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Georgia USA | 70 Titles

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Ride Along 2 (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot

Starring | Ice Cube, Kevin Hart, Tika Sumpter, Benjamin Bratt

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo 70 Lenses

Term Life (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Peter Billingsley | Cinematography by | Roberto Schaefer | Editing by | Dan Lebental, Kevin Stermer

Starring | Vince Vaughn, Hailee Steinfeld, Bill Paxton, Jonathan Banks

Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera

The Nice Guys (2016)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron

Starring | Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Triple 9 (2016)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 115 Minutes

Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor

Starring | Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Aaron Paul

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Neighbors 2: Sorority Rising (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber

Starring | Seth Rogen, Rose Byrne, Zac Efron, Chloë Grace Moretz

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Dirty Grandpa (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe

Starring | Robert De Niro, Zac Efron, Zoey Deutch, Aubrey Plaza

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke S4 Lenses

Barbershop: The Next Cut (2016)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Ice Cube, Regina Hall, Anthony Anderson, Eve

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Boss (2016)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert

Starring | Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson

Cameras | ARRI ALEXA 65 Camera

Lenses | Leitz Summilux-C Series Lenses

The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War (2016)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan

Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Sleepy Hollow (2013)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau | Editing by | Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue

Starring | Tom Mison, Lyndie Greenwood, Nicole Beharie, Orlando Jones

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Artists and Orphans: A True Drama (2002)

Documentary | 2D | Color | 40 Minutes

Directed by | Lianne Klapper-McNally | Editing by | Ellen Goldwasser, Jonathan Kohen

Starring | Sharon Gans, Rosie O'Donnell

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

Dumb and Dumber To (2014)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch

Starring | Jim Carrey, Jeff Daniels, Rob Riggle, Laurie Holden

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Selma (2014)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick

Starring | David Oyelowo, Carmen Ejogo, Tim Roth, Lorraine Toussaint

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses

The Hunger Games: Mockingjay – Part 2 (2015)

Motion Picture | 3D | Color | 2.39:1 | 137 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Single Moms Club (2014)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Nia Long, Wendi McLendon-Covey, Amy Smart, Zulay Henao

Cameras | ARRI ALEXA Camera

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