Supervising Adr Editor
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Supervising Sound Editor
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Supervising Sound Editor
The Boss (2016)
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
Supervising Sound Editor
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Supervising Sound Editor
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Supervising Sound Editor
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Supervising Sound Editor
Tammy (2014)
Directed by: Ben Falcone
Cinematography by: Russ T. Alsobrook
Edited by: Michael L. Sale
Supervising Sound Editor
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Dialogue/adr Supervisor
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Supervising Sound Editor
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Supervising Adr Editor
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Supervising Adr Editor
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Supervising Sound Editor
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Dialogue And Adr Supervisor
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Supervising Sound Editor
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Supervising Dialogue & Adr Editor
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Supervising Sound Editor
To Save a Life (2009)
Directed by: Brian Baugh
Cinematography by: C. Clifford Jones
Cameras: Red One Camera
Co-supervising Sound Editor
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Adr Supervisor / Dialogue Supervisor
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Supervising Sound Editor
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Adr Editor / Dialogue Editor
Then She Found Me (2007)
Directed by: Helen Hunt
Cinematography by: Peter Donahue
Edited by: Pam Wise
Supervising Adr Editor
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Dialogue Supervisor
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Adr Editor
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Supervising Sound Editor
How to Eat Fried Worms (2006)
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Supervising Adr Editor
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Supervising Adr Editor
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Supervising Adr Editor
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Supervising Adr Editor
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Supervising Adr Editor
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Supervising Adr Editor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Supervising Adr Editor
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Supervising Adr Editor
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Supervising Adr Editor
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Supervising Adr Editor
Domestic Disturbance (2001)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Supervising Adr Editor
The Adventures of Rocky & Bullwinkle (2000)
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Adr Editor
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Supervising Adr Editor
South of Heaven, West of Hell (2000)
Directed by: Dwight Yoakam
Cinematography by: James Glennon
Adr Supervisor
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Supervising Adr Editor
Nurse Betty (2000)
Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Supervising Adr Editor
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Supervising Adr Editor
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Supervising Adr Editor
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Supervising Adr Editor
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Supervising Adr Editor
Double Jeopardy (1999)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Adr Editor
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Supervising Adr Editor
A Perfect Murder (1998)
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Supervising Adr Editor
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Supervising Adr Editor
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Adr Editor
Gridlock'd (1997)
Directed by: Vondie Curtis-Hall
Cinematography by: Bill Pope
Edited by: Christopher Koefoed
Supervising Dialogue Editor
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Supervising Adr Editor
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Supervising Adr Editor
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Supervising Adr Editor
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Supervising Adr Editor
Bulletproof (1996)
Directed by: Ernest R. Dickerson
Cinematography by: Steven Bernstein
Edited by: George Folsey Jr.
Supervising Adr Editor
Carpool (1996)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Cameras: Panavision Cameras
Supervising Dialogue Editor
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Supervising Adr Editor
The Brady Bunch Movie (1995)
Directed by: Betty Thomas
Cinematography by: Mac Ahlberg
Edited by: Peter Teschner
Supervising Adr Editor
Four Rooms (1995)
Supervising Adr Editor
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Supervising Dialogue Editor
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Adr Editor
Fire in the Sky (1993)
Directed by: Robert Lieberman
Cinematography by: Bill Pope
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Adr Editor
Rapid Fire (1992)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Supervising Adr Editor
White Men Can't Jump (1992)
Directed by: Ron Shelton
Cinematography by: Russell Boyd
Supervising Adr Editor
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Supervising Adr Editor
Paradise (1991)
Directed by: Mary Agnes Donoghue
Cinematography by: Jerzy Zielinski
Supervising Adr Editor
Mystery Date (1991)
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
Supervising Adr Editor
Another You (1991)
Directed by: Maurice Phillips
Cinematography by: Victor J. Kemper
Edited by: Dennis M. Hill
Supervising Adr Editor
True Identity (1991)
Directed by: Charles Lane
Cinematography by: Thomas E. Ackerman
Edited by: Kent Beyda
Adr Editor
Mr. Destiny (1990)
Directed by: James Orr
Cinematography by: Alex Thomson
Edited by: Michael R. Miller
Supervising Adr Editor
Impulse (1990)
Directed by: Sondra Locke
Cinematography by: Dean Semler
Edited by: John W. Wheeler
Supervising Adr Editor
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Supervising Adr Editor
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Supervising Adr Editor
They Live (1988)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Adr Supervisor
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Adr Editor
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Adr Editor
Soul Man (1986)
Directed by: Steve Miner
Cinematography by: Jeffrey Jur
Edited by: David Finfer
Assistant Sound Editor
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt