Aurélien Mauro

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Baby Driver | ShotOnWhat?

Mix Assistant: Dolby Atmos French Dubbing / Sound Mix Assistant

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Blade Runner 2049 | ShotOnWhat?

Mix Assistant: Dolby Atmos French Dubbing / Sound Mix Assistant

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Passengers | ShotOnWhat?

Mix Assistant: Dolby Atmos French Dubbing, Sound Mix Assistant

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Arrival | ShotOnWhat?

Mix Assistant: Dolby Atmos French Dubbing / Sound Mix Assistant

Arrival (2016)

Directed by: Denis Villeneuve

Cinematography by: Bradford Young

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Câini | ShotOnWhat?

Sound Mix Technician

Câini (2016)

Directed by: Bogdan Mirica

Cinematography by: Andrei Butica

Edited by: Roxana Szel

Cameras: ARRI ALEXA XT Plus Camera

The Brothers Grimsby | ShotOnWhat?

Sound Mix Technician: Dolby Atmos

The Brothers Grimsby (2016)

Directed by: Louis Leterrier

Cinematography by: Oliver Wood

Edited by: Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Cameras: ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Bridge of Spies | ShotOnWhat?

Sound Technician: French Dubbing

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Journal d'une femme de chambre | ShotOnWhat?

Sound Technician

Journal d'une femme de chambre (2015)

Directed by: Benoît Jacquot

Cinematography by: Romain Winding

Edited by: Julia Gregory

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Jurassic World | ShotOnWhat?

Sound Technician: French Dubbing

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Spectre | ShotOnWhat?

Sound Mix Technician

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Walk | ShotOnWhat?

Sound Mix Technician: French Dubbing

The Walk (2015)

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Brick Mansions | ShotOnWhat?

Sound Technician

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Sound Mix Technician: Dolby Atmos

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Winter's Tale | ShotOnWhat?

Sound Technician: French Dubbing

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Interstellar | ShotOnWhat?

Sound Mix Technician: Dolby Atmos

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Bird People | ShotOnWhat?

Sound Technician

Bird People (2014)

Directed by: Pascale Ferran

Cinematography by: Julien Hirsch

Edited by: Mathilde Muyard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Fury | ShotOnWhat?

Sound Mix Technician: French Dubbing

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Vie sauvage | ShotOnWhat?

Sound Technician

Vie sauvage (2014)

Directed by: Cédric Kahn

Cinematography by: Yves Cape

Edited by: Simon Jacquet

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Annabelle | ShotOnWhat?

Sound Mix Technician: French Dubbing

Annabelle (2014)

Directed by: John R. Leonetti

Cinematography by: James Kniest

Edited by: Tom Elkins

Cameras: ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Still Alice | ShotOnWhat?

Sound Technician: French Dubbing

Still Alice (2014)

Directed by: Richard Glatzer, Wash Westmoreland

Cinematography by: Denis Lenoir

Edited by: Nicolas Chaudeurge

Cameras: ARRI ALEXA Camera

Gravity | ShotOnWhat?

Sound Mix Technician: Dolby Atmos

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Bicycling with Molière | ShotOnWhat?

Sound Assistant

Bicycling with Molière (2013)

Directed by: Philippe Le Guay

Cinematography by: Jean-Claude Larrieu

Edited by: Monica Coleman

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Möbius | ShotOnWhat?

Sound Assistant

Möbius (2013)

Directed by: Eric Rochant

Cinematography by: Pierre Novion

Edited by: Pascale Fenouillet

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Collision | ShotOnWhat?

Sound Assistant

Collision (2013)

Directed by: David Marconi

Cinematography by: Thomas Hardmeier

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

20 ans d'écart | ShotOnWhat?

Sound Assistant

20 ans d'écart (2013)

Directed by: David Moreau

Cinematography by: Laurent Tangy

Edited by: Cyril Besnard

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Carrie | ShotOnWhat?

Sound Mix Technician: French Dubbing

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Pour une femme | ShotOnWhat?

Sound Assistant

Pour une femme (2013)

Directed by: Diane Kurys

Cinematography by: Gilles Henry

Edited by: Sylvie Gadmer

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La danza de la realidad | ShotOnWhat?

Sound Assistant

La danza de la realidad (2013)

Directed by: Alejandro Jodorowsky

Cinematography by: Jean-Marie Dreujou

Edited by: Maryline Monthieux

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

The Conjuring | ShotOnWhat?

Sound Technician: French Dubbing

The Conjuring (2013)

Directed by: James Wan

Cinematography by: John R. Leonetti

Edited by: Kirk M. Morri

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Sound Assistant

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

Lincoln | ShotOnWhat?

Sound Assistant: French Dubbing

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Upside Down | ShotOnWhat?

Sound Mix Technician: French Dubbing

Upside Down (2012)

Directed by: Juan Solanas

Cinematography by: Pierre Gill

Edited by: Paul Jutras

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Les Kaïra | ShotOnWhat?

Sound Assistant

Les Kaïra (2012)

Directed by: Franck Gastambide

Cinematography by: Antoine Marteau

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

Camille redouble | ShotOnWhat?

Sound Assistant

Camille redouble (2012)

Directed by: Noémie Lvovsky

Cinematography by: Jean-Marc Fabre

Edited by: Annette Dutertre, Michel Klochendler

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Something in the Air | ShotOnWhat?

Sound Mix Assistant

Something in the Air (2012)

Directed by: Olivier Assayas

Cinematography by: Eric Gautier

Edited by: Luc Barnier

Cameras: Aaton 35-III Camera, Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Foxfire | ShotOnWhat?

Sound Mix Technician

Foxfire: Confessions of a Girl Gang (2012)

Directed by: Laurent Cantet

Cinematography by: Pierre Milon

Edited by: Robin Campillo, Stephanie Leger, Sophie Reine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Taken 2 | ShotOnWhat?

Sound Assistant: French Dubbing

Taken 2 (2012)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre, Vincent Tabaillon

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Snow White and the Huntsman | ShotOnWhat?

Sound Mix Technician: French Dubbing

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cloud Atlas | ShotOnWhat?

Sound Mix Assistant: French Dubbing

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Total Recall | ShotOnWhat?

Sound Assistant: French Dubbing

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Beasts of the Southern Wild | ShotOnWhat?

Sound Mix Assistant: French Dubbing

Beasts of the Southern Wild (2012)

Directed by: Benh Zeitlin

Cinematography by: Ben Richardson

Edited by: Crockett Doob, Affonso Gonçalves

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Super Speed Lenses

Editing System: Avid Editing System

Moneyball | ShotOnWhat?

Sound Assistant: French Dubbing

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kung Fu Panda 2 | ShotOnWhat?

Sound Assistant: French Dubbing

Kung Fu Panda 2 (2011)

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

The Adventures of Tintin | ShotOnWhat?

Sound Assistant: French Dubbing

The Adventures of Tintin (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Et maintenant on va où? | ShotOnWhat?

Sound Recordist

Et maintenant on va où? (2011)

Directed by: Nadine Labaki

Cinematography by: Christophe Offenstein

Edited by: Véronique Lange

Cameras: ARRI ALEXA Camera

The Lady | ShotOnWhat?

Sound Assistant

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Forces spéciales | ShotOnWhat?

Sound Mix Technician

Forces spéciales (2011)

Directed by: Stéphane Rybojad

Cinematography by: David Jankowski

Edited by: Erwan Pecher, Stéphane Rybojad

Cameras: ARRI ALEXA Camera

Melancholia | ShotOnWhat?

Sound Assistant: French Dubbing

Melancholia (2011)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Molly Malene Stensgaard

Cameras: ARRI ALEXA Camera, Phantom HD Gold Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

La délicatesse | ShotOnWhat?

Adr Recording Assistant

La délicatesse (2011)

Directed by: David Foenkinos, Stéphane Foenkinos

Cinematography by: Rémy Chevrin

Edited by: Virginie Bruant

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Sound Mix Technician: French Dubbing

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Let My People Go! | ShotOnWhat?

Adr Recording Assistant

Let My People Go! (2011)

Directed by: Mikael Buch

Cinematography by: Céline Bozon

Edited by: Simon Jacquet

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens

Omar m'a tuer | ShotOnWhat?

Sound Technician

Omar m'a tuer (2011)

Directed by: Roschdy Zem

Cinematography by: Jérôme Alméras

Edited by: Monica Coleman

Damsels in Distress | ShotOnWhat?

Sound Mix Assistant: French Dubbing

Damsels in Distress (2011)

Directed by: Whit Stillman

Cinematography by: Doug Emmett

Edited by: Andrew Hafitz

Red Riding Hood | ShotOnWhat?

Sound Mix Assistant: French Dubbing

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Piranha 3D | ShotOnWhat?

Mix Assistant: French Dubbing

Piranha 3D (2010)

Directed by: Alexandre Aja

Cinematography by: John R. Leonetti

Edited by: Baxter

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

I Saw the Devil | ShotOnWhat?

Sound Mix Technician: French Dubbing

I Saw the Devil (2010)

Directed by: Jee-woon Kim

Cinematography by: Mo-gae Lee

Edited by: Na-young Nam

You Will Meet a Tall Dark Stranger | ShotOnWhat?

Mix Assistant: French Dubbing

You Will Meet a Tall Dark Stranger (2010)

Directed by: Woody Allen

Cinematography by: Vilmos Zsigmond

Edited by: Alisa Lepselter

My Name Is Khan | ShotOnWhat?

Sound Assistant: French Dubbing

My Name Is Khan (2010)

Directed by: Karan Johar

Cinematography by: Ravi K. Chandran

Edited by: Deepa Bhatia

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Inception | ShotOnWhat?

Mix Assistant: French Dubbing

Inception (2010)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Takers | ShotOnWhat?

Adr Recording Assistant: French Dubbing / Mix Assistant: French Dubbing

Takers (2010)

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

The Tourist | ShotOnWhat?

Adr Recording Assistant

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Back-up Plan | ShotOnWhat?

Sound Assistant: French Dubbing

The Back-up Plan (2010)

Directed by: Alan Poul

Cinematography by: Xavier Grobet

Edited by: Priscilla Nedd-Friendly

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Machete | ShotOnWhat?

Sound Assistant: French Dubbing

Machete (2010)

Directed by: Ethan Maniquis, Robert Rodriguez

Cinematography by: Jimmy Lindsey

Edited by: Rebecca Rodriguez, Robert Rodriguez

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

De vrais mensonges | ShotOnWhat?

Foley Recording Assistant

De vrais mensonges (2010)

Directed by: Pierre Salvadori

Cinematography by: Gilles Henry

Edited by: Isabelle Devinck

Henri 4 | ShotOnWhat?

Sound Mix Assistant

Henri 4 (2010)

Directed by: Jo Baier

Cinematography by: Gernot Roll

Edited by: Alexander Berner, Claus Wehlisch

From Paris with Love | ShotOnWhat?

Sound Assistant

From Paris with Love (2010)

Directed by: Pierre Morel

Cinematography by: Michel Abramowicz

Edited by: Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Primo Anamorphic Lenses

The Bannen Way | ShotOnWhat?

Mix Assistant: French Dubbing

The Bannen Way (2010)

Directed by: Jesse Warren

Cinematography by: Roger Chingirian

Edited by: Zack Arnold

Cameras: Red One Camera

The Romantics | ShotOnWhat?

Adr Recording Assistant

The Romantics (2010)

Directed by: Galt Niederhoffer

Cinematography by: Sam Levy

Edited by: Jacob Craycroft

The White Ribbon | ShotOnWhat?

Sound Assistant

The White Ribbon (2009)

Directed by: Michael Haneke

Cinematography by: Christian Berger

Edited by: Monika Willi

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

The Stepfather | ShotOnWhat?

Sound Assistant

The Stepfather (2009)

Directed by: Nelson McCormick

Cinematography by: Patrick Cady

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Agora | ShotOnWhat?

Sound Technician

Agora (2009)

Directed by: Alejandro Amenábar

Cinematography by: Xavi Giménez

Edited by: Nacho Ruiz Capillas

Armored | ShotOnWhat?

Sound Assistant

Armored (2009)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Orphan | ShotOnWhat?

Adr Recording Assistant: French Dubbing

Orphan (2009)

Directed by: Jaume Collet-Serra

Cinematography by: Jeff Cutter

Edited by: Timothy Alverson

Terminator Salvation | ShotOnWhat?

Sound Assistant

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Sound Assistant

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Defendor | ShotOnWhat?

Mix Assistant: French Dubbing

Defendor (2009)

Directed by: Peter Stebbings

Cinematography by: David Greene

Edited by: Geoff Ashenhurst

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