Still Photographer
May December (2023)
Directed by: Todd Haynes
Cinematography by: Christopher Blauvelt
Edited by: Affonso Gonçalves
Cameras: ARRI Alexa 35 Camera
Still Photographer
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Still Photographer
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses: CamTec Lenses, Zeiss Master Prime Lenses
Still Photographer
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Still Photographer
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Still Photographer
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Still Photographer
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Still Photographer: Additional Photography, Los Angeles
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Still Photographer
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Still Photographer
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Still Photographer
12 Years a Slave (2013)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Still Photographer
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Still Photographer
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Still Photographer
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Still Photographer
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
French Photographer, Still Photographer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Still Photographer
Eat Pray Love (2010)
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Still Photographer
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Special Stills: London
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
French-Canadian Taxi Driver, Still Photographer
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Still Photographer
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Additional Still Photographer
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Still Photographer
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Still Photographer
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Additional Still Photographer: Alaska
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Still Photographer
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
French Photographer, Still Photographer
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Still Photographer
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Still Photographer
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Still Photographer
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Still Photographer
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Unit Photographer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Still Photographer
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
French Radio Reporter, Still Photographer
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Still Photographer
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Still Photographer
Matchstick Men (2003)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Still Photographer
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Still Photographer
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Still Photographer: USA
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Still Photographer: Los Angeles
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
French FedEx Loader, Still Photographer
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Still Photographer
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Still Photographer
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Still Photographer
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Still Photographer
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Still Photographer
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Still Photographer
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Still Photographer
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Still Photographer
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Still Photographer
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Unit Photographer
Death and the Maiden (1994)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Still Photographer
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Still Photographer
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Still Photographer
Bitter Moon (1992)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Unit Photographer
A River Runs Through It (1992)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
Single White Female (1992)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Still Photographer
Talent for the Game (1991)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Cameras: Panavision Cameras
Still Photographer
Regarding Henry (1991)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Still Photographer
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Still Photographer
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Still Photographer
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
Her Alibi (1989)
Directed by: Bruce Beresford
Cinematography by: Freddie Francis
Edited by: Anne Goursaud
Still Photographer
Frantic (1988)
Directed by: Roman Polanski
Cinematography by: Witold Sobocinski
Edited by: Sam O'Steen
Cameras: Moviecam Cameras
Still Photographer
Tequila Sunrise (1988)
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Still Photographer
The Dead (1987)
Directed by: John Huston
Cinematography by: Fred Murphy
Edited by: Roberto Silvi
Cameras: Moviecam SuperAmerica Camera
Lenses: Zeiss Lenses
Still Photographer
Rampage (1987)
Directed by: William Friedkin
Cinematography by: Robert D. Yeoman
Edited by: Jere Huggins
Cameras: Panavision Cameras
Still Photographer
The Hitcher (1986)
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Still Photographer
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
French Porter, Still Photographer
Love Streams (1984)
Directed by: John Cassavetes
Cinematography by: Al Ruban
Edited by: George C. Villaseñor
Cameras: ARRI Cameras
Still Photographer
Under the Volcano (1984)
Directed by: John Huston
Cinematography by: Gabriel Figueroa
Edited by: Roberto Silvi
