Texas | 72 Titles
The Sugarland Express (1974)
Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields
Flamin’ Hot (2023)
Directed by | Eva Longoria | Cinematography by | Federico Cantini | Editing by | Kayla Emter, Liza D. Espinas
Cameras | Sony CineAlta VENICE Camera
Lenses | Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses
The Old Man & the Gun (2018)
Directed by | David Lowery | Cinematography by | Joe Anderson | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 416 Camera
Lenses | Canon Lenses, Cooke S4 Lenses
Upstream Color (2013)
Directed by | Shane Carruth | Cinematography by | Shane Carruth | Editing by | Shane Carruth, David Lowery
Cameras | Panasonic Lumix DMC-GH2 Camera
Giant (1956)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence
Cameras | Mitchell BNC Camera
Bonnie and Clyde (1967)
Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen
Cameras | Mitchell BNCR Camera
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Texas Chain Saw Massacre (1974)
Directed by | Tobe Hooper | Cinematography by | Daniel Pearl | Editing by | J. Larry Carroll, Sallye Richardson
Cameras | Bolex H16 RX5 Camera, Éclair NPR Camera
Apollo 13 (1995)
Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Reto Sangriento (2016)
Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens
Ebony Hustle (2021)
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Boyhood (2014)
Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
Church of Fears (2018)
Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner
Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera
Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
JFK (1991)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia
Lenses | Panavision E35 35 mm T2.0 Lens
Super Size Me (2004)
Directed by | Morgan Spurlock | Cinematography by | Scott Ambrozy | Editing by | Stela Georgieva, Julie Bob Lombardi
Cameras | Sony DSR-PD150 Camera
Queen of the South (2016)
| Cinematography by | Abraham Martinez, John Brawley, Cameron Duncan, Alejandro Martínez | Editing by | Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Cameras | ARRI ALEXA Mini Camera, Blackmagic Design Cameras
Lenses | Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Follow (2015)
Directed by | Owen Egerton | Cinematography by | Ellie Ann Fenton | Editing by | Sean McQueeney
Cameras | Sony PMW-F55 Camera