Chris Burdon

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Trap | ShotOnWhat?

Re-recording Mixer

Trap (2024)

Directed by: M. Night Shyamalan

Cinematography by: Sayombhu Mukdeeprom

Edited by: Noemi Katharina Preiswerk

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Re-recording Mixer: Warner Bros. De Lane Lea

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Top Gun: Maverick | ShotOnWhat?

Re-recording Mixer: Warner Bros. De Lane Lea

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Empire of Light | ShotOnWhat?

Re-recording Mixer

Empire of Light (2022)

Movie

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses, Cooke S7/i Lenses

The Banshees of Inisherin | ShotOnWhat?

Re-recording Mixer

The Banshees of Inisherin (2022)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Mikkel E.G. Nielsen

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Wonder Woman 1984 | ShotOnWhat?

Additional Re-recording Mixer

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Mission: Impossible - Fallout | ShotOnWhat?

Additional Re-recording Mixer: Warner Bros. De Lane Lea

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Outlaw King | ShotOnWhat?

Re-recording Mixer

Outlaw King (2018)

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Re-recording Mixer

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Three Billboards Outside Ebbing, Missouri | ShotOnWhat?

Re-recording Mixer

Three Billboards Outside Ebbing, Missouri (2017)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Jon Gregory

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Wonder Woman | ShotOnWhat?

Re-recording Mixer

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Jason Bourne | ShotOnWhat?

Re-recording Mixer

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Nice Guys | ShotOnWhat?

Re-recording Mixer

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Eddie the Eagle | ShotOnWhat?

Re-recording Mixer

Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Re-recording Mixer

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Pan | ShotOnWhat?

Re-recording Mixer

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

The Gunman | ShotOnWhat?

Re-recording Mixer

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Additional Sound Re-recording Mixer

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Hercules | ShotOnWhat?

Re-recording Mixer

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Edge of Tomorrow | ShotOnWhat?

Re-recording Mixer

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Philomena | ShotOnWhat?

Re-recording Mixer

Philomena (2013)

Directed by: Stephen Frears

Cinematography by: Robbie Ryan

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Camera

The Counselor | ShotOnWhat?

Re-recording Mixer

The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Captain Phillips | ShotOnWhat?

Re-recording Mixer

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Kick-Ass 2 | ShotOnWhat?

Re-recording Mixer

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Hyde Park on Hudson | ShotOnWhat?

Re-recording Mixer

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Seven Psychopaths | ShotOnWhat?

Re-recording Mixer

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Anna Karenina | ShotOnWhat?

Re-recording Mixer

Anna Karenina (2012)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Melanie Oliver

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Contraband | ShotOnWhat?

Re-recording Mixer

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

The Cold Light of Day | ShotOnWhat?

Re-recording Mixer

The Cold Light of Day (2012)

Directed by: Mabrouk El Mechri

Cinematography by: Remi Adefarasin

Edited by: Valerio Bonelli

Cameras: ARRIFLEX 435 Camera

Editing System: Avid Editing System

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Re-recording Mixer

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

X: First Class | ShotOnWhat?

Re-recording Mixer

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unknown | ShotOnWhat?

Re-recording Mixer

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Kick-Ass | ShotOnWhat?

Re-recording Mixer

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Nutcracker in 3D | ShotOnWhat?

Re-recording Mixer

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Scott Pilgrim vs. the World | ShotOnWhat?

Re-recording Mixer

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Descent: Part 2 | ShotOnWhat?

Re-recording Mixer: De Lane Lea

The Descent: Part 2 (2009)

Directed by: Jon Harris

Cinematography by: Sam McCurdy

Edited by: Jon Harris

Pirate Radio | ShotOnWhat?

Re-recording Mixer: Temp Mix

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Planet 51 | ShotOnWhat?

Re-recording Mixer

Planet 51 (2009)

Directed by: Jorge Blanco, Javier Abad, Marcos Martínez

Edited by: Alex Rodríguez

Editing System: Autodesk Smoke Editing System

10,000 BC | ShotOnWhat?

Re-recording Mixer

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

The Edge of Love | ShotOnWhat?

Re-recording Mixer

The Edge of Love (2008)

Directed by: John Maybury

Cinematography by: Jonathan Freeman

Edited by: Emma E. Hickox

Stardust | ShotOnWhat?

Re-Recording Mixer

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

Casino Royale | ShotOnWhat?

Additional Sound Re-recording Mixer

Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

United 93 | ShotOnWhat?

Additional Sound Re-recording Mixer

United 93 (2006)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Clare Douglas, Richard Pearson, Christopher Rouse

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Basic Instinct 2 | ShotOnWhat?

Re-recording Mixer

Basic Instinct 2 (2006)

Directed by: Michael Caton-Jones

Cinematography by: Gyula Pados

Edited by: István Király, John Scott

Children of Men | ShotOnWhat?

Re-recording Mixer

Children of Men (2006)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Corpse Bride | ShotOnWhat?

Re-recording Mixer

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

King Arthur | ShotOnWhat?

Additional Sound Re-recording Mixer

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Vera Drake | ShotOnWhat?

Re-recording Mixer

Vera Drake (2004)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jim Clark

Cameras: Aaton XTR Prod Camera

Lenses: Cooke S4 Lenses

Layer Cake | ShotOnWhat?

Re-recording Mixer

Layer Cake (2004)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

Cameras: Moviecam Compact Camera

Lenses: Cooke Xtal Express Lenses

Wasp | ShotOnWhat?

Dubbing Mixer

Wasp (2003)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

Revelation | ShotOnWhat?

Re-recording Mixer

Revelation (2001)

Directed by: Stuart Urban

Cinematography by: Sam McCurdy

Edited by: Julian Rodd

The Body | ShotOnWhat?

Adr Recordist

The Body (2001)

Directed by: Jonas McCord

Cinematography by: Vilmos Zsigmond

Edited by: Alain Jakubowicz, Lesley Walker

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