Special Effects Makeup
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Lenses: Leitz M 0.8 Series Lenses
Special Effects
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Prosthetics Effects
'Grey's Anatomy' Blood and Water (2019)
Directed by: Pete Chatmon
Cinematography by: Herbert Davis
Prosthetics Effects
'Grey's Anatomy' The Winner Takes It All (2019)
Directed by: Allison Liddi-Brown
Cinematography by: Carlos González
Edited by: Chad Mochrie
Special Makeup Effects Artist
'Grey's Anatomy' All of Me (2018)
Directed by: Debbie Allen
Cinematography by: Herbert Davis
Edited by: Chad Mochrie
Special Effects Makeup
The Veil (2016)
Directed by: Phil Joanou
Cinematography by: Steeven Petitteville
Edited by: Paul Norling
Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Editing System: Adobe Premiere Editing System, Avid Editing System
Special Effects Makeup
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Fabrication Department: Legacy Effects
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Key Artist: Legacy Effects
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Puppeteer
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Specialty Costume Crew: Film Illusions
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Special Effects Makeup: Stan Winston Studio
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Special Makeup Effects Artist
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Special Effects Makeup: Legacy FX
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Special Effects Makeup: Stan Winston Studio
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Special Makeup Effects Supervisor
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Makeup Effects Artist: Captive Audience
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Special Makeup Effects Supervisor
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Fabricator: Goldfish / Painter: Goldfish
Domino (2005)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Prosthetics Effects / Special Makeup Effects Artist - 3 Episodes, 2018-2019
Grey's Anatomy (2005)
Directed by: Rob Corn, Kevin McKidd, Debbie Allen, Chandra Wilson, Allison Liddi-Brown, Jeannot Szwarc, Tony Phelan, Nicole Rubio, Michael W. Watkins, Tom Verica, Bill D'Elia, Mark Jackson, Peter Horton, Jeff Melman, Jessica Yu, Edward Ornelas, Stephen Cragg, Linda Klein, Daniel Minahan, Julie Anne Robinson, James Frawley, Michael Pressman, Ron Underwood, Geary McLeod, Adam Davidson, Wendey Stanzler, Randy Zisk, Michael Grossman, Steve Robin, Chris Hayden, Jesse Williams, Pete Chatmon, Mark Tinker, Susan Vaill, David Greenspan, Rob Greenlea, Bobby Roth, Zetna Fuentes, Kevin Rodney Sullivan, Michael Medico, Tony Goldwyn, Adam Arkin, Seith Mann, Christopher Misiano, Greg Yaitanes, Eric Stoltz, Rob Hardy, Cherie Nowlan, Eric Laneuville, Jann Turner, Cecilie A. Mosli, Ellen Pompeo, Nzingha Stewart, Sydney Freeland, Daniel Willis, Michael Watkins, Amyn Kaderali, Sarah Pia Anderson, Scott Brazil, John David Coles, Michael Dinner, Lesli Linka Glatter, Darnell Martin, Tricia Brock, Dan Lerner, David Paymer, Tamra Davis, Bethany Rooney, Joanna Kerns, Arlene Sanford, John Terlesky, Daniel Attias, Robert Berlinger, Rob Bailey, Donna Deitch, Laura Innes, Jesse Bochco, Paul McCrane, Thomas J. Wright, Charlotte Brändström, Victoria Mahoney, Denzel Washington, Oliver Bokelberg, Lisa Leone, Louis Venosta, Krista Vernoff, Gregory T. Evans, Deborah Pratt, Lindsay Cohen, Giacomo Gianniotti, Morenike Joela Evans, Kim Raver
Cinematography by: Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons
Edited by: Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Character Fabricator: Steve Johnson's Edge FX, Inc.
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Special Effects Artist: Stan Winston Studio
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Creature Suit Fabricator: Steve Johnson's Edge FX , Puppeteer
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Puppeteer
Kung Pow: Enter the Fist (2002)
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
Key Artist: Stan Winston Studio, Puppeteer
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Key Technician: Stan Winston Studio
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Special Effects Artist: Steve Johnson's XFX
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Painter: Steve Johnson's XFX
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Special Effects Artist: Steve Johnson's XFX
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Painter: Steve Johnson's XFX Group
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Art/mold Technical Department: Stan Winston Studio
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Character Designer, Puppeteer
Small Soldiers (1998)
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Special Effects Artist: Stan Winston Studio
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Art Department: Stan Winston Studio, Puppeteer
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Artist: Stan Winston Studio
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Art Department: Stan Winston Studio
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Special Effects Artist: Stan Winston Studio
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
