United States | 1447 Titles
Lions for Lambs (2007)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Joe Hutshing
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dead Again (1991)
Directed by | Kenneth Branagh | Cinematography by | Matthew F. Leonetti | Editing by | Peter E. Berger
Cameras | Ultracam 35 Camera
Lenses | Cooke Lenses
10 Things I Hate About You (1999)
Directed by | Gil Junger | Cinematography by | Mark Irwin | Editing by | O. Nicholas Brown
Cameras | Moviecam Compact Camera
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Gods and Monsters (1998)
Directed by | Bill Condon | Cinematography by | Stephen M. Katz | Editing by | Virginia Katz
Cameras | ARRIFLEX Camera
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
A Few Good Men (1992)
Directed by | Rob Reiner | Cinematography by | Robert Richardson | Editing by | Robert Leighton, Steven Nevius
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Casino (1995)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
The Matrix (1999)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Lenses | Panavision Lenses
Stay Tuned (1992)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Se7en (1995)
Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce
Fly Away Home (1996)
Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Daughters of the Dust (1991)
Directed by | Julie Dash | Cinematography by | Arthur Jafa | Editing by | Joseph Burton, Amy Carey
Cameras | ARRI Cameras
Driving Miss Daisy (1989)
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Murder in the First (1995)
Priest (2011)
Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses