode #6.3 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Foley Mixer
'Vikings' Episode #6.2 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Foley Mixer
'Vikings' Episode #6.1 (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' What Happens in the Cave (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Foley Mixer
'Vikings' Ragnarok (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Baldur (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Don Cassidy
Foley Mixer
'Vikings' The Buddha (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Foley Mixer
'Vikings' The Most Terrible Thing (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Aaron Marshall
Foley Mixer
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Foley Mixer
Marriage Story (2019)
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Foley Mixer
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Foley Mixer
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Foley Mixer
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Foley Mixer
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Foley Mixer
'Vikings' Hell (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Don Cassidy
Foley Mixer
'Vikings' The Lost Moment (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
'Vikings' A New God (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Foley Mixer
'Vikings' Murder Most Foul (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Foley Mixer
'Vikings' The Revelation (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Michele Conroy
Foley Mixer
'Vikings' A Simple Story (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Foley Mixer
'Vikings' Moments of Vision (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Foley Mixer
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Foley Mixer
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Foley Mixer
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Foley Mixer
'Vikings' The Message (2017)
Directed by: Ciaran Donnelly
Cinematography by: Suzie Lavelle
Foley Mixer
'Vikings' The Plan (2017)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Foley Mixer
'Vikings' On the Eve (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Mixer
'Vikings' The Reckoning (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Foley Mixer
'Vikings' Revenge (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Crossings (2017)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Mixer
'Vikings' The Great Army (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Foley Mixer
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Foley Mixer
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Foley Mixer
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Foley Mixer
'Vikings' All His Angels (2016)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Two Journeys (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Mixer
'Vikings' In the Uncertain Hour Before the Morning (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Mixer
'Vikings' The Outsider (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Foley Mixer
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Mixer
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Mixer
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Kill the Queen (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Foley Mixer
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
Christine (2016)
Movie
Directed by: Antonio Campos
Cinematography by: Joe Anderson
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Camera
Foley Mixer
A Beautiful Planet (2016)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Cameras: Canon EOS-C500 Camera
Foley Mixer / Foley Recording Mixer
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Foley Mixer
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Foley Mixer
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Foley Recording Mixer
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Foley Mixer
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Mixer
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Mixer
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Mixer
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Mixer
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Mixer
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Foley Mixer
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Foley Recording Mixer
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Foley Mixer: Footsteps Post-Production Sound, Inc.
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Foley Mixer
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Foley Mixer
'Vikings' The Lord's Prayer (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Foley Mixer
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Mixer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foley Mixer
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Recording Mixer
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Re-recording Mixer
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Foley Recording Mixer
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Foley Mixer
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Foley Recording Mixer
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Foley Mixer
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Foley Mixer - 89 Episodes, 2013-2019, Foley Mixer - 89 Episodes, 2013-2020
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Mixer
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Mixer
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Foley Mixer
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Mixer
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Mixer
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Foley Mixer
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Foley Mixer
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Recording Mixer
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Mixer
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Foley Mixer
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Foley Mixer
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Foley Mixer
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Foley Mixer
Antiviral (2012)
Directed by: Brandon Cronenberg
Cinematography by: Karim Hussain
Edited by: Matthew Hannam
Cameras: ARRI ALEXA Camera
Foley Recording Mixer
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Mixer
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Mixer
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Foley Mixer
This Is 40 (2012)
Directed by: Judd Apatow
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA Camera
Foley Mixer
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Mixer
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Foley Mixer
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Foley Recording Mixer
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Foley Mixer
Born to Be Wild (2011)
Directed by: David Lickley
Cinematography by: David Douglas
Edited by: Beth Spiegel
Foley Mixer
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Foley Mixer
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Foley Recording Mixer
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Foley Mixer
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Foley Recording Mixer
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Foley Mixer
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Foley Recording Mixer
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Foley Mixer
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Foley Mixer
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Foley Mixer
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Foley Recording Mixer
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Foley Recording Mixer
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Foley Mixer
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Foley Mixer
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Foley Mixer
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Foley Recording Mixer
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Foley Recordist
At Home by Myself... with You (2009)
Directed by: Kris Booth
Cinematography by: Mark Bochsler
Edited by: Tristen Bakker
Foley Mixer
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
Journey to Mecca (2009)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Foley Mixer
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Foley Mixer
Under the Sea 3D (2009)
Directed by: Howard Hall
Cinematography by: Howard Hall
Edited by: Toni Myers
Cameras: IMAX Cameras
Foley Mixer
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Foley Mixer
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Foley Recording Mixer
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
Cairo Time (2009)
Directed by: Ruba Nadda
Cinematography by: Luc Montpellier
Edited by: Teresa Hannigan
Foley Mixer
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Foley Mixer
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Foley Mixer
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Re-recording Mixer
Blonde and Blonder (2007)
Directed by: Dean Hamilton
Cinematography by: C. Kim Miles
Edited by: Stan Cole
Foley Recordist - 2 Episodes, 2003
Shattered City: The Halifax Explosion (2003)
Directed by: Bruce Pittman
Cinematography by: Rene Ohashi
Foley Recordist
'Shattered City: The Halifax Explosion' Episode #1.2 (2003)
Directed by: Bruce Pittman
Cinematography by: Rene Ohashi
Foley Recordist
'Shattered City: The Halifax Explosion' Episode #1.1 (2003)
Directed by: Bruce Pittman
Cinematography by: Rene Ohashi
Foley Recordist
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
