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United States | 1624 Titles

United States 3.00/5 1 Vote

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Postcards from the Future (2007)

Motion Picture | 2D | Color | 1.85:1 | 38 Minutes

Postcards from the Future | ShotOnWhat?

Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley

Starring | Robb Hughes, Cori Bright, Freddie Johnson, Denise Gossett

Cameras | Dalsa Origin Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

Monster (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson

Starring | Charlize Theron, Christina Ricci, Bruce Dern, Lee Tergesen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Little Children (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 136 Minutes

Directed by | Todd Field | Cinematography by | Antonio Calvache | Editing by | Leo Trombetta

Starring | Kate Winslet, Jennifer Connelly, Patrick Wilson, Jackie Earle Haley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

The Cemetery Club (1993)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter

Starring | Ellen Burstyn, Olympia Dukakis, Diane Ladd, Danny Aiello

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Pleasantville (1998)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 124 Minutes

Directed by | Gary Ross | Cinematography by | John Lindley | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Daniels, Joan Allen, Reese Witherspoon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Star Trek (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Chris Pine, Zachary Quinto, Simon Pegg, Leonard Nimoy

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Youth in Revolt (2009)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin

Starring | Michael Cera, Portia Doubleday, Ray Liotta, Jean Smart

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Talented Mr. Ripley (1999)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Michael Clayton (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | George Clooney, Tilda Swinton, Tom Wilkinson, Michael O'Keefe

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

2 Days in the Valley (1996)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | John Herzfeld | Cinematography by | Oliver Wood | Editing by | Jim Miller, Wayne Wahrman

Starring | Teri Hatcher, Jeff Daniels, Danny Aiello, Charlize Theron

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

Fast Times at Ridgemont High (1982)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins

Starring | Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Robert Romanus

Cameras | Ultracam 35 Camera

Black Rain (1989)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 125 Minutes

Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf

Starring | Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Artworks (2003)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard

Starring | Virginia Madsen, Rick Rossovich, Eddie Mills, Daniel von Bargen

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

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