New Jersey | 55 Titles
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Clerks (1994)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
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Rounded Corners (2019)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
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Key of Brown (2013)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion
Cameras | Sony PMW-F3 Camera
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Old Dogs (2009)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Walt Becker | Cinematography by | Jeffrey L. Kimball | Editing by | Ryan Folsey, Tom Lewis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Marvin’s Room (1996)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Jerry Zaks | Cinematography by | Piotr Sobocinski | Editing by | Jim Clarkmodified:
In & Out (1997)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Paterson (2016)
Country | France, Germany, USA
Type | Motion Picture
Running Time | 118 Minutes
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera
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Curtain Call (2000)
Country | USA
Type | Documentary, Motion Picture
Running Time | 38 Minutes
Directed by | Charles Braverman | Cinematography by | Greg Andracke, Charles Braverman | Editing by | Rob Kingmodified:
Street Fight (2005)
Country | USA
Type | Documentary, Motion Picture
Running Time | 83 Minutes
Directed by | Marshall Curry | Cinematography by | Marshall Curry | Editing by | Marshall Curry, Rachel Kittner, Mary Manhardtmodified:
The Messenger (2009)
Country | USA
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 2.39:1
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Alex Hall
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Style Lenses, Cooke S4 Lenses
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On the Waterfront (1954)
Country | USA
Type | Motion Picture
Running Time | 108 Minutes
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford
Cameras | Mitchell BNC Camera
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Warrior (2011)
Country | USA
Type | Motion Picture
Running Time | 140 Minutes
Aspect Ratio | 2.35:1
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
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Midnight Cowboy (1969)
Country | USA
Type | Motion Picture
Running Time | 113 Minutes
Directed by | John Schlesinger | Cinematography by | Adam Holender | Editing by | Hugh A. Robertsonmodified:
Concussion (2013)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo
Cameras | Red Epic Camera
Lenses | Zeiss Lenses
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Don Jon (2013)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman
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Twenty Million People (2013)
Country | USA
Type | Motion Picture
Running Time | 75 Minutes
Directed by | Michael Ferrell | Cinematography by | Paul Rondeau | Editing by | Chris Prine
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
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The Wolf of Wall Street (2013)
Country | USA
Type | Motion Picture
Running Time | 180 Minutes
Aspect Ratio | 2.39:1
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
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Admission (2013)
Country | USA
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 2.39:1
Directed by | Paul Weitz | Cinematography by | Declan Quinn | Editing by | Joan Sobel
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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A Picture of You (2013)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Directed by | J.P. Chan | Cinematography by | Andrew Reed | Editing by | Kevin Barker
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss Lenses
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