Re-recording Mixer
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Re-recording Mixer
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Re-recording Mixer
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Re-recording Mixer
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Re-recording Mixer
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Re-recording Mixer
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Re-recording Mixer
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Re-recording Mixer
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Re-recording Mixer
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Re-recording Mixer
Gran Torino (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Editing System: Avid Editing System
Re-recording Mixer
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Re-recording Mixer
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Re-recording Mixer
Letters from Iwo Jima (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Re-recording Mixer
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Re-recording Mixer
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Re-recording Mixer
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Re-recording Mixer
The Lake House (2006)
Directed by: Alejandro Agresti
Cinematography by: Alar Kivilo
Re-recording Mixer
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Re-recording Mixer
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Re-recording Mixer
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Re-recording Mixer
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Re-recording Mixer
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Re-recording Mixer
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Re-recording Mixer
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Sound Re-recording Mixer: Director's Cut
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Re-recording Mixer
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Re-recording Mixer
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Re-recording Mixer
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Re-recording Mixer
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Re-recording Mixer
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Re-recording Mixer
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Re-recording Mixer
Exit Wounds (2001)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Re-recording Mixer
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Re-recording Mixer
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Re-recording Mixer
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Re-recording Mixer
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Re-recording Mixer
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Re-recording Mixer
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Re-recording Mixer
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Re-recording Mixer
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Re-recording Mixer
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Re-recording Mixer
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Re-recording Mixer
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Re-recording Mixer
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Quest for Camelot (1998)
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
Re-recording Mixer
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Re-recording Mixer
Truth or Consequences, N.M. (1997)
Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan
Sound Mixer
Fire Down Below (1997)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Robert A. Ferretti
Re-recording Mixer
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Re-recording Mixer
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Re-recording Mixer
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Re-recording Mixer
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Re-recording Mixer
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Re-recording Mixer
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Re-recording Mixer
To Gillian on Her 37th Birthday (1996)
Directed by: Michael Pressman
Cinematography by: Tim Suhrstedt
Edited by: William S. Scharf
Cameras: Panavision Cameras
Re-recording Mixer
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Re-recording Mixer
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Re-recording Mixer
The War (1994)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Re-recording Mixer
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Re-recording Mixer
D2: The Mighty Ducks (1994)
Directed by: Sam Weisman
Cinematography by: Mark Irwin
Re-recording Mixer
Iron Will (1994)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
Re-recording Mixer
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Re-recording Mixer
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
Rerecording Mixer: Buena Vista Sound
Born Yesterday (1993)
Directed by: Luis Mandoki
Cinematography by: Lajos Koltai
Edited by: Lesley Walker
Cameras: ARRIFLEX Camera
Re-recording Mixer
White Men Can't Jump (1992)
Directed by: Ron Shelton
Cinematography by: Russell Boyd
Re-recording Mixer
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Re-recording Mixer
The Distinguished Gentleman (1992)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Re-recording Mixer
The Mighty Ducks (1992)
Directed by: Stephen Herek
Cinematography by: Thomas Del Ruth
Re-recording Mixer
Wild Hearts Can't Be Broken (1991)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Jon Poll
Re-recording Mixer
One Good Cop (1991)
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
Re-recording Mixer
Fried Green Tomatoes (1991)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Re-recording Mixer
Curly Sue (1991)
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Re-recording Mixer
Paradise (1991)
Directed by: Mary Agnes Donoghue
Cinematography by: Jerzy Zielinski
Re-recording Mixer
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Re-recording Mixer
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Re-recording Mixer
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Re-recording Mixer
Warlock (1989)
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Re-recording Mixer
DeepStar Six (1989)
Directed by: Sean S. Cunningham
Cinematography by: Mac Ahlberg
Edited by: David Handman
Re-recording Mixer
Shoot to Kill (1988)
Directed by: Roger Spottiswoode
Cinematography by: Michael Chapman
Re-recording Mixer: New York
Crocodile Dundee II (1988)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Re-recording Mixer
Memories of Me (1988)
Directed by: Henry Winkler
Cinematography by: Andrew Dintenfass
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Re-recording Mixer
Hot Pursuit (1987)
Directed by: Steven Lisberger
Cinematography by: Frank Tidy
Edited by: Mitchell Sinoway
Re-recording Engineer
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Re-recording Mixer
Planes, Trains & Automobiles (1987)
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Re-recording Mixer
In Love and War (1987)
Directed by: Paul Aaron
Cinematography by: Gayne Rescher
Edited by: Skip Schoolnik
Re-recording Mixer
Out of Bounds (1986)
Directed by: Richard Tuggle
Cinematography by: Bruce Surtees
Edited by: Kent Beyda
Re-recording Mixer
Stand by Me (1986)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Women of Valor (1986)
Directed by: Buzz Kulik
Cinematography by: Mike Fash
Edited by: Les Green
Cameras: Panavision Cameras
Re-recording Mixer
Soul Man (1986)
Directed by: Steve Miner
Cinematography by: Jeffrey Jur
Edited by: David Finfer
Sound Re-recording Mixer: Los Angeles
Prizzi's Honor (1985)
Directed by: John Huston
Cinematography by: Andrzej Bartkowiak
Re-recording Mixer
Silence of the Heart (1984)
Directed by: Richard Michaels
Cinematography by: Isidore Mankofsky
Edited by: Peter E. Berger
Re-recording Mixer
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Re-recording Mixer
The Burning Bed (1984)
Directed by: Robert Greenwald
Cinematography by: Isidore Mankofsky
Re-recording Mixer
Mother Lode (1982)
Cinematography by: Richard Leiterman
Edited by: Eric Boyd-Perkins
Re-recording Mixer
Prime Suspect (1982)
Directed by: Noel Black
Cinematography by: Reynaldo Villalobos
Edited by: Bill Yahraus
Re-recording Mixer
The Challenge (1982)
Directed by: John Frankenheimer
Cinematography by: Kôzô Okazaki
Edited by: John W. Wheeler
Re-recording Mixer
Heart Beat (1980)
Directed by: John Byrum
Cinematography by: László Kovács
Edited by: Eric Jenkins
Re-recording Mixer
Airplane! (1980)
Cinematography by: Joseph F. Biroc
Edited by: Patrick Kennedy
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Escape from Alcatraz (1979)
Directed by: Don Siegel
Cinematography by: Bruce Surtees
Edited by: Ferris Webster
Sound Effects Mixer
Days of Heaven (1978)
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Panaflex Camera
Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses
Re-recording Mixer
Saturday Night Fever (1977)
Directed by: John Badham
Cinematography by: Ralf D. Bode
Edited by: David Rawlins
Cameras: Panavision Cameras
