Eric Frazier

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Ambulance | ShotOnWhat?

Special Effects Supervisor

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

6 Underground | ShotOnWhat?

Special Effects Supervisor: U.S.

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Special Effects Foreman

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Fast 8 | ShotOnWhat?

Special Effects Iceland & Cuba

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Special Effects

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Allegiant | ShotOnWhat?

Special Effects Supervisor

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Straight Outta Compton | ShotOnWhat?

Special Effects Coordinator

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Special Effects Foreman

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Godzilla | ShotOnWhat?

Special Effects Coordinator Additional Photography

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Transformers: Age of Extinction | ShotOnWhat?

Special Effects Coordinator Additional Photography / Special Effects

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Divergent | ShotOnWhat?

Special Effects

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Interstellar | ShotOnWhat?

Pyrotechnician: New Deal Studios / Special Effects: Additional Photography

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Teenage Mutant Ninja Turtles | ShotOnWhat?

Special Effects Coordinator: Additional Photograpy

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

"Mad Men" The Doorway, Part 1 | ShotOnWhat?

Special Effects Coordinator: Hawaii Crew

'Mad Men' The Doorway, Part 1 (2013)

Television Episode

Directed by: Scott Hornbacher

Cinematography by: Chris Manley

Edited by: Tom Wilson

This Is the End | ShotOnWhat?

Special Effects Coordinator: Additional Photography

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Oz the Great and Powerful | ShotOnWhat?

Special Effects

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Special Effects

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

R.I.P.D. | ShotOnWhat?

Special Effects

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Amazing Spider-Man | ShotOnWhat?

Special Effects

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Special Effects Foreman

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Green Hornet | ShotOnWhat?

Special Effects

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Helicopter , Special Effects

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

"Lost" The End | ShotOnWhat?

Special Effects Foreman

'Lost' The End (2010)

Television Episode

Directed by: Jack Bender

Cinematography by: John S. Bartley

Edited by: Mark Goldman, Christopher Nelson, Stephen Semel, Henk Van Eeghen

Unstoppable | ShotOnWhat?

Helicopter Pilot

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Sorcerer's Apprentice | ShotOnWhat?

Special Effects Technician

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Love & Other Drugs | ShotOnWhat?

Stunt Helicopter Pilot

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Special Effects Technician, Stunts

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

State of Play | ShotOnWhat?

Helicopter Pilot

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Taking of Pelham 1 2 3 | ShotOnWhat?

Helicopter Co-pilot

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Eagle Eye | ShotOnWhat?

Special Effects

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Hancock | ShotOnWhat?

Special Effects Technician

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Mad Men | ShotOnWhat?

Special Effects Coordinator: Hawaii Crew - 1 Episode, 2013

Mad Men (2007)

Television Series

Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris

Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen

Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty

Cameras: ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Spider-Man 3 | ShotOnWhat?

Special Effects Technician

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Special Effects

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers | ShotOnWhat?

Special Effects Technician, Stunts

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Deja Vu | ShotOnWhat?

Special Effects

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Poseidon | ShotOnWhat?

Special Effects Technician, Stunts

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Island | ShotOnWhat?

Special Effects Technician, Stunts

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Domino | ShotOnWhat?

Special Effects

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Stealth | ShotOnWhat?

Special Effects Technician

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

xXx: State of the Union | ShotOnWhat?

Special Effects, Stunts

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

After the Sunset | ShotOnWhat?

Special Effects Technician

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Spider-Man 2 | ShotOnWhat?

Special Effects Technician

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

National Treasure | ShotOnWhat?

Special Effects

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Lost | ShotOnWhat?

Special Effects Foreman - 1 Episode, 2010

Lost (2004)

Television Series

Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei

Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Tears of the Sun | ShotOnWhat?

Special Effects Technician

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bad Boys II | ShotOnWhat?

Special Effects Technician

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

xXx | ShotOnWhat?

Special Effects

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Spider-Man | ShotOnWhat?

Special Effects

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

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