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Oregon | 17 Titles

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Guillermo del Toro’s Pinocchio (2022)

Movie | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann

Starring | Ewan McGregor, David Bradley, Gregory Mann

Cameras | Canon EOS-1D Mark IV Camera

1 Out of 7 (2011)

Movie | 2D | Film Project | Color | 90 Minutes

Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas

Starring | Laura Ramsey, Toby Hemingway, Vivica A. Fox, Theresa Russell

Cameras | ARRIFLEX 235 Camera

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

The Librarians (2014)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | David Connell | Editing by | Ron Stanik, Tom McQuade, Brian Gonosey, Sonny Baskin, Chris A. Peterson, Eric L. Beason

Starring | Rebecca Romijn, Christian Kane, Lindy Booth, John Harlan Kim

Cameras | Red Epic Dragon Camera, Red One MX Camera

Mackenna’s Gold (1969)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 128 Minutes

Directed by | J. Lee Thompson | Cinematography by | Joseph MacDonald | Editing by | Bill Lenny

Starring | Gregory Peck, Omar Sharif, Telly Savalas, Camilla Sparv

Cameras | Super Panavision-70 Camera

Glen Campbell: I’ll Be Me (2014)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 116 Minutes

Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonora

Starring | Glen Campbell, Kim Campbell, Ronald Petersen, Dave Kaplan

Wild (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Reese Witherspoon, Laura Dern, Gaby Hoffmann, Michiel Huisman

Cameras | ARRI ALEXA XT Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

One Flew Over the Cuckoo’s Nest (1975)

Motion Picture | 2D | Film Project | Color | 133 Minutes

Directed by | Milos Forman | Cinematography by | Haskell Wexler | Editing by | Sheldon Kahn, Lynzee Klingman

Starring | Jack Nicholson, Louise Fletcher, Will Sampson, Michael Berryman

Leverage (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson

Starring | Timothy Hutton, Gina Bellman, Christian Kane, Beth Riesgraf

Cameras | GoPro HD Hero2 Camera, Red One MX Camera, Sony PMW-EX1 Camera

St. Helens (1981)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Ernest Pintoff | Cinematography by | Jacques Haitkin | Editing by | George Berndt

Starring | Art Carney, David Huffman, Cassie Yates, Albert Salmi

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Stand by Me (1986)

Motion Picture | 2D | Color | 89 Minutes

Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton

Starring | Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

Point Break (1991)

Motion Picture | 2D | Color | 122 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith

Starring | Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Assassins (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 132 Minutes

Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks

Starring | Sylvester Stallone, Antonio Banderas, Julianne Moore, Anatoli Davydov

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Very Harold & Kumar 3D Christmas (2011)

Motion Picture | 3D | Color | 2.39:1 | 90 Minutes

Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack

Starring | Kal Penn, John Cho, Neil Patrick Harris, Patton Oswalt

Cameras | Panavision Genesis Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Winged Migration (2001)

Documentary | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte

Starring | Jacques Perrin, Philippe Labro

Cameras | Aaton 35-III Camera, Eclair Cameras, Panavision Cameras, Technovision Cameras

Lenses | Panavision Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

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