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Texas | 72 Titles

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RoboCop (1987)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

RoboCop | ShotOnWhat?

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste

Starring | Peter Weller, Nancy Allen, Dan O'Herlihy, Ronny Cox

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Resurrection (1980)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Daniel Petrie | Cinematography by | Mario Tosi | Editing by | Rita Roland

Starring | Ellen Burstyn, Sam Shepard, Richard Farnsworth, Roberts Blossom

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Syriana (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Stephen Gaghan | Cinematography by | Robert Elswit | Editing by | Tim Squyres

Starring | George Clooney, Matt Damon, Amanda Peet, Kayvan Novak

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

All the Boys Love Mandy Lane (2006)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Jonathan Levine | Cinematography by | Darren Genet | Editing by | Josh Noyes

Starring | Amber Heard, Anson Mount, Whitney Able, Michael Welch

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

Nadine (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen

Starring | Jeff Bridges, Kim Basinger, Rip Torn, Gwen Verdon

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 84 Minutes

Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas

Starring | Sacha Baron Cohen, Ken Davitian, Luenell, Chester

Cameras | Panasonic AJ-HDC27 Varicam Camera

Sick Boy (2012)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Sick Boy | ShotOnWhat?

Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham

Starring | Skye McCole Bartusiak, Marc Donato, Debbie Rochon, Cas Rooney

Cameras | Canon EOS-7D Camera

There Will Be Blood (2007)

Motion Picture | 2D | Color | 2.39:1 | 158 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Daniel Day-Lewis, Paul Dano, Ciarán Hinds, Martin Stringer

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Air Force (1943)

Motion Picture | 2D | Black & White | 1.37:1 | 124 Minutes

Directed by | Howard Hawks | Cinematography by | James Wong Howe | Editing by | George Amy

Starring | John Garfield, John Ridgely, Gig Young, Arthur Kennedy

Cameras | Bell & Howell Eyemo Camera

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

D.O.A. (1988)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 96 Minutes

Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller

Starring | Dennis Quaid, Meg Ryan, Charlotte Rampling, Daniel Stern

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

Space Cowboys (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 130 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Tommy Lee Jones, Donald Sutherland, James Garner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Terms of Endearment (1983)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 132 Minutes

Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks

Starring | Shirley MacLaine, Debra Winger, Jack Nicholson, Danny DeVito

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Arlington Road (1999)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Mark Pellington | Cinematography by | Bobby Bukowski | Editing by | Conrad Buff IV

Starring | Jeff Bridges, Tim Robbins, Joan Cusack, Hope Davis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Lost in America (1985)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer

Starring | Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision Ultra Speed MKII Lenses

Cast Away (2000)

Motion Picture | 2D | Color | 1.85:1 | 143 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Helen Hunt, Paul Sanchez, Lari White

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

Logan’s Run (1976)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman

Starring | Michael York, Jenny Agutter, Richard Jordan, Roscoe Lee Browne

Cameras | ARRIFLEX Camera, Mitchell Cameras

Beneath the Darkness (2011)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Martin Guigui | Cinematography by | Massimo Zeri | Editing by | Eric Potter

Starring | Dennis Quaid, Tony Oller, Aimee Teegarden, Stephen Ford

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

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