Camera Operator, Cinematographer
Operator (2016)
| United States
Directed by: Logan Kibens
Cinematography by: Steeven Petitteville
Edited by: Logan Kibens
Cameras: ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses: Zeiss Lenses
Cinematographer - 7 Episodes, 2016
The Deleted (2016)
| United States
Directed by: Bret Easton Ellis
Lenses: Zeiss Lenses
Cinematographer
The Veil (2016)
| United States
Directed by: Phil Joanou
Cinematography by: Steeven Petitteville
Edited by: Paul Norling
Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Series Cameras, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Series Cameras, ARRI Cameras, Bolex Cameras, Bolex H16 Camera, Phantom Flex Camera, Vision Research Cameras
Lenses: Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens, Kowa Cine Prominar Anamorphic Lenses, Kowa Lenses
Editing System: Adobe Premiere Editing System, Avid Editing System
Camera Operator, Cinematographer
The Stroller Strategy (2012)
| France
Directed by: Clément Michel
Cinematography by: Steeven Petitteville
Edited by: Julie Dupré
Lenses: Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Associate Producer, Camera Operator, Cinematographer
Behold the Lamb (2011)
| United Kingdom
Directed by: John McIlduff
Cinematography by: Steeven Petitteville
Edited by: Nick Emerson
Cameras: ARRI Cameras, ARRIFLEX Camera
Lenses: Cooke Lenses, Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica Lenses, Leica R Series Lenses, Technovision Lenses
Editing System: Avid Editing System
First Assistant Camera
The Diving Bell and the Butterfly (2007)
| France, USA
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
Cinematographer: Second Unit
On va s'aimer (2006)
| France
Directed by: Ivan Calbérac
Cinematography by: David Quesemand
Edited by: Véronique Parnet
First Assistant Camera: Second Unit, Paris
The Da Vinci Code (2006)
| USA, Malta, France, UK
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Camera Operator: 24p Camera, Paris
The Pink Panther (2006)
| USA, Czech Republic
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
First Assistant Camera: "b" Camera, Second Unit
Marie Antoinette (2006)
| USA, France, Japan
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
First Assistant Camera: "b" Camera, Morocco
Babel (2006)
| France, USA, Mexico
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Camera Assistant: Second Unit
A Very Long Engagement (2004)
| France, USA
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Cooke S4 Lenses
Assistant Camera: Second Unit
7 ans de mariage (2003)
| France
Directed by: Didier Bourdon
Cinematography by: Pascal Caubère
Assistant Camera: Pre-shooting
The Truth About Charlie (2002)
| Germany, USA
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
