Edgar Meza

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The Killer | ShotOnWhat?

Engineering Services

The Killer (2023)

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Cameras: Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Black Panther | ShotOnWhat?

I.T. Engineer

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Solo: A Star Wars Story | ShotOnWhat?

IT Engineer

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Engineering Services

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Book of Henry | ShotOnWhat?

Engineering Services

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

Pete's Dragon | ShotOnWhat?

Engineering Services

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Captain America: Civil War | ShotOnWhat?

Engineering Services

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Engineering Services

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Zootopia | ShotOnWhat?

Engineering Services

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Rogue One: A Star Wars Story | ShotOnWhat?

IT Support

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

The Jungle Book | ShotOnWhat?

Engineering Services

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Doctor Strange | ShotOnWhat?

Engineering Services

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Secret Life of Pets | ShotOnWhat?

Engineering Services

The Secret Life of Pets (2016)

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Ice Age: Collision Course | ShotOnWhat?

Engineering Services

Ice Age: Collision Course (2016)

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Finding Dory | ShotOnWhat?

Engineering Services

Finding Dory (2016)

Directed by: Andrew Stanton, Angus MacLane

Cinematography by: Jeremy Lasky

Edited by: Axel Geddes

Star Wars: The Force Awakens | ShotOnWhat?

Engineering Services

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Engineering Services

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Jurassic World | ShotOnWhat?

Engineering Services

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Tomorrowland | ShotOnWhat?

Engineering Services

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Crimson Peak | ShotOnWhat?

Engineering Services

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Bridge of Spies | ShotOnWhat?

Engineering Services

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

The Walk | ShotOnWhat?

Engineering Services

The Walk (2015)

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

The Revenant | ShotOnWhat?

Engineering Services: Skywalker Sound

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Creed | ShotOnWhat?

Engineering Services

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Inside Out | ShotOnWhat?

Engineering Services

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Racing Extinction | ShotOnWhat?

Engineering Services

Racing Extinction (2015)

Directed by: Louie Psihoyos

Cinematography by: John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek

Edited by: Geoffrey Richman, Lyman Smith, Jason Zeldes

Infinitely Polar Bear | ShotOnWhat?

Engineering Services

Infinitely Polar Bear (2014)

Directed by: Maya Forbes

Cinematography by: Bobby Bukowski

Edited by: Michael R. Miller

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Style Lenses

I Origins | ShotOnWhat?

Engineering Services

I Origins (2014)

Directed by: Mike Cahill

Cinematography by: Markus Förderer

Edited by: Mike Cahill

Cameras: Red Epic Camera

The Boxtrolls | ShotOnWhat?

Engineering Services

The Boxtrolls (2014)

Directed by: Graham Annable, Anthony Stacchi

Cinematography by: John Ashlee Prat

Edited by: Edie Ichioka

Cameras: Canon EOS-5D Mark III Camera

Love Is Strange | ShotOnWhat?

Engineering Services

Love Is Strange (2014)

Directed by: Ira Sachs

Cinematography by: Christos Voudouris

Edited by: Affonso Gonçalves, Michael Taylor

How to Train Your Dragon 2 | ShotOnWhat?

Engineering Services

How to Train Your Dragon 2 (2014)

Directed by: Dean DeBlois

Cinematography by: Gil Zimmerman

Edited by: John K. Carr

Big Hero 6 | ShotOnWhat?

Engineering Services

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Gone Girl | ShotOnWhat?

Engineering Services

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

The Raid 2 | ShotOnWhat?

Engineering Services

The Raid 2 (2014)

Directed by: Gareth Evans

Cinematography by: Matt Flannery, Dimas Imam Subhono

Edited by: Gareth Evans

Cameras: GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses: Zeiss Ultra Prime Lenses

Guardians of the Galaxy | ShotOnWhat?

Engineering Services

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Rio 2 | ShotOnWhat?

Engineering Services

Rio 2 (2014)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Maleficent | ShotOnWhat?

Engineering Services

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Captain America: The Winter Soldier | ShotOnWhat?

Engineering Services

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Monsters University | ShotOnWhat?

Engineering Services

Monsters University (2013)

Directed by: Dan Scanlon

Edited by: Greg Snyder

Oblivion | ShotOnWhat?

Engineering Services

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Fruitvale Station | ShotOnWhat?

Engineering Services

Fruitvale Station (2013)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

Star Trek Into Darkness | ShotOnWhat?

Engineering Services

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Thor: The Dark World | ShotOnWhat?

Engineering Services

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

The Lone Ranger | ShotOnWhat?

Engineering Services

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Croods | ShotOnWhat?

Engineering Services

The Croods (2013)

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Epic | ShotOnWhat?

Engineering Services

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

Despicable Me 2 | ShotOnWhat?

Engineering Services

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Now You See Me | ShotOnWhat?

Engineering Services

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Bling Ring | ShotOnWhat?

Engineering Services

The Bling Ring (2013)

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Flight | ShotOnWhat?

Engineering Services

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mud | ShotOnWhat?

Engineering Services

Mud (2012)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

John Carter | ShotOnWhat?

Engineering Services

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

The Odd Life of Timothy Green | ShotOnWhat?

Engineering Services

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Red Tails | ShotOnWhat?

Engineering Services

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Beasts of the Southern Wild | ShotOnWhat?

Engineering Services

Beasts of the Southern Wild (2012)

Directed by: Benh Zeitlin

Cinematography by: Ben Richardson

Edited by: Crockett Doob, Affonso Gonçalves

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Super Speed Lenses

Editing System: Avid Editing System

Journey 2: The Mysterious Island | ShotOnWhat?

Engineering Services

Journey 2: The Mysterious Island (2012)

Directed by: Brad Peyton

Cinematography by: David Tattersall

Edited by: David Rennie

Cameras: Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera

ParaNorman | ShotOnWhat?

Engineering Services

ParaNorman (2012)

Directed by: Chris Butler, Sam Fell

Cinematography by: Tristan Oliver

Edited by: Christopher Murrie

Cameras: Canon EOS-5D Mark II Camera

Lenses: Canon Tilt-Shift Lenses, Cooke Varotal Lenses

People Like Us | ShotOnWhat?

Engineering Services

People Like Us (2012)

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Brave | ShotOnWhat?

Engineering Services

Brave (2012)

Directed by: Mark Andrews, Brenda Chapman, Steve Purcell

Edited by: Nicholas C. Smith

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Engineering Services

Madagascar 3: Europe's Most Wanted (2012)

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

The Lorax | ShotOnWhat?

Engineering Services

The Lorax (2012)

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Ice Age: Continental Drift | ShotOnWhat?

Engineering Services

Ice Age: Continental Drift (2012)

Directed by: Steve Martino, Mike Thurmeier

Cinematography by: Renato Falcão

Edited by: Christopher Campbell, James Palumbo, David Ian Salter

The Avengers | ShotOnWhat?

Engineering Services

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Wreck-It Ralph | ShotOnWhat?

Engineering Services

Wreck-It Ralph (2012)

Directed by: Rich Moore

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Engineering Services

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

War Horse | ShotOnWhat?

Engineering Services

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Girl with the Dragon Tattoo | ShotOnWhat?

Engineering Services

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

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