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Texas | 67 Titles

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Murderball (2005)

Documentary | 2D | SD Project | Color | 1.85:1 | 88 Minutes

Directed by | Henry Alex Rubin, Dana Adam Shapiro | Cinematography by | Henry Alex Rubin | Editing by | Conor O'Neill, Geoffrey Richman

Starring | Joe Soares, Keith Cavill, Mark Zupan, Joe Bishop

Cameras | Panasonic AG-DVX100 Camera

The Martian (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara

Cameras | GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Jackrabbit (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Carleton Ranney | Cinematography by | Ashley Connor | Editing by | Talia Barrett, Joseph Stankus

Starring | Ryan Dailey, Alexander Hodgins, Boots Wooten, Cinda Donovan

Cameras | ARRI ALEXA Series Cameras, Blackmagic Design Cameras

Glen Campbell: I’ll Be Me (2014)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 116 Minutes

Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonora

Starring | Glen Campbell, Kim Campbell, Ronald Petersen, Dave Kaplan

Midnight Cowboy (1969)

Motion Picture | 2D | Film Project | Black & White, Color | 113 Minutes

Directed by | John Schlesinger | Cinematography by | Adam Holender | Editing by | Hugh A. Robertson

Starring | Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver

The Big Parade (1925)

Motion Picture | 2D | Black & White | 151 Minutes

Directed by | King Vidor, George W. Hill | Cinematography by | John Arnold, Charles Van Enger | Editing by | Hugh Wynn

Starring | John Gilbert, Renée Adorée, Hobart Bosworth, Claire McDowell

Cameras | Akeley 35mm Ciné Camera

Giant (1956)

Motion Picture | 2D | Color | 1.66:1 | 201 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence

Starring | Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Transformers: Age of Extinction (2014)

Motion Picture | 3D | Color | 2.39:1 | 165 Minutes

Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Paul Rubell

Starring | Mark Wahlberg, Nicola Peltz, Jack Reynor, Stanley Tucci

Cameras | Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Prince Avalanche (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton

Starring | Paul Rudd, Emile Hirsch, Lance LeGault, Joyce Payne

Cameras | ARRI ALEXA Camera

Lenses | Bausch & Lomb Super Baltar Lenses

The Counselor (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Counselor | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Penélope Cruz, Cameron Diaz, Javier Bardem

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Escape Plan (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg

Starring | Sylvester Stallone, Arnold Schwarzenegger, Vincent D'Onofrio

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

Ain’t Them Bodies Saints (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo

Starring | Rooney Mara, Casey Affleck, Ben Foster, Nate Parker

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

RoboCop (2014)

Motion Picture | 2D | Color | 117 Minutes

RoboCop | ShotOnWhat?

Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Peter McNulty, Daniel Rezende

Starring | Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish

Cameras | ARRI ALEXA Camera, Red Epic Camera

RoboCop (1987)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

RoboCop | ShotOnWhat?

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste

Starring | Peter Weller, Nancy Allen, Dan O'Herlihy, Ronny Cox

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Resurrection (1980)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Daniel Petrie | Cinematography by | Mario Tosi | Editing by | Rita Roland

Starring | Ellen Burstyn, Sam Shepard, Richard Farnsworth, Roberts Blossom

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Syriana (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Stephen Gaghan | Cinematography by | Robert Elswit | Editing by | Tim Squyres

Starring | George Clooney, Matt Damon, Amanda Peet, Kayvan Novak

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

All the Boys Love Mandy Lane (2006)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Jonathan Levine | Cinematography by | Darren Genet | Editing by | Josh Noyes

Starring | Amber Heard, Anson Mount, Whitney Able, Michael Welch

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

Nadine (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen

Starring | Jeff Bridges, Kim Basinger, Rip Torn, Gwen Verdon

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

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