Gary Rydstrom

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

Re-recording Mixer / Sound Designer , Supervising Sound Editor

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Fabelmans | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Top Gun: Maverick | ShotOnWhat?

Sound Design Consultant: Skywalker Sound

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Come Away | ShotOnWhat?

Re-recording Mixer

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

Ad Astra | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Lenses, Zeiss Master Prime Lenses

Ralph Breaks the Internet | ShotOnWhat?

Sound Designer

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Ready Player One | ShotOnWhat?

Re-recording Mixer / Supervising Sound Designer, Supervising Sound Editor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Bridge of Spies | ShotOnWhat?

Re-recording Mixer / Sound Designer, Supervising Sound Editor

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Star Wars: The Force Awakens | ShotOnWhat?

Re-Recording Mixer / Supervising Sound Editor , Sound Design

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Jurassic World | ShotOnWhat?

Consulting Sound Designer

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Tomorrowland | ShotOnWhat?

Re-recording Mixer

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

The Lone Ranger | ShotOnWhat?

Sound Designer

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

All Is Lost | ShotOnWhat?

Sound Consultant

All Is Lost (2013)

Directed by: J.C. Chandor

Cinematography by: Frank G. DeMarco, Peter Zuccarini

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

Kaze tachinu | ShotOnWhat?

Adr Director - English Version

Kaze tachinu (2013)

Directed by: Hayao Miyazaki

Cinematography by: Atsushi Okui

Edited by: Takeshi Seyama

Brave | ShotOnWhat?

Re-recording Mixer / Sound Designer

Brave (2012)

Directed by: Mark Andrews, Brenda Chapman, Steve Purcell

Edited by: Nicholas C. Smith

Lincoln | ShotOnWhat?

Re-recording Mixer

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Wreck-It Ralph | ShotOnWhat?

Sound Designer, Sound Supervisor

Wreck-It Ralph (2012)

Directed by: Rich Moore

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Super 8 | ShotOnWhat?

Additional Sound Design

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Re-recording Mixer / Sound Designer, Supervising Sound Editor

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Adventures of Tintin | ShotOnWhat?

Sound Consultant

The Adventures of Tintin (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

War Horse | ShotOnWhat?

Re-recording Mixer / Sound Designer, Supervising Sound Editor

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Toy Story 3 | ShotOnWhat?

Senior Creative Team: Pixar

Toy Story 3 (2010)

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Up | ShotOnWhat?

Senior Creative Team: Pixar

Up (2009)

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

Lifted | ShotOnWhat?

Director, Sound: Sound Designer, Re-recording Mixer, Written By

Lifted (2006)

Directed by: Gary Rydstrom

Edited by: Steve Bloom

Finding Nemo | ShotOnWhat?

Re-recording Mixer: Skywalker Sound / Sound Designer / Supervising Sound Editor: Skywalker Sound

Finding Nemo (2003)

Directed by: Andrew Stanton, Lee Unkrich

Cinematography by: Sharon Calahan, Jeremy Lasky, Jericca Cleland

Edited by: David Ian Salter

Peter Pan | ShotOnWhat?

Sound Designer / Supervising Sound Mixer

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Hulk | ShotOnWhat?

Re-recording Mixer / Sound: Design

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Minority Report | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor: Skywalker Sound

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Re-recording Mixer

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Punch-Drunk Love | ShotOnWhat?

Re-recording Mixer / Sound Design Consultant

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A.I. Artificial Intelligence | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

The Mexican | ShotOnWhat?

Re-recording Mixer

The Mexican (2001)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Monsters, Inc. | ShotOnWhat?

Re-recording Mixer / Sound Designer, Supervising Sound Editor

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Rules of Engagement | ShotOnWhat?

Sound Design Consultant

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

The Legend of Bagger Vance | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Legend of Bagger Vance (2000)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

X-Men | ShotOnWhat?

Sound Design Consultant

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Into the Arms of Strangers: Stories of the Kindertransport | ShotOnWhat?

Re-recording Mixer / Sound Designer

Into the Arms of Strangers: Stories of the Kindertransport (2000)

Directed by: Mark Jonathan Harris

Cinematography by: Don Lenzer

Edited by: Kate Amend

102 Dalmatians | ShotOnWhat?

Re-recording Mixer / Sound Design Consultant

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

The Yards | ShotOnWhat?

Sound Designer

The Yards (2000)

Directed by: James Gray

Cinematography by: Harris Savides

Edited by: Jeffrey Ford

The Haunting | ShotOnWhat?

Re-recording Mixer / Sound Designer

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Re-Recording Mixer

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Toy Story 2 | ShotOnWhat?

Re-recording Mixer / Sound Designer, Sound Supervisor

Toy Story 2 (1999)

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

The Horse Whisperer | ShotOnWhat?

Rerecording Mixer , Sound Designer

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

A Bug's Life | ShotOnWhat?

Rerecording Mixer / Sound: Design, Supervising Sound Editor

A Bug's Life (1998)

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Saving Private Ryan | ShotOnWhat?

Re-recording Mixer / Sound Designer, Supervising Sound Editor

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Titanic | ShotOnWhat?

Re-recording Mixer: Effects, Sound Designer

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Re-recording Mixer / Sound: Design

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hercules | ShotOnWhat?

Rerecording Mixer / Sound Designer

Hercules (1997)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Mission: Impossible | ShotOnWhat?

Re-recording Mixer

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Sleepers | ShotOnWhat?

Re-recording Mixer

Sleepers (1996)

Directed by: Barry Levinson

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

James and the Giant Peach | ShotOnWhat?

Re-recording Mixer / Sound: Design

James and the Giant Peach (1996)

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

Strange Days | ShotOnWhat?

Re-recording Mixer / Sound Designer

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Jade | ShotOnWhat?

Sound Designer

Jade (1995)

Directed by: William Friedkin

Cinematography by: Andrzej Bartkowiak

Edited by: Augie Hess

Jumanji | ShotOnWhat?

Sound Designer

Jumanji (1995)

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

Casper | ShotOnWhat?

Re-recording Mixer / Sound: Design

Casper (1995)

Directed by: Brad Silberling

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Cameras

Baby's Day Out | ShotOnWhat?

Re-recording Mixer / Sound: Design

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

Quiz Show | ShotOnWhat?

Re-recording Mixer / Sound Designer

Quiz Show (1994)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

Cameras: ARRIFLEX 35mm Cameras

Mrs. Doubtfire | ShotOnWhat?

Re-recording Mixer / Sound Designer

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Jurassic Park | ShotOnWhat?

Re-recording Mixer / Sound: Design

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

The Meteor Man | ShotOnWhat?

Re-recording Mixer / Sound: Design

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

A River Runs Through It | ShotOnWhat?

Re-recording Mixer / Sound: Design

A River Runs Through It (1992)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Robert Estrin, Lynzee Klingman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Single White Female | ShotOnWhat?

Re-recording Mixer / Sound Designer

Single White Female (1992)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Terminator 2: Judgment Day | ShotOnWhat?

Re-recording Mixer: 1991 & 1993 Special Edition / Sound Design: 1993 Special Edition / Sound Designer, Sound Effects Recordist

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Backdraft | ShotOnWhat?

Re-Recording Mixer / Sound: Design

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Rush | ShotOnWhat?

Re-recording Mixer / Sound Designer

Rush (1991)

Directed by: Lili Fini Zanuck

Cinematography by: Kenneth MacMillan

Edited by: Mark Warner

The Hot Spot | ShotOnWhat?

Re-recording Mixer / Sound Designer

The Hot Spot (1990)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

Always | ShotOnWhat?

Re-recording Mixer

Always (1989)

Directed by: Steven Spielberg

Cinematography by: Mikael Salomon

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Cocoon: The Return | ShotOnWhat?

Rerecording Mixer / Sound Designer

Cocoon: The Return (1988)

Directed by: Daniel Petrie

Cinematography by: Tak Fujimoto

Edited by: Mark Warner

Willow | ShotOnWhat?

Foley Artist

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Spaceballs | ShotOnWhat?

Rerecording Mixer , Sound Designer

Spaceballs (1987)

Directed by: Mel Brooks

Cinematography by: Nick McLean

Edited by: Conrad Buff IV

Cocoon | ShotOnWhat?

Re-recording Mixer , Special Sound Design By: Skywalker Sound

Cocoon (1985)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

The Terminator | ShotOnWhat?

Sound Design Consultant: Audio Restoration And Re-Mixing

The Terminator (1984)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Lenses

Indiana Jones and the Temple of Doom | ShotOnWhat?

Audio Technician

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

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