Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.10 (2024)
Directed by: Andy Goddard
Edited by: Joe Talbot Hall
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.9 (2024)
Directed by: Andy Goddard
Visualization Executive Producer: The Third Floor - 10 Episodes, 2023-2024
Monarch: Legacy of Monsters (2023)
TV Series
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.8 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.7 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.6 (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' The Way Out (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Secrets and Lies (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Departure (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Parallels and Interiors (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Aftermath (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Visualization Executive Producer: The Third Floor
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Visualization Executive Producer: The Third Floor / Executive Producer: The Third Floor / Visualization Executive Producer: The Third Floor - 9 Episodes, 2022
The Lord of the Rings: The Rings of Power (2022)
Lenses: ARRI Signature Prime Lenses
Visualization Executive Producer: The Third Floor
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Visualization Executive Producer: The Third Floor
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Visual Effects Producer
RRR (2022)
Movie
Directed by: S.S. Rajamouli
Cinematography by: KK Senthil Kumar
Edited by: A. Sreekar Prasad
Cameras: ARRI ALEXA LF Camera
Lenses: ARRI Signature Prime Lenses
Vice President: The Third Floor
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Visual Effects Producer
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Visual Effects Producer
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Visual Effects Producer
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Visual Effects Producer
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Visual Effects Producer
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Visual Effects Producer
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Visual Effects Producer
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Visual Effects Producer
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Vice President: The Third Floor
'Game of Thrones' The Iron Throne (2019)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Vice President: The Third Floor
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Vice President: The Third Floor , Vice President: The Third Floor Inc
'Game of Thrones' The Last of the Starks (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Katie Weiland
Vice President: The Third Floor , Vice President: The Third Floor Inc
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Vice President: The Third Floor , Vice President: The Third Floor Inc
'Game of Thrones' A Knight of the Seven Kingdoms (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Vice President: The Third Floor Inc, Visual Effects Producer
'Game of Thrones' Winterfell (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Vice President: THE THIRD FLOOR
Gemini Man (2019)
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Vice President: THE THIRD FLOOR
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Vice President: The Third Floor, Vice President: The Third Floor / Vice President: The Third Floor Inc
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Vice President: The Third Floor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Vice President: The Third Floor Inc
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Visual Effects Executive Producer: The Third Floor
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Visualization By: The Third Floor
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Head Of Business Development: The Third Floor
'The Man in the High Castle' Jahr Null (2018)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Global Head Of Business Development: The Third Floor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Global Head Of Business Development: The Third Floor / Head Of Business Development: The Third Floor
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Head Of Business Development: The Third Floor
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Global Head Of Business Development: The Third Floor
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Global Head Of Business Development: The Third Floor / Head Of Business Development: The Third Floor
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Global Head Of Business Development: The Third Floor
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Visual Effects Global Head Of Business Development: The Third Floor
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Head Of Global Pipeline: Digikore / Visual Effects Producer: Daneiam, Inc
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Producer: Daneiam, Inc
Keanu (2016)
Directed by: Peter Atencio
Cinematography by: Jas Shelton
Edited by: Nicholas Monsour
Visual Effects Producer: Daneiam
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Producer: Daneiam, Inc
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Visual Effects Producer: Daneiam Inc.
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Visual Effects Producer: Daneiam Inc.
'Silicon Valley' Meinertzhagen's Haversack (2016)
Directed by: Charlie McDowell
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer - 8 Episodes, 2020
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Visual Effects Producer: Daneiam
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Producer: Daneiam
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Visual Effects Producer: Daneiam
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Visual Effects Producer: Daneiam
The Wedding Ringer (2015)
Directed by: Jeremy Garelick
Cinematography by: Bradford Lipson
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Visual Effects Producer: Daneiam, Inc.
'The Good Wife' Bond (2015)
Directed by: Brooke Kennedy
Cinematography by: Fred Murphy
Edited by: Matthew Kregor
Visual Effects Producer: Daneiam
'Game of Thrones' Sons of the Harpy (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects Producer: Daneiam
'Game of Thrones' High Sparrow (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Head Of Business Development: The Third Floor / Visual Effects Producer: Daneiam, Inc. - 2 Episodes, 2015-2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Visual Effects Producer: Daneiam, Inc.
'The Man in the High Castle' A Way Out (2015)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Visual Effects Producer: Daneiam
'Silicon Valley' Sand Hill Shuffle (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Visual Effects Producer: DANEIAM
'Silicon Valley' Runaway Devaluation (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Visual Effects Producer: 3D Scanning, Gentle Giant
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Consultant
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Visual Effects Producer: Digikore
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Visual Effects Producer: Digikore
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Visual Effects Producer: Daneiam
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Visual Effects Consultant
'The Good Wife' All Tapped Out (2014)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tim Guinness
Edited by: Matthew Kregor
Visual Effects Consultant
'The Good Wife' The Last Call (2014)
Directed by: Jim McKay
Cinematography by: Tim Guinness
Edited by: David Dworetzky
Visual Effects Consultant
'Key and Peele' Alien Impostors (2014)
Directed by: Peter Atencio
Cinematography by: Charles Papert
Edited by: Christian Hoffman
Visual Effects Producer: Digikore
Think Like a Man Too (2014)
Directed by: Tim Story
Cinematography by: Christopher Duskin
Edited by: Peter S. Elliot
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Panavision Super Speed Lenses
Visual Effects Consultant
'The Blacklist' Mako Tanida (No. 83) (2014)
Directed by: Michael W. Watkins
Edited by: Nathan Gunn
Visual Effects Consultant
'The Blacklist' The Judge (No. 57) (2014)
Directed by: Peter Werner
Edited by: Chris Brookshire
Visual Effects Consultant
'The Blacklist' Madeline Pratt (No. 73) (2014)
Directed by: Michael Zinberg
Cinematography by: Michael Caracciolo
Edited by: David Post
Visual Effects Consultant
'The Blacklist' The Cyprus Agency (No. 64) (2014)
Directed by: Michael W. Watkins
Visual Effects Consultant
'The Blacklist' The Alchemist (No. 101) (2014)
Directed by: Vincent Misiano
Edited by: Chris Brookshire
Visual Effects Consultant
'The Blacklist' The Good Samaritan (No. 106) (2014)
Directed by: Dan Lerner
Cinematography by: Arthur Albert
Edited by: David Post
Visual Effects Consultant / Visual Effects Producer: DANEIAM / Visual Effects Producer: Daneiam / Visual Effects Producer: Daneiam Inc. - 5 Episodes, 2014-2016
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Consultant
'Silicon Valley' Third Party Insourcing (2014)
Directed by: Alec Berg
Cinematography by: Jim Denault
Visual Effects Consultant
'Silicon Valley' Proof of Concept (2014)
Directed by: Mike Judge
Cinematography by: Jim Denault
Edited by: Tim Roche
Stereoscopic Producer: Stereo D
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Stereoscopic Producer: Stereo D
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer: 3D Scanning, Gentle Giant
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Producer: 3D Scanning, Gentle Giant
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Visual Effects Producer: Gentle Giant
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Producer: 3D Scanning, Gentle Giant
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Visual Effects Producer: 3D Scanning, Gentle Giant
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Visual Effects Producer: 3D Scanning, Gentle Giant
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Visual Effects Producer: Siren Digital / Visual Effects Supervisor
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Visual Effects Consultant - 13 Episodes, 2013-2014
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Visual Effects Consultant
'Body of Proof' Breakout (2013)
Directed by: Milan Cheylov
Cinematography by: Patrick Cady
Edited by: Tom McQuade
Visual Effects Consultant
'The Good Wife' The Next Week (2013)
Directed by: Frederick E.O. Toye
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Visual Effects Consultant
'The Good Wife' Hitting the Fan (2013)
Directed by: James Whitmore Jr.
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Visual Effects Consultant
'The Good Wife' Outside the Bubble (2013)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tim Guinness
Edited by: David Dworetzky
Visual Effects Consultant
'The Good Wife' A Precious Commodity (2013)
Directed by: Brooke Kennedy
Cinematography by: Fred Murphy
Edited by: Matthew Kregor
Visual Effects Consultant
'The Good Wife' Everything Is Ending (2013)
Directed by: Robert King
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Visual Effects Consultant
'The Good Wife' The Bit Bucket (2013)
Directed by: Michael Zinberg
Cinematography by: Tim Guinness
Edited by: Scott Vickrey
Visual Effects Consultant
'Body of Proof' Daddy Issues (2013)
Directed by: John Terlesky
Cinematography by: Patrick Cady
Edited by: Lynne Willingham
Visual Effects Consultant
'Body of Proof' Disappearing Act (2013)
Directed by: Sam Hill
Cinematography by: Patrick Cady
Edited by: Lynne Willingham
Visual Effects Consultant
'Body of Proof' Doubting Tommy (2013)
Directed by: Michael Grossman
Cinematography by: Patrick Cady
Visual Effects Consultant
'Body of Proof' Skin and Bones (2013)
Directed by: Michael Grossman
Cinematography by: Patrick Cady
Edited by: Paul Trejo
Visual Effects Consultant
'Body of Proof' Fallen Angel (2013)
Directed by: Christine Moore
Cinematography by: Patrick Cady
Edited by: Louise Innes
Visual Effects Consultant
'Body of Proof' Eye for an Eye (2013)
Directed by: Alex Zakrzewski
Cinematography by: Patrick Cady
Edited by: Lynne Willingham
Visual Effects Consultant
'Body of Proof' Lost Souls (2013)
Directed by: David Von Ancken
Cinematography by: Patrick Cady
Edited by: Paul Trejo
Visual Effects Consultant
'Body of Proof' Abduction: Part II (2013)
Directed by: Ralph Hemecker
Cinematography by: Patrick Cady
Edited by: Paul Trejo
Visual Effects Consultant
'Elementary' The Woman (2013)
Directed by: Seith Mann
Cinematography by: Roy H. Wagner
Edited by: Sondra Watanabe
Visual Effects Consultant
'Elementary' Snow Angels (2013)
Directed by: Andrew Bernstein
Cinematography by: Roy H. Wagner
Edited by: Gerald Valdez
Visual Effects Consultant
'Elementary' Déjà Vu All Over Again (2013)
Directed by: Jerry Levine
Cinematography by: Ron Fortunato
Visual Effects Consultant
'The Blacklist' Anslo Garrick (No. 16): Conclusion (2013)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn
Visual Effects Consultant
'The Blacklist' Anslo Garrick (No. 16) (2013)
Directed by: Joe Carnahan
Cinematography by: Arthur Albert
Visual Effects Consultant
'The Blacklist' General Ludd (No. 109) (2013)
Directed by: Stephen Surjik
Edited by: David Post
Visual Effects Consultant
'The Blacklist' Frederick Barnes (No. 47) (2013)
Directed by: Michael W. Watkins
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Visual Effects Consultant
'The Blacklist' Gina Zanetakos (No. 152) (2013)
Directed by: Adam Arkin
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Visual Effects Consultant
'The Blacklist' The Stewmaker (No. 161) (2013)
Directed by: Vincent Misiano
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Visual Effects Consultant
'The Blacklist' The Freelancer (No. 145) (2013)
Directed by: Jace Alexander
Cinematography by: Frank Prinzi
Edited by: Harvey Rosenstock
Visual Effects Producer
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Visual Effects Producer
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Consultant - 1 Episode, 2014
Key and Peele (2012)
Cinematography by: Charles Papert
Edited by: Christian Hoffman, Adam Lichtenstein, Richard LaBrie, Nicholas Monsour, Maura Corey, Phil Davis, Justin Donaldson, Neil Mahoney, Bryan Shelton, Stephen Waichulis
Cameras: ARRI ALEXA XT Camera, Sony PMW-F3 Camera
Visual Effects Consultant - 3 Episodes, 2013
Elementary (2012)
Directed by: Guy Ferland, Christine Moore, John Polson, Ron Fortunato, Seith Mann, Jerry Levine, Larry Teng, Aaron Lipstadt, Lucy Liu, Andrew Bernstein, Sanaa Hamri, Michael Slovis, Michael Pressman, Alex Chapple, Jonny Lee Miller, John David Coles, Peter Werner, Jeremy Webb, Jennifer Lynch, Phil Abraham, Colin Bucksey, Michael Cuesta, Rod Holcomb, David Platt, Rosemary Rodriguez, Adam Davidson, Jean de Segonzac, Helen Shaver, Aidan Quinn, Michael Hekmat, Maja Vrvilo, Jon Michael Hill, Thomas Carter
Cinematography by: Ron Fortunato, Tom Houghton, Roy H. Wagner, Peter Reniers, Mauricio Rubinstein, Nelson Cragg, Carlos Omar Guerra
Edited by: Sondra Watanabe, Gerald Valdez, Jeff Vacirca, Bill Zabala, Victor Du Bois, Joe Hobeck, Sally Anne Schultz, Sang Han, Michelle Fellner
Cameras: ARRI ALEXA Camera
Stereoscopic Producer
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Visual Effects Producer: Pixel Magic
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Visual Effects Producer: Pixel Magic
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Vice President: The Third Floor / Vice President: The Third Floor Inc / Visual Effects Producer: Daneiam / Visual Effects Producer - 8 Episodes, 2015-2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Consultant - 9 Episodes, 2013
Body of Proof (2011)
Directed by: Christine Moore, Nelson McCormick, Eric Laneuville, John Terlesky, Michael Grossman, Paul Holahan, Matthew Gross, Alex Zakrzewski, Stephen Cragg, Nathan Hope, Dwight H. Little, David Platt, John Polson, John Putch, Kate Woods, Kenneth Fink, David Solomon, Tom Verica, Milan Cheylov, Ralph Hemecker, Sam Hill, David Von Ancken, Michael W. Watkins
Cinematography by: Patrick Cady
Edited by: Lynne Willingham, Jennifer Barbot, Randy Jon Morgan, Paul Trejo, Tirsa Hackshaw, Eric Litman, Louise Innes, Chris G. Willingham, Susan Godfrey, Tom McQuade
Cameras: ARRI ALEXA Camera
Visual Effects Producer
Shoot the Hero (2010)
Directed by: Christian Sesma
Cinematography by: Klemens Becker
Edited by: Bruce Feagle
Stereoscopic Producer
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Co-producer, Post-production Supervisor, Visual Effects Producer
Bunraku (2010)
Directed by: Guy Moshe
Cinematography by: Juan Ruiz Anchía
Visual Effects Consultant / Visual Effects Consultant / Visual Effects Producer: Daneiam, Inc. - 9 Episodes, 2013-2015
The Good Wife (2009)
Directed by: Rosemary Rodriguez, Michael Zinberg, Brooke Kennedy, James Whitmore Jr., Félix Enríquez Alcalá, Jim McKay, Frederick E.O. Toye, Robert King, Matt Shakman, Nelson McCormick, Rod Holcomb, Roxann Dawson, Griffin Dunne, Josh Charles, Paris Barclay, Charles McDougall, Christopher Misiano, Dean Parisot, Kevin Hooks, David Dworetzky, Scott Ellis, Daniel Minahan, Gloria Muzio, John Polson, John Gallagher, Lesli Linka Glatter, Julie Hébert, Peter O'Fallon, Steve Shill, Alex Zakrzewski, Phil Abraham, Tom DiCillo, Joshua Marston, David Platt, Ted Humphrey, Craig Zisk, Phil Alden Robinson
Edited by: Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Visual Effects Producer: SnootFX
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Visual Effects Producer: Menithings Productions
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Visual Effects Producer: Menithings Productions - 1 Episode, 2003
NCIS (2003)
Directed by: Dennis Smith, Tony Wharmby, Terrence O'Hara, Thomas J. Wright, James Whitmore Jr., Arvin Brown, Leslie Libman, Rocky Carroll, Bethany Rooney, Michael Zinberg, Alrick Riley, Colin Bucksey, Mark Horowitz, Alan J. Levi, Jeff Woolnough, William Webb, Peter Ellis, Martha Mitchell, Edward Ornelas, Stephen Cragg, Michael Weatherly, Holly Dale, Diana Valentine, Donald P. Bellisario, Bradford May, Ian Toynton, Dan Lerner, Aaron Lipstadt, Oz Scott, Craig Ross Jr., Kevin Rodney Sullivan, Michelle MacLaren, Mario Van Peebles, Allan Arkush
Edited by: Gregory Gontz, Mitchel Stanley, David C. Cook, J. Scott Harvey, Roy C. Poole, Jonathan Poirier, Randy D. Wiles, M. Edward Salier, Jon Koslowsky, Heather MacDougall, Lance Anderson, Stephen Michael, Bert Glatstein, Jordan Goldman
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera
Visual Effects Producer: Menithings Productions
'NCIS' Yankee White (2003)
Directed by: Donald P. Bellisario
Cinematography by: William Webb
Edited by: Stephen Michael
Stereo Conversion Producer
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
