Digital Effects Supervisor
'The Man in the High Castle' Kasumi (Through the Mists) (2018)
Directed by: Jennifer Getzinger
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Digital Effects Supervisor
'The Man in the High Castle' History Ends (2018)
Directed by: Meera Menon
Cinematography by: Gonzalo Amat
Edited by: Monty DeGraff
Digital Effects Supervisor
'The Man in the High Castle' Excess Animus (2018)
Directed by: Steph Green
Cinematography by: James Hawkinson
Edited by: Jason Savage
Digital Effects Supervisor
'Limitless' Finale: Part One! (2016)
Directed by: Paul A. Edwards
Cinematography by: Robert Gantz
Edited by: Jonathan Angus
Digital Effects Supervisor
'Limitless' Hi, My Name Is Rebecca Harris (2016)
Directed by: Holly Dale
Cinematography by: Jimmy Lindsey
Edited by: Christopher S. Capp
Digital Effects Supervisor - 3 Episodes, 2016
Limitless (2015)
Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo
Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela
Visual Effects Supervisor
'Castle' What Lies Beneath (2015)
Directed by: Larry Shaw
Cinematography by: Bill Roe
Edited by: Orlando Machado Jr.
Visual Effects Supervisor
'Castle' PhDead (2015)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: David Latham
Visual Effects Supervisor
'Castle' XY (2015)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: David Latham
Visual Effects Supervisor
'Castle' Sleeper (2015)
Directed by: Paul Holahan
Cinematography by: Daryn Okada
Edited by: Neil Felder
Visual Effects Supervisor
'Castle' Habeas Corpse (2015)
Directed by: Kate Woods
Cinematography by: Daryn Okada
Edited by: David Latham
Visual Effects Supervisor
'Castle' The Wrong Stuff (2015)
Directed by: Paul Holahan
Cinematography by: Bill Roe
Edited by: David Latham
Visual Effects Supervisor
'Castle' Reckoning (2015)
Directed by: Rob Bowman
Cinematography by: Daryn Okada
Edited by: Orlando Machado Jr.
Visual Effects Supervisor
'Castle' I, Witness (2015)
Directed by: Thomas J. Wright
Cinematography by: Daryn Okada
Edited by: David Latham
Vfx Supervisor: Zoic Studios
'Hemlock Grove' Brian's Song (2015)
Directed by: Russell Lee Fine
Cinematography by: John Grillo
Edited by: James Coblentz
Vfx Supervisor: Los Angeles, Zoic Studios
'Hemlock Grove' Damascus (2015)
Directed by: Russell Lee Fine
Cinematography by: John Grillo
Edited by: Monty DeGraff
Vfx Supervisor: Los Angeles, Zoic Studios
'Hemlock Grove' Every Beast (2015)
Directed by: Marc Jobst
Cinematography by: John Grillo
Edited by: James Coblentz
Vfx Supervisor: Los Angeles, Zoic Studios
'Hemlock Grove' A Place to Fall (2015)
Directed by: Russell Lee Fine
Cinematography by: John Grillo
Edited by: James Coblentz
Vfx Supervisor: Los Angeles, Zoic Studios
'Hemlock Grove' Souls on Ice (2015)
Directed by: Coky Giedroyc
Cinematography by: John Grillo
Edited by: Conrad Smart
Vfx Supervisor: Los Angeles, Zoic Studios
'Hemlock Grove' The House in the Woods (2015)
Directed by: David Straiton
Cinematography by: John Grillo
Edited by: Monty DeGraff
Visual Effects Supervisor: Zoic
'True Detective' Black Maps and Motel Rooms (2015)
Directed by: Daniel Attias
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Visual Effects Supervisor: Zoic
'True Detective' Church in Ruins (2015)
Directed by: Miguel Sapochnik
Cinematography by: Nigel Bluck
Digital Effects Supervisor / Visual Effects Supervisor: Zoic Studios - 4 Episodes, 2015-2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Visual Effects Supervisor: Zoic Studios
'The Man in the High Castle' The New World (2015)
Directed by: David Semel
Cinematography by: James Hawkinson
Edited by: Kathryn Himoff
Visual Effects Supervisor: Zoic - 2 Episodes, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Supervisor
'Castle' Kill Switch (2014)
Directed by: Jeannot Szwarc
Cinematography by: Daryn Okada
Edited by: Neil Felder
Visual Effects Supervisor
'Castle' The Time of Our Lives (2014)
Directed by: Paul Holahan
Cinematography by: Daryn Okada
Edited by: Neil Felder
Digital Effects Supervisor
'Castle' Clear & Present Danger (2014)
Directed by: Kate Woods
Cinematography by: Bill Roe
Edited by: Orlando Machado Jr.
Digital Effects Supervisor
'Castle' Montreal (2014)
Directed by: Alrick Riley
Cinematography by: Bill Roe
Edited by: Neil Felder
Digital Effects Supervisor
'Castle' Driven (2014)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: David Latham
Visual Effects Supervisor
'Castle' The Greater Good (2014)
Directed by: Holly Dale
Cinematography by: Bill Roe
Edited by: David Latham
Visual Effects Supervisor
'Castle' The Way of the Ninja (2014)
Directed by: Larry Shaw
Cinematography by: Bill Roe
Edited by: Dennis Virkler
Visual Effects Supervisor
'Castle' Room 147 (2014)
Directed by: Bill Roe
Cinematography by: James L. Carter
Edited by: David Latham
Visual Effects Supervisor
'Castle' In the Belly of the Beast (2014)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Warren Bowman
On Set Supervisor: Zoic Studios
'Hemlock Grove' Blood Pressure (2014)
Directed by: Spencer Susser
Cinematography by: Fernando Argüelles
Digital Effects Supervisor
'The Blacklist' Berlin (No. 8): Conclusion (2014)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Effects Supervisor
'The Blacklist' The Kingmaker (No. 42) (2014)
Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: David Post
Digital Effects Supervisor
'The Blacklist' Berlin (No. 8) (2014)
Directed by: Michael Zinberg
Edited by: Nathan Gunn
Digital Effects Supervisor
'The Blacklist' The Pavlovich Brothers (Nos. 119-122) (2014)
Directed by: Paul A. Edwards
Cinematography by: Arthur Albert
Digital Effects Supervisor
'The Blacklist' Milton Bobbit (No. 135) (2014)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Effects Supervisor
'The Blacklist' Ivan (No. 88) (2014)
Directed by: Randy Zisk
Edited by: David Post
Digital Effects Supervisor
'The Blacklist' Mako Tanida (No. 83) (2014)
Directed by: Michael W. Watkins
Edited by: Nathan Gunn
Digital Effects Supervisor
'The Blacklist' The Judge (No. 57) (2014)
Directed by: Peter Werner
Edited by: Chris Brookshire
Digital Effects Supervisor
'The Blacklist' Madeline Pratt (No. 73) (2014)
Directed by: Michael Zinberg
Cinematography by: Michael Caracciolo
Edited by: David Post
Digital Effects Supervisor
'The Blacklist' The Cyprus Agency (No. 64) (2014)
Directed by: Michael W. Watkins
Digital Effects Supervisor
'The Blacklist' The Alchemist (No. 101) (2014)
Directed by: Vincent Misiano
Edited by: Chris Brookshire
Digital Effects Supervisor
'The Blacklist' The Good Samaritan (No. 106) (2014)
Directed by: Dan Lerner
Cinematography by: Arthur Albert
Edited by: David Post
Digital Effects Supervisor
'Sleepy Hollow' Magnum Opus (2014)
Directed by: Douglas Aarniokoski
Cinematography by: Tod Campbell
Digital Effects Supervisor
'Sleepy Hollow' Heartless (2014)
Directed by: David Boyd
Cinematography by: Tod Campbell
Edited by: John L. Roberts
Digital Effects Supervisor
'Sleepy Hollow' The Weeping Lady (2014)
Directed by: Larry Teng
Cinematography by: Tod Campbell
Edited by: John L. Roberts
Digital Effects Supervisor
'Sleepy Hollow' This Is War (2014)
Directed by: Ken Olin
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Visual Effects Supervisor
'White Collar' Live Feed (2014)
Directed by: John T. Kretchmer
Cinematography by: Robert Gantz
Edited by: Jon Dudkowski
Visual Effects Supervisor
'White Collar' Diamond Exchange (2014)
Directed by: Russell Lee Fine
Cinematography by: Robert Gantz
Edited by: Kevin Krasny
Digital Effects Supervisor
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Digital Effects Supervisor
Grown Ups 2 (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Vfx Supervisor: Los Angeles, Zoic Studios / On Set Supervisor: Zoic Studios / Vfx Supervisor: Zoic Studios - 7 Episodes, 2014-2015
Hemlock Grove (2013)
Directed by: David Straiton, Deran Sarafian, Russell Lee Fine, T.J. Scott, David Semel, Peter Cornwell, Eli Roth, Billy Gierhart, Sanaa Hamri, Vincenzo Natali, David Petrarca, Floria Sigismondi, Spencer Susser, Jon Amiel, Coky Giedroyc, Marc Jobst, Jim O'Hanlon, Carl Tibbetts
Edited by: Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras: ARRI ALEXA Camera, Canon EOS-C300 Camera
Digital Effects Supervisor
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Digital Effects Supervisor / Visual Effects Supervisor - 17 Episodes, 2013-2014
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Digital Effects Supervisor - 4 Episodes, 2014
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Visual Effects Supervisor
'Castle' Get a Clue (2013)
Directed by: Holly Dale
Cinematography by: Bill Roe
Edited by: Dennis Virkler
Visual Effects Supervisor
'Castle' Need to Know (2013)
Directed by: Larry Shaw
Cinematography by: Bill Roe
Edited by: Orlando Machado Jr.
Visual Effects Supervisor
'Castle' Dreamworld (2013)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Warren Bowman
Visual Effects Supervisor
'Castle' Watershed (2013)
Directed by: John Terlesky
Cinematography by: Stephen Collins
Digital Effects Supervisor
'The Blacklist' Anslo Garrick (No. 16): Conclusion (2013)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn
Visual Effects Supervisor
'The Blacklist' General Ludd (No. 109) (2013)
Directed by: Stephen Surjik
Edited by: David Post
Visual Effects Supervisor
'The Blacklist' Gina Zanetakos (No. 152) (2013)
Directed by: Adam Arkin
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Visual Effects Supervisor
'The Blacklist' The Courier (No. 85) (2013)
Directed by: Nick Gomez
Cinematography by: Arthur Albert
Edited by: Harvey Rosenstock
Digital Effects Supervisor
'The Blacklist' Pilot (2013)
Directed by: Joe Carnahan
Cinematography by: Yasu Tanida
Visual Effects Supervisor
'White Collar' At What Price (2013)
Directed by: Stefan Schwartz
Cinematography by: Robert Gantz
Visual Effects Supervisor
'White Collar' Quantico Closure (2013)
Directed by: Willie Garson
Cinematography by: Robert Gantz
Edited by: Jon Dudkowski
Visual Effects Supervisor
'White Collar' Digging Deeper (2013)
Directed by: Sanford Bookstaver
Cinematography by: Robert Gantz
Edited by: Tom Wilson
Visual Effects Supervisor
'White Collar' No Good Deed (2013)
Directed by: Charlotte Sieling
Cinematography by: Robert Gantz
Edited by: Justin Krohn
Digital Effects Supervisor: Zoic Studios
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Digital Effects Supervisor
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Digital Effects Supervisor
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Virtual Production Artist
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Supervisor / Digital Effects Supervisor - 23 Episodes, 2013-2015
Castle (2009)
Directed by: Rob Bowman, John Terlesky, Bill Roe, Bryan Spicer, Paul Holahan, Thomas J. Wright, Jeff Bleckner, David Barrett, Kate Woods, Larry Shaw, Holly Dale, Jeannot Szwarc, Jonathan Frakes, Kevin Hooks, Hanelle M. Culpepper, Ron Underwood, Alrick Riley, Jessica Yu, Jamie Babbit, Karen Gaviola, Dwight H. Little, Helen Shaver, Dean White, Félix Enríquez Alcalá, Rosemary Rodriguez, Bethany Rooney, Steve Boyum, Emile B. Levisetti, Millicent Shelton, Chuck Bowman, Rob Hardy, Milan Cheylov, Steve Robin, Jann Turner
Cinematography by: Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis
Visual Effects Supervisor - 6 Episodes, 2013-2014
White Collar (2009)
Directed by: John T. Kretchmer, Russell Lee Fine, Paul Holahan, Michael Smith, Sanford Bookstaver, Kevin Bray, Dennie Gordon, David Straiton, Jeff King, Tim DeKay, Tricia Brock, Anton Cropper, Stefan Schwartz, Allan Arkush, Timothy Busfield, Bronwen Hughes, Phil Abraham, Ken Girotti, Tim Matheson, Vincent Misiano, Rosemary Rodriguez, Renny Harlin, Andrew McCarthy, Robert Duncan McNeill, Arlene Sanford, Willie Garson, Roger Kumble, Charlotte Sieling, Eric Stoltz, Doug Hannah, Martha Mitchell
Edited by: Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny
Cameras: Sony CineAlta F35 Camera
Lighting Artist: Digital Domain
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Tracking Artist: Furious FX
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Cg Supervisor
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Visual Effects Artist
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Digital Manager: Furious FX
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Digital Manager: Furious FX
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Tracking Artist
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Manager: Furious FX
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Manager: Furious FX
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Motion Tracking Supervisor: Cinesite
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
3D Manager: Cinesite
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
3D Manager: Cinesite
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Motion Tracking Supervisor: Cinesite
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Motion Tracker Supervisor: Cinesite
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Motion Tracking Supervisor: Cinesite
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Motion Tracking Supervisor
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
3D Manager: Cinesite
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Motion Tracking Supervisor: Cinesite
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
3D Manager: Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Motion & Tracking Supervisor: Cinesite
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Tracking Artist: Cinesite
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
3D Manager: Cinesite
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Motion Tracking Supervisor: Cinesite
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
3D Artist: Cinesite
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Motion Tracking Supervisor: Cinesite
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Motion Tracking Supervisor
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Motion Tracking Supervisor: Cinesite
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Motion Tracking Supervisor: Cinesite
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Motion & Tracking Supervisor: Cinesite
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Motion & Tracking Supervisor: Cinesite
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Motion Tracking Supervisor: Cinesite
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Motion Tracking Supervisor: Cinesite
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Motion Tracking Supervisor: Cinesite
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Motion & Tracking Supervisor: Cinesite
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Motion & Tracking Supervisor: Cinesite
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Digital Image Planner: Walt Disney Company
Dinosaur (2000)
Edited by: H. Lee Peterson
Cameras: VistaVision Cameras
Motion & Tracking Supervisor: Cinesite
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Motion Tracking Supervisor: Cinesite
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Motion & Tracking Supervisor: Cinesite
Double Jeopardy (1999)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Motion Tracking Supervisor: Cinesite
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Motion Control Supervisor
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Character Integration Artist: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Technical Assistant: Digital Domain, Visual Effects Technical Assistant: Digital Domain
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Digital Assistant: Digital Domain
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Technical Assistant: Digital Domain
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Technical Assistant: Digital Domain
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter