Tim LeDoux

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Hustlers | ShotOnWhat?

Visual Effects Supervisor

Hustlers (2019)

Directed by: Lorene Scafaria

Cinematography by: Todd Banhazl

Edited by: Kayla Emter

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

A Star Is Born | ShotOnWhat?

Vfx Supervisor: Crafty Apes

A Star Is Born (2018)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

John Wick: Chapter 2 | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Thor: Ragnarok | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

"Young Sheldon" Pilot | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

'Young Sheldon' Pilot (2017)

Television Episode

Directed by: Jon Favreau

Cinematography by: Tim Suhrstedt

Edited by: Jeff Seibenick

Young Sheldon | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes - 1 Episode, 2017

Young Sheldon (2017)

Television Series

Directed by: Jaffar Mahmood, Alex Reid, Chris Koch, Howard Deutch, Mark Cendrowski, Rebecca Asher, Melissa Joan Hart, Michael Zinberg, Jude Weng, Jon Favreau, Peter Lauer, Don Scardino, Jonathan Judge, Richie Keen, Nikki Lorre, Beth McCarthy-Miller, Jeremy Howe, Lea Thompson, Michael Judd

Cinematography by: Buzz Feitshans IV, Neil Toussaint, Tim Suhrstedt

Edited by: David Helfand, Brian Merken, Steven Rasch, Jeff Seibenick

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Death Note | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Death Note (2017)

Directed by: Adam Wingard

Cinematography by: David Tattersall

Edited by: Louis Cioffi

Cameras: Panasonic VariCam 35, Panasonic VariCam Camera

Lenses: Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Allegiant | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Dirty Grandpa | ShotOnWhat?

Visual Effects Supervisor

Dirty Grandpa (2016)

Directed by: Dan Mazer

Cinematography by: Eric Alan Edwards

Edited by: Anne McCabe

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke S4 Lenses

Neighbors 2: Sorority Rising | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Neighbors 2: Sorority Rising (2016)

Directed by: Nicholas Stoller

Cinematography by: Brandon Trost

Edited by: Zene Baker, Michael A. Webber

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Term Life | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Term Life (2016)

Directed by: Peter Billingsley

Cinematography by: Roberto Schaefer

Edited by: Dan Lebental, Kevin Stermer

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

Doctor Strange | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Captain America: Civil War | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Pete's Dragon | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

La La Land | ShotOnWhat?

Visual Effects Supervisor

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

The 33 | ShotOnWhat?

Visual Effects Supervisor - Crafty Apes

The 33 (2015)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

"The Walking Dead" Heads Up | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

'The Walking Dead' Heads Up (2015)

Television Episode

Directed by: David Boyd

Cinematography by: Stephen Campbell

Edited by: Avi Youabian

"The Walking Dead" Here's Not Here | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

'The Walking Dead' Here's Not Here (2015)

Television Episode

Directed by: Stephen Williams

Cinematography by: Michael E. Satrazemis

Edited by: Rachel Goodlett Katz

The Single Moms Club | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

The Single Moms Club (2014)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Into the Woods | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Fargo | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes - 1 Episode, 2014

Fargo (2014)

Television Series

Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron

Cinematography by: Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd

Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Foxcatcher | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Foxcatcher (2014)

Directed by: Bennett Miller

Cinematography by: Greig Fraser

Edited by: Jay Cassidy, Stuart Levy, Conor O'Neill

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

"Fargo" Buridan's Ass | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

'Fargo' Buridan's Ass (2014)

Television Episode

Directed by: Colin Bucksey

Cinematography by: Dana Gonzales

Edited by: Regis Kimble

American Hustle | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

White House Down | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Nurse 3D | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

Nurse 3D (2013)

Directed by: Douglas Aarniokoski

Cinematography by: Boris Mojsovski

Edited by: Andrew Coutts

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Ultra Prime Lenses

Star Trek Into Darkness | ShotOnWhat?

Senior Compositor: Kelvin Optical

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Last Stand | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

12 Years a Slave | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Madea's Witness Protection | ShotOnWhat?

Compositing Supervisor: Crafty Apes

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Good Deeds | ShotOnWhat?

Compositing Supervisor

Good Deeds (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

What to Expect When You're Expecting | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes

What to Expect When You're Expecting (2012)

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Rite | ShotOnWhat?

Compositing Lead: Pixomondo

The Rite (2011)

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Fast Five | ShotOnWhat?

Visual Effects Artist: Pixomondo

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Sucker Punch | ShotOnWhat?

Digital Compositor: Pixomondo

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Hugo | ShotOnWhat?

Lead Compositor: Pixomondo

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

The Change-Up | ShotOnWhat?

Compositing Supervisor

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

A Nightmare on Elm Street | ShotOnWhat?

Digital Compositor: Pixomondo

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Shutter Island | ShotOnWhat?

Compositor: The Syndicate

Shutter Island (2010)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Editing System: Lightworks Editing System

Alice in Wonderland | ShotOnWhat?

Compositing Lead: CafeFX

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Last Airbender | ShotOnWhat?

Digital Compositor

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Walking Dead | ShotOnWhat?

Visual Effects Supervisor: Crafty Apes - 2 Episodes, 2015

The Walking Dead (2010)

Television Series

Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall

Edited by: Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses: Panavision Lenses, Zeiss Super Speeds Mk I Lenses

The Perfect Sleep | ShotOnWhat?

Digital Compositor

The Perfect Sleep (2009)

Directed by: Jeremy Alter

Cinematography by: Charles Papert

Edited by: Martin Hunter

Cameras: Sony HDW-F900 Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Public Enemies | ShotOnWhat?

Digital Compositor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

2012 | ShotOnWhat?

Digital Compositor

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Happening | ShotOnWhat?

Compositor: CafeFX

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Iron Man | ShotOnWhat?

Digital Compositor: Cafe FX

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Compositor

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Shine a Light | ShotOnWhat?

Massive Supervisor

Shine a Light (2008)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: David Tedeschi

The Kite Runner | ShotOnWhat?

Massive Artist: Cafe FX

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

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