Georgia USA | 60 Titles
Black Panther (2018)
Country | USA
Type | Motion Picture
Running Time | 134 Minutes
Capture Resolution | 1024x540 - (1.90:1) Capture Resolution, 4448 x 1856 - (2.39:1) Capture Resolution
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens
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The Resident (2018)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses | Leica Summicron-C 135 mm T2.0 Lens, Leica Summicron-C 18 mm T2.0 Lens, Leica Summicron-C 21 mm T2.0 Lens, Leica Summicron-C 25 mm T2.0 Lens, Leica Summicron-C 29 mm T2.0 Lens, Leica Summicron-C 35 mm T2.0 Lens, Leica Summicron-C 40 mm T2.0 Lens, Leica Summicron-C 50 mm T2.0 Lens, Leica Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
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Stranger Things (2016)
Country | USA
Type | Television Series
Running Time | 51 Minutes
Capture Resolution | 6144x3160 - (1.94:1) Capture Resolution
| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo
Lenses | Leica Lenses
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Drop Dead Diva (2009)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David A. Makin, Lloyd Ahern II, Jules Labarthe, Dermott Downs | Editing by | Augie Hess, Tirsa Hackshaw, John Murray, Noah Pontell, Justin Bourret, Thomas R. Moore, Jim Page, J. Scott Harvey
Cameras | Panavision Genesis Camera
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Finding Carter (2014)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Alison Kelly, Bradford Lipson, Karsten Gopinath | Editing by | Jim Towne, John Wesley Whitton, Tad Dennis, Brandon Lott, Tammis Chandler, Robin Katz, Evan Henke
Lenses | Leica Summilux-C Series Lenses
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Parental Guidance (2012)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
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No Good Deed (2014)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
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Guardians of the Galaxy Vol. 2 (2017)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood
Cameras | Red Weapon Dragon Camera
Lenses | Panavision Primo 70 Lenses
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Ride Along 2 (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
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Term Life (2016)
Country | USA
Type | Motion Picture
Running Time | 93 Minutes
Directed by | Peter Billingsley | Cinematography by | Roberto Schaefer | Editing by | Dan Lebental, Kevin Stermer
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
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The Nice Guys (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
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Triple 9 (2016)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
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Neighbors 2: Sorority Rising (2016)
Country | USA, China
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber
Cameras | ARRI ALEXA XT Plus Camera
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Dirty Grandpa (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
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Barbershop: The Next Cut (2016)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 1.85:1
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | Sony PMW-F55 Camera
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The Boss (2016)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert
Cameras | ARRI ALEXA 65 Camera
Lenses | Leica Summilux-C Series Lenses
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The 5th Wave (2016)
Country | USA, UK
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
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Miracles from Heaven (2016)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Emma E. Hickoxmodified:
Allegiant (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses
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Captain America: Civil War (2016)
Country | USA
Type | Motion Picture
Running Time | 147 Minutes
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
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