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United States | 1624 Titles

United States 3.00/5 1 Vote

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D.O.A. (1988)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 96 Minutes

Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller

Starring | Dennis Quaid, Meg Ryan, Charlotte Rampling, Daniel Stern

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

Armored (2009)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Nimród Antal | Cinematography by | Andrzej Sekula | Editing by | Armen Minasian

Starring | Columbus Short, Matt Dillon, Laurence Fishburne, Jean Reno

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Space Cowboys (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 130 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Tommy Lee Jones, Donald Sutherland, James Garner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

In the Valley of Elah (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis

Starring | Tommy Lee Jones, Charlize Theron, Jonathan Tucker, Jason Patric

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Braveheart (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 178 Minutes

Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Mel Gibson, Sophie Marceau, Patrick McGoohan, Angus Macfadyen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Always (1989)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn

Starring | Richard Dreyfuss, Holly Hunter, Brad Johnson, John Goodman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Point Break (1991)

Motion Picture | 2D | Color | 122 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith

Starring | Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty

Cameras | Panavision Cameras

Lenses | Panavision Lenses

2010 (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 116 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell

Starring | Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban

Cameras | Panavision Cameras

Lenses | Panavision Lenses

American Son (2008)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer

Starring | Nick Cannon, Matt Sigloch, Dotan Baer, Justin Diedolf

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Crank: High Voltage (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena

Starring | Jason Statham, Amy Smart, Clifton Collins Jr., Dwight Yoakam

Cameras | Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Charlie and the Chocolate Factory (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 115 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

A Crime (2006)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé

Starring | Harvey Keitel, Emmanuelle Béart, Norman Reedus, Joe Grifasi

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Girl, Interrupted (1999)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent

Starring | Winona Ryder, Angelina Jolie, Clea DuVall, Brittany Murphy

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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